Spoils of Poynton
126 pages
English

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126 pages
English

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Description

The novel The Spoils of Poynton represents a major turning point in the stylistic development of American literary master Henry James, as he eased into the tense, taut drawing-room dramas that would come to characterize his later work. The story centers on the struggle between a widow and her son as they decide what to do with the family collection of antiques, but under the surface, it's a brilliant look at family dynamics during a period of change, turmoil and shifting roles.

Informations

Publié par
Date de parution 01 juillet 2014
Nombre de lectures 0
EAN13 9781776582716
Langue English

Informations légales : prix de location à la page 0,0134€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

THE SPOILS OF POYNTON
* * *
HENRY JAMES
 
*
The Spoils of Poynton First published in 1897 Epub ISBN 978-1-77658-271-6 Also available: PDF ISBN 978-1-77658-272-3 © 2013 The Floating Press and its licensors. All rights reserved. While every effort has been used to ensure the accuracy and reliability of the information contained in The Floating Press edition of this book, The Floating Press does not assume liability or responsibility for any errors or omissions in this book. The Floating Press does not accept responsibility for loss suffered as a result of reliance upon the accuracy or currency of information contained in this book. Do not use while operating a motor vehicle or heavy equipment. Many suitcases look alike. Visit www.thefloatingpress.com
Contents
*
I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII
I
*
Mrs. Gereth had said she would go with the rest to church, but suddenlyit seemed to her that she should not be able to wait even tillchurch-time for relief: breakfast, at Waterbath, was a punctual meal,and she had still nearly an hour on her hands. Knowing the church to benear, she prepared in her room for the little rural walk, and on her waydown again, passing through corridors and observing imbecilities ofdecoration, the æsthetic misery of the big commodious house, she felt areturn of the tide of last night's irritation, a renewal of everythingshe could secretly suffer from ugliness and stupidity. Why did sheconsent to such contacts, why did she so rashly expose herself? She hadhad, heaven knew, her reasons, but the whole experience was to besharper than she had feared. To get away from it and out into the air,into the presence of sky and trees, flowers and birds, was a necessityof every nerve. The flowers at Waterbath would probably go wrong incolor and the nightingales sing out of tune; but she remembered to haveheard the place described as possessing those advantages that areusually spoken of as natural. There were advantages enough it clearlydidn't possess. It was hard for her to believe that a woman could lookpresentable who had been kept awake for hours by the wall-paper in herroom; yet none the less, as in her fresh widow's weeds she rustledacross the hall, she was sustained by the consciousness, which alwaysadded to the unction of her social Sundays, that she was, as usual, theonly person in the house incapable of wearing in her preparation thehorrible stamp of the same exceptional smartness that would beconspicuous in a grocer's wife. She would rather have perished than havelooked endimanchée .
She was fortunately not challenged, the hall being empty of the otherwomen, who were engaged precisely in arraying themselves to that direend. Once in the grounds, she recognized that, with a site, a view thatstruck the note, set an example to its inmates, Waterbath ought to havebeen charming. How she herself, with such elements to handle, would havetaken the fine hint of nature! Suddenly, at the turn of a walk, she cameon a member of the party, a young lady seated on a bench in deep andlonely meditation. She had observed the girl at dinner and afterwards:she was always looking at girls with an apprehensive or speculativereference to her son. Deep in her heart was a conviction that Owenwould, in spite of all her spells, marry at last a frump; and this fromno evidence that she could have represented as adequate, but simply fromher deep uneasiness, her belief that such a special sensibility as herown could have been inflicted on a woman only as a source of anguish. Itwould be her fate, her discipline, her cross, to have a frump broughthideously home to her. This girl, one of the two Vetches, had no beauty,but Mrs. Gereth, scanning the dullness for a sign of life, had beenstraightway able to classify such a figure as the least, for the moment,of her afflictions. Fleda Vetch was dressed with an idea, though perhapswith not much else; and that made a bond when there was none other,especially as in this case the idea was real, not imitation. Mrs. Gerethhad long ago generalized the truth that the temperament of the frump isamply consistent with a certain usual prettiness. There were five girlsin the party, and the prettiness of this one, slim, pale, andblack-haired, was less likely than that of the others ever to occasionan exchange of platitudes. The two less developed Brigstocks, daughtersof the house, were in particular tiresomely "lovely." A second glance,this morning, at the young lady before her conveyed to Mrs. Gereth thesoothing assurance that she also was guiltless of looking hot and fine.They had had no talk as yet, but this was a note that would effectuallyintroduce them if the girl should show herself in the least conscious oftheir community. She got up from her seat with a smile that but partlydissipated the prostration Mrs. Gereth had recognized in her attitude.The elder woman drew her down again, and for a minute, as they sattogether, their eyes met and sent out mutual soundings. "Are you safe?Can I utter it?" each of them said to the other, quickly recognizing,almost proclaiming, their common need to escape. The tremendous fancy,as it came to be called, that Mrs. Gereth was destined to take to FledaVetch virtually began with this discovery that the poor child had beenmoved to flight even more promptly than herself. That the poor child noless quickly perceived how far she could now go was proved by theimmense friendliness with which she instantly broke out: "Isn't it toodreadful?"
"Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's reallya comfort to be able to say it." She had an idea, for it was herambition, that she successfully made a secret of that awkward oddity,her proneness to be rendered unhappy by the presence of the dreadful.Her passion for the exquisite was the cause of this, but it was apassion she considered that she never advertised nor gloried in,contenting herself with letting it regulate her steps and show quietlyin her life, remembering at all times that there are few things moresoundless than a deep devotion. She was therefore struck with theacuteness of the little girl who had already put a finger on her hiddenspring. What was dreadful now, what was horrible, was the intimateugliness of Waterbath, and it was of that phenomenon these ladies talkedwhile they sat in the shade and drew refreshment from the great tranquilsky, from which no blue saucers were suspended. It was an uglinessfundamental and systematic, the result of the abnormal nature of theBrigstocks, from whose composition the principle of taste had beenextravagantly omitted. In the arrangement of their home some otherprinciple, remarkably active, but uncanny and obscure, had operatedinstead, with consequences depressing to behold, consequences that tookthe form of a universal futility. The house was bad in all conscience,but it might have passed if they had only let it alone. This savingmercy was beyond them; they had smothered it with trumpery ornament andscrapbook art, with strange excrescences and bunchy draperies, withgimcracks that might have been keepsakes for maid-servants andnondescript conveniences that might have been prizes for the blind. Theyhad gone wildly astray over carpets and curtains; they had an infallibleinstinct for disaster, and were so cruelly doom-ridden that it renderedthem almost tragic. Their drawing-room, Mrs. Gereth lowered her voice tomention, caused her face to burn, and each of the new friends confidedto the other that in her own apartment she had given way to tears. Therewas in the elder lady's a set of comic water-colors, a family joke by afamily genius, and in the younger's a souvenir from some centennial orother Exhibition, that they shudderingly alluded to. The house wasperversely full of souvenirs of places even more ugly than itself and ofthings it would have been a pious duty to forget. The worst horror wasthe acres of varnish, something advertised and smelly, with whicheverything was smeared; it was Fleda Vetch's conviction that theapplication of it, by their own hands and hilariously shoving eachother, was the amusement of the Brigstocks on rainy days.
When, as criticism deepened, Fleda dropped the suggestion that somepeople would perhaps see something in Mona, Mrs. Gereth caught her upwith a groan of protest, a smothered familiar cry of "Oh, my dear!" Monawas the eldest of the three, the one Mrs. Gereth most suspected. Sheconfided to her young friend that it was her suspicion that had broughther to Waterbath; and this was going very far, for on the spot, as arefuge, a remedy, she had clutched at the idea that something might bedone with the girl before her. It was her fancied exposure at any ratethat had sharpened the shock; made her ask herself with a terrible chillif fate could really be plotting to saddle her with a daughter-in-lawbrought up in such a place. She had seen Mona in her appropriate settingand she had seen Owen, handsome and heavy, dangle beside her; but theeffect of these first hours had happily not been to darken the prospect.It was clearer to her that she could never accept Mona, but it was afterall by no means certain that Owen would ask her to. He had sat bysomebody else at dinner, and afterwards he had talked to Mrs. Firmin,who was as dreadful as all the rest, but redeemingly married. Hisheaviness, which in her need of expansion she freely named, had twoaspects: one of them his monstrous lack of taste, the other hisexaggerated prudence. If it should come to a question of carrying Monawith a high hand there would be no need to worry, for that was rarelyhis manner of proceeding.
Invited by her companion, who had asked if it weren't wonderful, Mrs.Gereth had begun to say a word about Poynton; but she heard a sound ofvoices that made her stop short. The next moment she rose to her feet,and Fleda could see that her alarm was by no means quenched. Behind theplace where they had been sitting the gro

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