Jennifer Aniston Documentary Birth Name: Jennifer Aniston Born: 02/11/1969
7 pages
English

Jennifer Aniston Documentary Birth Name: Jennifer Aniston Born: 02/11/1969

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7 pages
English
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Tout savoir sur nos offres

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Jennifer Aniston Documentary Birth Name: Jennifer Aniston Born: 02/11/1969 Birth Place: Sherman Oaks, California, USA Born on Feb. 11, 1969 in Sherman Oaks, CA, Aniston was raised in Modern York Municipality by her father, longtime daytime soap actor John Aniston, and her mother, Nancy, a former ultimate-actress turned photographer. Despite her father's television profession, Aniston was actively steered away from watching TV, but she found ways around the prohibition. When she was six, Aniston began attending the Rudolf Steiner School, a Waldorf educational school that applied the Rudolf Steiner philosophy of integrating artistic and analytic learning to fulfill a schoolgirl's unique and untapped destiny. In perhaps a representation of thing to come, Aniston's father left her mother for another woman when she was nine. Meanwhile, after discovering acting at 11 while attending Rudolf Steiner, Aniston enrolled at the Fiorello LaGuardia High School of Music and Art and Performing Arts, where she joined the school's drama culture. After graduating, she began performing in manifold off-Broadway productions, including "For Dear Life" at the People Theater, while working as a bicycle messenger - among other odd jobs - to pay the rent.

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Publié le 25 juillet 2016
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Jennifer Aniston Documentary Birth Name: Jennifer Aniston Born: 02/11/1969
Birth Place: Sherman Oaks, California, USA Born on Feb. 11, 1969 in Sherman
Oaks, CA, Aniston was raised in Modern York Municipality by her father,
longtime daytime soap actor John Aniston, and her mother, Nancy, a former
ultimate-actress turned photographer. Despite her father's television
profession, Aniston was actively steered away from watching TV, but she
found ways around the prohibition. When she was six, Aniston began
attending the Rudolf Steiner School, a Waldorf educational school that applied
the Rudolf Steiner philosophy of integrating artistic and analytic learning to
fulfill a schoolgirl's unique and untapped destiny. In perhaps a representation
of thing to come, Aniston's father left her mother for another woman when she
was nine. Meanwhile, after discovering acting at 11 while attending Rudolf
Steiner, Aniston enrolled at the Fiorello LaGuardia High School of Music and
Art and Performing Arts, where she joined the school's drama culture. After
graduating, she began performing in manifold off-Broadway productions,
including "For Dear Life" at the People Theater, while working as a bicycle
messenger - among other odd jobs - to pay the rent. Subsequent a stint as a
regular on Howard Sober's terrestrial radio film, Aniston moved to Los Angeles
and immediately began landing supporting roles on many short-lived sitcoms,
mainly playing the spoiled or bratty sibling on the likes of "Molloy" (Fox, 1989)
and "Ferris Bueller" (NBC, 1990-91). After making her television picture debut
in "Camp Cucamonga" (NBC, 1990), Aniston had a short stint on the Fox
plethora report series "The Edge" (1992-93), which helped to further hone her
comedic chops, especially in a memorable skit as a member of the paranoid,
weapons-toting "Martial Family." Yet she was landing enough roles to qualify
as a working actress - including episodes of "Quantum Leap" (NBC,
1988-1993), "Herman's Model" (Fox, 1991-94) and "Burke's Regulation" (CBS,
1993-95) - by the time she appeared in the widely-rejected motion picture
"Leprechaun" (1993), Aniston was prepared to call it quits. In spite of this when
an agent suggested she drop 30 pounds - which clearly was preventing her
from landing more roles - Aniston decided to carry on making the push. Her
persistence paid off when in 1994 she landed the role of Rachel Green on a
new sitcom called "Friends." No one who was a part of the "Friends"
phenomenon could have ever predicted beforehand the motion picture's
unbridled large choice and substantial power on the cultural zeitgeist. Inside
the first season until its last a decade successive, "Friends" was one of the
most watched and discussed sitcoms on television. The motion picture
focused on six close-knit Gen-X friends struggling to make good in Manhattan:
Monica Geller (Courteney Cox), a would-be chef with an obsession for
neatness and order; Rachel Green (Aniston), Monica's pampered ultimate
friend from high school who walks out on her groom; Ross (David
Schwimmer), Monica's older brother and a paleontologist with an age-old
crush on Rachel; Chandler (Matthew Perry), a lovable wiseguy who works as a
corporate numbers cruncher; Joey (Matt LeBlanc), a struggling actor and
resident airhead; and Phoebe (Lisa Kudrow), an offbeat folk singer and
massage therapist. Throughout the course of the movie's 10 seasons,
Aniston's Rachel - one of the standout characters - went from being a
pampered daddy's daughter to an assured, self-reliant woman whoseon-another time, off-for a second time romance with Ross was the hot subject
matter around office water coolers. Conversely perhaps the representation's
fundamental leverage within the first few seasons was her shag hairdo - known
simply as The Rachel" - that was widely copied by infantile ladies in the
mid-1990s. In 1995, her mother went on national television and divulged
personal childhood information that infuriated Aniston to the point of cutting
off communication. Four years ensuing, her mother exacerbated the
estrangement by publishing a book, From Mother and Daughter to Friends
(1999), which documented their strained relationships while detailing her own
life's ups and downs. Meanwhile, Aniston reveled among the plethora of
"Friends," which helped launch a second profession in mainly independent
feature films. She landed a supporting turn as the unluckily married wife of a
womanizing stockbroker in Edward Burns' "She's the One" (1996), then had an
acerbic cameo as an overwhelmed young woman juggling career and
motherhood while in the otherwise forgettable "'Til There Was You" (1997). Her
first gain, playing an ambitious advertising executive who creates a fake
boyfriend to insure her climb up the corporate ladder, in "Portrayal
Superlative" (1997) proved both a critical and box-office disappointment. In
spite of this Aniston bounced back among the greater dramatic role of a
pregnant woman who forms a bond with her gay roommate (Paul Rudd) among
the modest assail, "The Object of My Affection" (1998). To the delight of film
geeks everywhere, Aniston had a memorable supporting role in "Office Space"
(1999), Mike Judge's hilarious lampoon on the drudgery and absurdity of
corporate life. Aniston played Joanna, a dissatisfied waitress who meets a
bored office drone (Ron Livingston) acting out his inner slacker fantasies after
a mishap with a hypnotist. Meanwhile, in 1998, Aniston became romantically
linked to Hollywood's resident golden boy, Brad Pitt, which immediately
became the obsession du jour of tabloids around the world. In fact, the two
were Hollywood's reigning "It" couple for the next multiple years, especially
after they were married in fairy fairy-tale-like fashion in July 2000. For a spell,
they were considered a Hollywood oddity - a down-to-earth married couple who
seemed meant to remain at once for the vacation of their lives. Despite their
constant appearances mutually inside the people eye, the couple worked
jointly professionally single once when Pitt appeared on a 2001 event of
"Friends" as a formerly great high school classmate with a long-simmering
resentment of Rachel. Meanwhile, Aniston's movie career continued unabated,
as she appeared as the love interest of a salesman (Sign Wahlberg) who joins a
heavy metal band in "Rock Super star" (2001), anchoring the lightweight,
high-concept motion picture as its most convincing and emotional presence. In
2002, Aniston had an impressive turn on the indie-motion picture scene in "The
Good Child," playing a bored and forlorn Midwestern housewife dissatisfied
with her life and pot-smoking husband (John C. Reilly), who discovers that
bucking her somber life is harder than she imagined. For her subtly measured
performance, Aniston rightly earned an Independent Spirit Award nomination
for Supreme Female Pro. The succeeding year, Aniston paired with Jim Carrey
for the attack comedy feature "Bruce Almighty" (2003) as the girlfriend of a
man talented with God's powers. She fared even better-quality in her follow-up,
"Along Came Polly" (2004), playing against type as a untaken spirit who
teaches her risk-fearing modern beau (Ben Stiller) how to take chances. Thatyear, Aniston and company made their final bows on "Friends." A bother all
through its first few seasons, "Friends" lagged a bit within the middle, solitary
to make a dominant resurgence from the latter seasons, exiting the airwaves at
the leading of its ratings and comedic game. Meanwhile, the role made Aniston
a celebrity, earning her four consecutive Emmy nominations (2000-03) - twice
as Crucial Supporting Actress and twice as Crucial Improvement Actress -
which led to a success from the Help Actress category in 2002, as strong as a
Golden Globe the successive year. As she moved on to her next projects,
Aniston found herself within the core of a media tempest when she released
her separation from husband Brad Pitt, who allegedly began a romance with
actress Angelina Jolie on the backdrop of their picture "Mr. & Mrs. Smith"
(2005) - a information that ensuing proved to be true. The drama played out
while in the leisure media for several months, with Aniston finally giving a
teary-eyed interview to Vanity Fair that - while taking some pains to engage in
recreation fair and amicable - decidedly cast her as the unsuspecting victim,
Pitt as the cad and Jolie as the domicile wrecker. As the media legend took
shape, Aniston soon became ridiculed by some who saw her as desperately
holding on to Pitt's flame, while her ex - they finalized their divorce in October
2005 - traipsed around the world with Jolie, donating to world relief efforts and
adopting kids from impoverished countries. Some of her friends like Cox and
singer Sheryl Crow rose to her defense, claiming the media narrative was
unfair - and in some cases misogynist - though by then, the wreckage was
done to Aniston's reputation. Ironically, throughout the media firestorm
surrounding her painful pop

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