Mr. Wicker s Window
281 pages
English

Mr. Wicker's Window

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281 pages
English
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The Project Gutenberg EBook of Mr. Wicker's Window, by Carley DawsonThis eBook is for the use of anyone anywhere at no cost and withalmost no restrictions whatsoever. You may copy it, give it away orre-use it under the terms of the Project Gutenberg License includedwith this eBook or online at www.gutenberg.orgTitle: Mr. Wicker's WindowAuthor: Carley DawsonIllustrator: Lynd WardRelease Date: May 24, 2009 [EBook #28952]Language: English*** START OF THIS PROJECT GUTENBERG EBOOK MR. WICKER'S WINDOW ***Produced by Sankar Viswanathan, Greg Weeks, and the OnlineDistributed Proofreading Team at http://www.pgdp.netCover Page Cover Page Title page Transcriber's Note:Extensive research did not uncover any evidence that the U.S. copyright on thispublication was renewed. MR.WICKER'S WINDOW byCarley Dawson Seal Illustrated byLynd Ward 1952HOUGHTON MIFFLIN COMPANY BOSTONThe Riverside Press Cambridge Copyright, 1952, byCARLEY DAWSON and LYND WARDForthose atSecond FamilyHouseSealIllustrationCHAPTER 1Christopher Mason felt numb. It seemed to him that he was as good as an orphan already, for his father, a Commanderin the Navy, was far away at sea, and Chris's mother was in a hospital, not expected to live.Chris scuffed along the brick pavements of Georgetown, but he did not, as he usually did, look about at its familiarhouses. This friendly core of the growing city of Washington, D.C., today seemed to him almost hostile ...

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Publié par
Publié le 08 décembre 2010
Nombre de lectures 100
Langue English

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The Project Gutenberg EBook of Mr. Wicker's Window, by Carley Dawson
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Mr. Wicker's Window
Author: Carley Dawson
Illustrator: Lynd Ward
Release Date: May 24, 2009 [EBook #28952]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK MR. WICKER'S WINDOW ***
Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net
Cover Page
Cover Page
Title page
Transcriber's Note:
Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.
MR. WICKER'S WINDOW
by
Carley Dawson
Seal
Illustrated by
Lynd Ward
1952
HOUGHTON MIFFLIN COMPANY BOSTON
The Riverside Press Cambridge
Copyright, 1952, by
CARLEY DAWSON and LYND WARD
For those at Second Family House
Seal
Illustration
CHAPTER 1
C
hristopher Mason felt numb. It seemed to him that he was as good as an orphan already, for his father, a Commander in the Navy, was far away at sea, and Chris's mother was in a hospital, not expected to live.
Chris scuffed along the brick pavements of Georgetown, but he did not, as he usually did, look about at its familiar houses. This friendly core of the growing city of Washington, D.C., today seemed to him almost hostile.
Georgetown, where Chris lived, is the oldest part of the capital city, built by early English settlers long years before Washington itself was even planned. Grouped at the head of the navigable part of the Potomac River, above Georgetown's bluffs, the Potomac foams and dashes over wild rocks and waterfalls, and across the river, the country starts.
Chris had just left his mother's sister, his Aunt Rachel. Aunt Rachel, white-faced, was preparing to go to the hospital to be with his mother and had asked him, "Don't you want to come too, Chris? For a little while?" But a cold-edged wing of fear had brushed the boy like a bat wing in the night. He had shaken his head, speechless, grabbed his sweater, and slammed the front door.
Now he hesitated on a corner, suddenly dismayed, not knowing quite where to go or what to do. The whole city with its white marble buildings and templed memorials, its elm-lined avenues, seemed all at once very empty.
He looked down to the Potomac, always, for Chris, just "the river," where it glinted distantly blue and silver at the end of the street. Factories along the riverbank cut off all but the farthest stretches of water as the river moved under bridge after bridge beside the banks of Maryland and Virginia.
Chris made uphis mind to see what might be in the
Pep Boys' store, far down the hill and along traffic-filled M Street. Somehow the tawdry bustle of this street, with its many shops, appealed to the boy who carried misery inside him like a cold, heavy stone. Running, he started down the hill between the lines of old brick houses, left Rock Creek Park behind him, and turning to the right up M Street, reached the hardware glitter of The Pep Boys'.
And it was there, as he stood staring in at the chromium bicycle lamps, red glass tail lights, and wire baskets, that Mike Dugan found him.
CHAPTER 2
M
ike was in his class at public school, the eighth grade. Mike was all right. Chris liked him.
"Hya, Chris!"
"Hi, Mike!"
"Whatcha doin'?"
"Nothin' much. Just looking."
"Say—you know sumthin'?" Mike wiggled himself across part of the Pep Boys' window to gain Chris's attention. "Old Wicker's got a sign in his window—he
needs a boy. For after school, I guess. Think he'd pay, huh? Whyncha try?"
Chris looked from a nickel-plated flashlight to a car jack and spark plug.
"Oh—I don't know."
Mike persisted. "Well, I'll tell you what. Know who needs a job bad? That's Jakey Harris. His mother's sick, and he's got that bad foot. Whyncha ask for him, huh? You sit next to him at school."
All Chris heard was "—needs a job bad—mother's sick."
"O.K.," he said. "Only why didn't you ask him yourself?"
Mike became uneasy and fished an elastic band out of his pocket, made a flick of paper and sent it soaring out into M Street.
"Well—" he admitted, "I did. Wicker's such a queer old guy. That ol' antique shop is dark an' spooky, an'— Well, I went in, and there wasn't nobody there, on'y him and me."
Mike stopped, and after a pause Chris said, "So what?"
Illustration
"So—" Mike swallowed. "So I said I was there about the job, an' do you know what he said? He said"—he went on without urging, but with a frown of perplexity ridging his forehead—"He said, 'Turn around and look out that window, son, and tell me what you see.'"
Mike stopped and looked at Chris with a comical expression. "Everybody knows what's outside his window!" he burst out. "Of all the silly things! But I turned around and looked, like he told me to, and of course there was the traffic goin' by, and trucks, and cabs, and people crossin' the street, and the freeway overhead, an'—youknow."
"So what did he say?" Chris asked, and for the first time that day the heavy weight he carried within him lifted and lightened a little.
Mike examined the toe of his worn shoe. "Oh, he just smiled, that funny little crackly smile, and said, 'I'm sorry, young man, you won't do.'"
Illustration
For a moment both boys stared into one another's eyes, each questioning, wondering, and neither being able to supply the answer.
At last, Chris broke the silence.
"Queerest thing I ever heard. Gee! Whaddaya suppose?"
Mike took heart, his experience believed and his bafflement shared. He spoke cheerfully. "It doesn't make sense, but old Wicker's so old he may be addled, don't you reckon? Who else would keep an antique store where nobody ever looks? All the other antique places are along Wisconsin Avenue where people go to shop."
"You reckon Jakey really could use the job?" Chris asked, his courage ebbing as he pictured to himself the dark little shop with its bow window of small panes, and Mr. Wicker, so thin and wizened he seemed only bones and wrinkles. "Think he really needs it?" he pursued.
But Mike was certain, or perhaps he needed a companion in this curious experiment.
"You bet he does! He tol' me at noon today he wished he could find something that would help bring some money in. His mother's sick," he repeated, "an' Jakey don' look so good himself."
"Well—" Chris said, half agreeing.
"I'll go with ya!" Mike announced, as if that finished the argument; which, as a matter of fact, it did.
Chris did not feel too happy about his mission and hung back a moment longer, looking in the Pep Boys' window at things he had already seen. He would have liked to get the job for Jakey, who needed it, but
somehow the task of facing Mr. Wicker, especially now that the light was going and dusk edging into the streets, was not what Chris had intended for ending the afternoon. Although he had not been quite certain how he had meant to spend the rest of the remaining daylight, Mike's plan did not seem to fit his present mood.
"Are you coming?" Mike challenged, with a hint of derision.
"Yes," said Chris suddenly, "I'm coming. I'll ask for Jakey."
Mike's expression changed at once to one of triumph, but Chris was only partly encouraged.
The two boys walked to the corner of M Street and Wisconsin Avenue. Traffic roared up the first short block of Wisconsin from under the high steel freeway down to their left.
Chris glanced down the slope of Wisconsin. Houses and shops thinned suddenly on both sides of the street. Far down at the very end, on his side, he could see the brick walls and slate roof of Mr. Wicker's house. Chris knew it well, for times without number he had pressed his nose to the square Georgian panes of Mr. Wicker's window to gaze at the strangely fascinating jumble of oddments that were displayed. Now, however, he felt in no mood to visit the curiosity shop and stood shifting his feet and looking aimlessly
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