Tales of Wonder Every Child Should Know

Various, Kate Douglas Smith Wiggin, Nora Archibald Smith

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• Publié par: enti
• Publié le: 08 décembre 2010
• Nombre de lectures: 28
• Langue: English

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Project Gutenberg's Tales of Wonder Every Child Should Know, by Various

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Title: Tales of Wonder Every Child Should Know

Author: Various

Editor: Kate Douglas Wiggin and Nora Archibald Smith

Release Date: October 4, 2006 [EBook #19461]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF WONDER ***

Produced by Juliet Sutherland, Sankar Viswanathan, and the Online Distributed Proofreading Team at http://www.pgdp.net

The three-headed monster belched forth flame

What Every Child Should Know L IBRARY

TALES OF WONDER

EVERY CHILD SHOULD KNOW

Edited by

KATE DOUGLAS WIGGIN

and NORA ARCHIBALD SMITH

Published by Doubleday, Doran & Co., Inc., for

THE PARENTS' INSTITUTE, INC.

Publishers of " T HE P ARENTS ' M AG AZINE "

52 Vanderbilt Avenue, New York

COPYRIGHT, 1909, BY DOUBLEDAY, PAGE & COMPANY

PUBLISHER'S NOTE

Doubleday, Page & Company wish to make acknowledgme nt of their indebtedness to the following publishers:

G. P. Putnam's Sons, New York and London, for permission to use "The Five Queer Brothers," "The Two Melons" and "What the Bir ds Said," from "Chinese Nights' Entertainment," by Adele M. Fielde; "The Lac of Rupees," from "Indian Fairy Tales," by Joseph Jacobs; "The S ea-maiden," from "Celtic Fairy Tales," by Joseph Jacobs; "The Black Horse" a nd "The Farmer of Liddesdale," from "More Celtic Fairy Tales," by Jos eph Jacobs; and "The Buried Moon," from "More English Fairy Tales," by Joseph Jacobs.

T. Y. Crowell & Company, New York, for permission to use "The Grateful Crane" from "The Fire-fly's Lovers," by William Elliot Griffis.

Joseph McDonough, Albany, for permission to use "Li ttle Surya Bai," "The Jackal, the Barber and the Brahmin," "Truth's Trium ph," "The Raksha's

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Palace," and "Panch-Phul Ranee," from "Old Deccan Days," by M. Frere.

Charles Scribner's Sons, New York, for permission to use "The Deserter," "Steelpacha" and "The Watch-tower Between Earth and Heaven," from "The Russian Grandmother's Wonder Tales," by L. S. Houghton.

Macmillan & Company, London, for permission to use "The Grateful Foxes" and "The Badger's Money," from "Tales of Old Japan," by A. B. Mitford.

The Review of Reviews Company, London, for permission to use "The Feast of Lanterns" and "The Lake of Gems," from "Books for the Bairns," edited by W. T. Stead.

We also wish to express our appreciation to Mr. Seumas MacManus for the use of his stories, "The Amadan of the Dough," "Hoo kedy-Crookedy," "Billy Beg and the Bull," and "The Queen of the Golden Min es," from "Donegal Fairy Stories," and "In Chimney Corners," published by us.

CONTENTS

INTRODUCTION I W O NDER (Scandinavian) W HATTHE B IRDS S AID (Chinese) T HE S MITHANDTHE F AIRIES (Gaelic) T HE G RATEFUL C RANE (Japanese) L ITTLE S URYA B AI (Southern Indian) T HE S TO RKSANDTHE N IG HT O WL (Persian) T HE F IVE Q UEER B RO THERS (Chinese) T HE L ACO F R UPEES (Southern Indian) T HE E MPERO R ' S N IG HTING ALE .H. C. A NDERSEN H O O KEDY -C RO O KEDY .S EUMAS M AC M ANUS (Celtic) A RNDT ' S N IG HT U NDERG RO UND .D. M. M ULO CK T HE U NICO RN (German) D ESTINY .E. L ABO ULAYE (Dalmatian) T HE Q UEENO FTHE G O LDEN M INES .S EUMAS M AC M ANUS (Celtic) T HE D ESERTER (Russian) T HE T WO M ELO NS (Chinese) T HE I RO N C ASKET (Persian) T HE K NIG HTSO FTHE F ISH .F ERNAN C ABALLERO (Spanish) D APPLEG RIM (Scandinavian) T HE H ERMIT .V O LTAIRE (French) T HE W ATCH - TO WER B ETWEEN E ARTHAND H EAVEN

PAGE xi 3 8 10 13 17 30 41 44 51 62 81 88 110

116 125 131 133 143 150 160

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(Russian) T HE L UCKY C O IN .F RANCO SO (Portuguese) T HE J ACKAL , THE B ARBERANDTHE B RAHMIN (Southern Indian) T HE B IRDO F T RUTH .C ABALLERO (Spanish) T HE T WO G ENIES .V O LTAIRE (French) S TEELPACHA (Russian) T HE B URIED M O O N (English) T HE F ARMERO F L IDDESDALE (English) T HE B ADG ER ' S M O NEY (Japanese)

T HE G RATEFUL F O XES (Japanese) T HE B LACK H O RSE (Celtic) T RUTH ' S T RIUMPH (Southern Indian) T HE F EASTO FTHE L ANTERNS (Chinese) T HE L AKEO F G EMS (Chinese) T HE S EA - MAIDEN (Celtic) T HE E NCHANTED W ATERFALL (Japanese) T HE A MADANO FTHE D O UG H .S EUMAS M AC M ANUS (Celtic) T HE R AKSHAS ' S P ALACE (Southern Indian) B ILLY B EGANDTHE B ULL . S EUMAS M AC M ANUS (Celtic) T HE P RINCES F IRE - FLASHAND F IRE - FADE (Japanese) P ANCH -P HUL R ANEE (Southern Indian) S CHIPPEITARO (Japanese)

I WONDER!

I wonder if in Samarcand Grave camels kneel in golden sand, Still lading bales of magic spells And charms a lover's wisdom tells, To fare across the desert main And bring the Princess home again— I wonder!

I wonder in Japan to-day If grateful beasts find out the way To those who succoured them in pain, And bring their blessings back again; If cranes and sparrows take the shape And all the ways of mortals ape— I wonder!

In Bagdad, may there still be found

165 169

174 189 200 212 233 238 241 245 251 258 271 278 290 299 302 313 323 333 337 361

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That potent powder, finely ground, Which changes all who on it feast, Monarch or slave, to bird or beast? Do Caliphs taste and unafraid, Turn storks, and weeping night-owls aid? I wonder!

I wonder if in far Cathay The nightingale still trills her lay Beside the Porcelain Palace door, And courtiers praise her as before I If emperors dream of bygone things And musing, weep the while she sings— I wonder!

Such things have never chanced to me. I wonder if to eyes that see These magic visions still appear In daily living, now and here; If every flower is touched with glory, If e'en the grass-blades tell a story— I wonder!

N. A. S.

INTRODUCTION

There is a Chinese tale, known as "The Singing Pris oner," in which a friendless man is bound hand and foot and thrown into a dungeon, where he lies on the cold stones unfed and untended.

He has no hope of freedom and as complaint will avail him nothing, he begins to while away the hours by reciting poems and stori es that he had learned in youth. So happily does he vary the tones of the speakers, feigning in turn the voices of kings and courtiers, lovers and princesses, birds and beasts, that he speedily draws all his fellow-prisoners around him, beguiling them by the spell of his genius.

Those who have food, eagerly press it upon him that his strength may be replenished; the jailer, who has been drawn into the charmed circle, loosens his bonds that he may move more freely, and finally grants him better quarters that the stories may be heard to greater advantage. Next the petty officers hear of the prisoner's marvellous gifts and report them everywhere with such effect that the higher authorities at last become interested and grant him a pardon.

Tales like these, that draw children from play and old men from the chimney- corner; that gain the freedom of a Singing Prisoner , and enable a Scheherazade to postpone from night to night her hour of death, are one and all pervaded by the same eternal magic. Pain, grief, terror, care, and bondage are all forgotten for a time when lakes of gems and enchanted waterfalls shimmer

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in the sunlight, when Rakshas's palaces rise, full-built, before our very eyes, or when Caballero's Knights of the Fish prance away on their magic chargers. "I wonder when!" "I wonder how!" "I wonder where!" we say as we follow them into the land of mystery. So Youngling said when he heard the sound of the mysterious axe in the forest and asked himself who could be chopping there.

"I wonder!" he cried again when he listened to the faerie spade digging and delving at the top of the rocks.

"I wonder!" he questioned a third time when he drank from the streamlet and sought its source, finding it at last in the enchanted walnut. Axe and spade and walnut each gladly welcomed him, you remember, saying, "It's long I've been looking for you, my lad!" for the new world is always awaiting its Columbus.

No such divine curiosity as that of Youngling's stirred the dull minds of his elder brothers and to them came no such reward. They jeered at the wanderer, reproaching him that he forever strayed from the be aten path, but when Youngling issues from the forest with the magic axe, the marvellous spade, and the miraculous nut to conquer his little world, we begin to ask ourselves which of the roads in the wood are indeed best worth following.

"Childish wonder is the first step in human wisdom," said the greatest of the world's showmen, but there are no wonders to the eyes that lack real vision. In the story of "What the Birds Said," for instance, the stolid jailer flatly denies that the feathered creatures have any message of import to convey; it is the poor captive who by sympathy and insight divines the meaning of their chatter and thus saves the city and his own life.

The tales in this book are of many kinds of wonder; of black magic, white magic and gray; ranging from the recital of strange and s upernatural deeds and experiences to those that fore-shadow modern conquests of nature and those that utilize the marvellous to teach a moral lesson. Choose among them as you will, for as the Spaniards might say, "The book is at your feet; whatever you admire is yours!"

"Tales of Wonder" is the fourth and last of our Fai ry Series in the Children's Classics, so this preface is in the nature of an ep ilogue. "The Fairy Ring," "Magic Casements," "Tales of Laughter"—each had its separate message for its little public, and "Tales of Wonder" rings down the curtain.

There was once a little brown nightingale that sang melodious strains in the river-thickets of the Emperor's garden, but when she was transported to the Porcelain Palace the courtiers soon tired of her wi ld-wood notes and supplanted her with a wonderful bird-automaton, fashioned of gold and jewels.

Time went on, but the Emperor, wisest of the court, began at last to languish, and to long unceasingly for the fresh, free note of the little brown nightingale. It was sweeter by far than the machine-made trills and roulades of the artificial songster, and he felt instinctively that only by its return could death be charmed away.

The old, yet ever new, tales in these four books are like the wild notes of the nightingale in the river-thicket, and many are the emperors to whom they have sung.

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Whenever we tire of what is trivial and paltry in the machine-made fairy tale of to-day, let us open one of these crimson volumes and hear again the note of the little brown bird in the thicket.

Tales of Wonder

I Wonder

K ATEO UG LA D S W IG G IN .

nce on a time there was a man who had three sons—Peter, Paul, and the least of all, whom they called Youngling. I can't say the man had anything more than these three sons, for he hadn't one penny to rub against another; and he told the lads, over and over again, that they must go out into the world and try to earn their bread, for at home there was nothing to be looked for but starving to death.

Now near by the man's cottage was the King's palace, and, you must know, just against the windows a great oak had sprung up, which was so stout and tall that it took away all the light. The King had said he would give untold treasure to the man who could fell the oak, but no one was man enough for that, for as soon as one chip of the oak's trunk flew off, two grew in its stead.

A well, too, the King desired, which was to hold water for the whole year; for all his neighbours had wells, but he hadn't any, and that he thought a shame. So the King said he would give both money and goods to anyone who could dig him such a well as would hold water for a whole year round, but no one could do it, for the palace lay high, high up on a hill, and they could only dig a few inches before they came upon the living rock.

But, as the King had set his heart on having these two things done, he had it given out far and wide, in all the churches of his dominion, that he who could fell the big oak in the King's courtyard, and get him a well that would hold water the whole year round, should have the Princess and half the kingdom.

Well! you may easily know there was many a man who came to try his luck; but all their hacking and hewing, all their digging and delving, were of no avail. The oak grew taller and stouter at every stroke, and the rock grew no softer.

So one day the three brothers thought they'd set off and try, too, and their father hadn't a word against it; for, even if they didn't get the Princess and half the kingdom, it might happen that they would get a place somewhere with a good master, and that was all he wanted. So when the brothers said they thought of going to the palace, their father said "Yes" at onc e, and Peter, Paul, and Youngling went off from their home.

They had not gone far before they came to a fir-wood, and up along one side of

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it rose a steep hillside, and as they went they heard something hewing and hacking away up on the hill among the trees.

"I wonder now what it is that is hewing away up yonder?" said Youngling.

"You are always so clever with your wonderings," said Peter and Paul, both at once. "What wonder is it, pray, that a wood-cutter should stand and hack up on a hillside?"

"Still, I'd like to see what it is, after all," said Youngling, and up he went.

"Oh, if you're such a child, 't will do you good to go and take a lesson," cried out his brothers after him.

But Youngling didn't care for what they said; he cl imbed the steep hillside toward where the noise came, and when he reached the place, what do you think he saw?

Why, an axe that stood there hacking and hewing, all of itself, at the trunk of a fir.

"Good day," said Youngling. "So you stand here all alone and hew, do you?"

"Yes, here I've stood and hewed and hacked a long, long time, waiting for you, my lad," said the Axe.

"Well, here I am at last," said Youngling, as he took the Axe, pulled it off its haft, and stuffed both head and haft into his wallet.

So when he climbed down again to his brothers, they began to jeer and laugh at him.

"And now, what funny thing was it you saw up yonder on the hillside?" they said.

"Oh, it was only an axe we heard," said Youngling.

When they had gone a bit farther, they came under a steep spur of rock, and up above they heard something digging and shovelling.

"I wonder, now," said Youngling, "what it is digging and shovelling up yonder at the top of the rock?"

"Ah, you're always so clever with your wonderings," said Peter and Paul again; "as if you'd never heard a woodpecker hacking and pecking at a hollow tree."

"Well, well," said Youngling, "I think it would be a piece of fun just to see what it really is."

And so off he set to climb the rock, while the others laughed and made game of him. But he didn't care a bit for that; up he clambered, and when he got near the top, what do you think he saw? Why, a spade that stood there digging and delving.

"Good day," said Youngling. "So you stand here all alone, and dig and delve?"

"Yes, that's what I do," said the Spade, "and that's what I've done this many a long day, waiting for you, my lad."

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"Well, here I am," said Youngling again, as he took the Spade and knocked off its handle, and put it into his wallet; and then he climbed down again to his brothers.

"Well, what was it, so strange and rare," said Peter and Paul, "that you saw up there at the top of the rock?"

"Oh," said Youngling, "nothing more than a spade; that was what we heard."

So they went on again a good bit, till they came to a brook. They were thirsty all three, after their long walk, and so they lay down beside the brook to have a drink.

"I have a great fancy to see where this brook comes from," said Youngling.

So up alongside the brook he went, in spite of all that his brothers shouted after him. Nothing could stop him. On he went. And as he went up and up, the brook grew smaller and smaller, and at last, a little way farther on, what do you think he saw? Why, a great walnut, and out of that the water trickled.

"Good day," said Youngling again. "So you lie here and trickle, and run down all alone?"

"Yes, I do," said the Walnut "and here have I trickled and run this many a long day, waiting for you, my lad."

"Well, here I am," said Youngling, as he took a lump of moss and plugged up the hole, so that the water mightn't run out. Then he put the Walnut into his wallet, and ran down to his brothers.

"Well, now," said Peter and Paul, "have you found out where the water comes from? A rare sight it must have been!"

"Oh, after all, it was only a hole it ran out of," said Youngling, and the others laughed and made game of him again, but Youngling didn't mind that a bit.

So when they had gone a little farther, they came to the King's palace; but as every man in the kingdom had heard that he might wi n the Princess and half the realm, if he could only fell the big oak and dig the King's well, so many had come to try their luck that the oak was now twice as stout and big as it had been at first, for you will remember that two chips grew for every one they hewed out with their axes.

So the King had now laid it down as a punishment th at if anyone tried and couldn't fell the oak, he should be put on a barren island, and both his ears were to be clipped off. But the two brothers didn't let themselves be frightened by this threat; they were quite sure they could fell the oak, and Peter, as he was the eldest, was to try his hand first; but it went with him as with all the rest who had hewn at the oak: for every chip he cut two grew in its place. So the King's men seized him, and clipped off both his ears, and put him out on the island.

Now Paul was to try his luck, but he fared just the same! When he had hewn two or three strokes, they began to see the oak grow, and so the King's men seized him, too, and clipped his ears, and put him out on the island; and his ears they clipped closer, because they said he ought to have taken a lesson from his brother.

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