La lecture en ligne est gratuite
Le téléchargement nécessite un accès à la bibliothèque YouScribe
Tout savoir sur nos offres
Télécharger Lire

Married

De
398 pages
The Project Gutenberg EBook of Married, by August Strindberg #6 in our series by August StrindbergCopyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloadingor redistributing this or any other Project Gutenberg eBook.This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do notchange or edit the header without written permission.Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of thisfile. Included is important information about your specific rights and restrictions in how the file may be used. You can alsofind out about how to make a donation to Project Gutenberg, and how to get involved.**Welcome To The World of Free Plain Vanilla Electronic Texts****eBooks Readable By Both Humans and By Computers, Since 1971*******These eBooks Were Prepared By Thousands of Volunteers!*****Title: MarriedAuthor: August StrindbergRelease Date: April, 2005 [EBook #7956] [Yes, we are more than one year ahead of schedule] [This file was first postedon June 5, 2003]Edition: 10Language: English*** START OF THE PROJECT GUTENBERG EBOOK MARRIED ***Produced by David Starner, Marc D'Hooghe, Charles Franks and the Online Distributed Proofreading Team.MARRIEDbyAUGUST STRINDBERGCONTENTSASRALOVE AND BREADCOMPELLED TOCOMPENSATIONFRICTIONSUNNATURAL SELECTIONAN ATTEMPT AT REFORMA NATURAL OBSTACLEA ...
Voir plus Voir moins

Vous aimerez aussi

The Project Gutenberg EBook of Married, by
August Strindberg #6 in our series by August
Strindberg
Copyright laws are changing all over the world. Be
sure to check the copyright laws for your country
before downloading or redistributing this or any
other Project Gutenberg eBook.
This header should be the first thing seen when
viewing this Project Gutenberg file. Please do not
remove it. Do not change or edit the header
without written permission.
Please read the "legal small print," and other
information about the eBook and Project
Gutenberg at the bottom of this file. Included is
important information about your specific rights and
restrictions in how the file may be used. You can
also find out about how to make a donation to
Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla
Electronic Texts**
**eBooks Readable By Both Humans and By
Computers, Since 1971**
*****These eBooks Were Prepared By Thousands
of Volunteers!*****
Title: MarriedAuthor: August Strindberg
Release Date: April, 2005 [EBook #7956] [Yes, we
are more than one year ahead of schedule] [This
file was first posted on June 5, 2003]
Edition: 10
Language: English
*** START OF THE PROJECT GUTENBERG
EBOOK MARRIED ***
Produced by David Starner, Marc D'Hooghe,
Charles Franks and the Online Distributed
Proofreading Team.
MARRIED
by
AUGUST STRINDBERGCONTENTS
ASRA
LOVE AND BREAD
COMPELLED TO
COMPENSATION
FRICTIONS
UNNATURAL SELECTION
AN ATTEMPT AT REFORM
A NATURAL OBSTACLE
A DOLL'S HOUSE
PHOENIX
ROMEO AND JULIA
PROLIFICACYAUTUMN
COMPULSORY MARRIAGE
CORINNA
UNMARRIED AND MARRIED
A DUEL
HIS SERVANT
THE BREADWINNER
BIBLIOGRAPHY
Strindberg's works in English translation: Plays
translated by Edwin Bjorkman; Master Olof,
American Scandinavian Foundation, 1915; The
Dream Play, The Link, The Dance of Death, New
York, Charles Scribner's Sons, 1912; Swanwhite,
Simoon, Debit and Credit, Advent, TheThunderstorm, After the Fire, the same, 1913;
There Are Crimes and Crimes, Miss Julia, The
Stronger, Creditors, Pariah, the same, 1913; Bridal
Crown, The Spook Sonata, The First Warning,
Gustavus Vasa, the same, 1916. Plays translated
by Edith and Warner Oland, Boston Luce & Co.,
Vol. I (1912), The Father, Countess Julie, The
Stronger, The Outlaw; Vol. II (1912), Facing Death,
Easter, Pariah, Comrades; Vol. III (1914),
Swanwhite, Advent, The Storm, Lucky Pehr_, tr. by
Velma Swanston Howard, Cincinnati, Stewart &
Kidd Co., 1912. The Red Room, tr. by Ellie
Schleussner, New York, Putnam's, 1913;
Confession of a Fool, tr. by S. Swift, London, F.
Palmer, 1912; The German Lieutenant and Other
Stories, Chicago, A. C. McClurg & Co., 1915; In
Midsummer Days and Other Tales, tr. by Ellie
Schleussner, London, H. Latimer, 1913;
Motherlove, tr. by Francis J. Ziegler, Philadelphia,
Brown Bros., 2nd ed., 1916, On the Seaboard, tr.
by Elizabeth Clarke Westergren, Cincinnati,
Stewart & Kidd Co., 1913; The Son of a Servant,
tr. by. Claud Field, introduction by Henry Vacher-
Burch, New York, Putnam's, 1913; The Growth of
a Soul, tr. by Claud Field, London, W. Rider & Co.,
1913; The Inferno, tr. by Claud Field, New York,
Putnam's, 1913; Legends, Autobiographical
Sketches, London, A. Melrose, 1912; Zones of the
Spirit, tr. by Claud Field, introduction by Arthur
Babillotte, London, G. Allen & Co.INTRODUCTION
These stories originally appeared in two volumes,
the first in 1884, the second in 1886. The latter
part of the present edition is thus separated from
the first part by a lapse of two years.
Strindberg's views were continually undergoing
changes. Constancy was never a trait of his. He
himself tells us that opinions are but the reflection
of a man's experiences, changing as his
experiences change. In the two years following the
publication of the first volume, Strindberg's
experiences were such as to exercise a decisive
influence on his views on the woman question and
to transmute his early predisposition to woman-
hating from a passive tendency to a positive, active
force in his character and writing.
Strindberg's art in Married is of the propagandist,
of the fighter for a cause. He has a lesson to
convey and he makes frankly for his goal without
attempting to conceal his purpose under the gloss
of "pure" art. He chooses the story form in
preference to the treatise as a more powerful
medium to drive home his ideas. That the result
has proved successful is due to the happy
admixture in Strindberg of thinker and artist. His
artist's sense never permitted him to distort or
misrepresent the truth for the sake of proving his
theories. In fact, he arrived at his theories not as a
scholar through the study of books, but as an artistthrough the experience of life. When life had
impressed upon him what seemed to him a truth,
he then applied his intellect to it to bolster up that
truth. Hence it is that, however opinionated
Strindberg may at times seem, his writings carry
that conviction which we receive only when the
author reproduces' truths he has obtained first-
hand from life. One-sided he may occasionally be
in Married, especially in the later stories, but rarely
unfaithful. His manner is often to throw such a
glaring searchlight upon one spot of life that all the
rest of it stays in darkness; but the places he does
show up are never unimportant or trivial. They are
well worth seeing with Strindberg's brilliant
illumination thrown upon them.
August Strindberg has left a remarkably rich record
of his life in various works, especially in his
autobiographical series of novels. He was born in
1849 in Stockholm. His was a sad childhood
passed in extreme poverty. He succeeded in
entering the University of Upsala in 1867, but was
forced for a time on account of lack of means to
interrupt his studies. He tried his fortune as
schoolmaster, actor, and journalist and made an
attempt to study medicine. All the while he was
active in a literary way, composing his first plays in
1869. In 1874 he obtained a position in the Royal
Library, where he devoted himself to scientific
studies, learned Chinese in order to catalogue the
Chinese manuscripts, and wrote an erudite
monograph which was read at the Academy of
Inscriptions in Paris.