La céramique décorée du site artenacien de Ponthezières à Saint-Georges-d Oléron (Charente-Maritime) dans son cadre régional - article ; n°4 ; vol.100, pg 733-755
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La céramique décorée du site artenacien de Ponthezières à Saint-Georges-d'Oléron (Charente-Maritime) dans son cadre régional - article ; n°4 ; vol.100, pg 733-755

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Bulletin de la Société préhistorique française - Année 2003 - Volume 100 - Numéro 4 - Pages 733-755
Ce travail a pour objectif d'analyser la céramique du site artenacien de Ponthezières à Saint-Georges-d'Oléron (Charente-Maritime) en confrontant les données renouvelées par des fouilles récentes menées dans le Centre-Ouest de la France. A travers l 'étude de la stratigraphie, des formes céramiques et de leur décoration, nous avons tenté de démontrer d'une part, l'existence d'indices d'une contemporanéité avec les groupes campaniformes et d'autre part, leur influence sur les traditions stylistiques artenaciennes. En second lieu, la recherche d'une meilleure définition des faciès locaux et/ou régionaux au sein de l'Artenacien nous a semblé nécessaire. La diversité de ces groupes néolithiques et leur relation avec les Campaniformes dans la seconde moitié du IIIe millénaire ont certainement eu un impact différent sur la genèse des cultures du Bronze ancien dans le Centre-Ouest de la France.
The site of Ponthezières, on the island of Oléron, was excavated over an area of 500 m2 from 1986 to 1991, and revealed the existence of a well-preserved settlement (fig. 1 and 2). From a corpus totalling over 30000 pottery sherds, this first approach of the decorated ceramics from the site was based on a sector presenting a better state of conservation (squares с to f 10-11) and on part of the ditch 86, at a point where its stratigraphic infill was practically complete (fig. 3). Due to the intense fragmentation of the corpus, only thirty-five pots could be at least partially rebuilt. They represent eleven forms and all the morphological and functional categories (fig. 4-8). The site of Ponthezières presents the traditional division of ceramics of the Artenac group in two categories (coarse and fine) which are related to the thickness of the walls, the quality of the paste and the treatment of surfaces. Although the material is quite fragmented, the site of Ponthezières had many elements which conform to the traditional organization of the Artenac decorative corpus (fig. 9-10). However, some specimens illustrate the result of a process leading to the enrichment of the decorations (fig. 11, column 2 and 3) and others have a more overall decoration without the regularity of the original geometrical forms (fig. 9, nos. 7-10). Some elements present quite a careless decoration compared to that we are accustomed to from the Artenac potters (fig. 9, nos. 11-17). The poinçonné-tiré (stamped/incised) technique largely dominates over the plastic type (deformation of the wall, addition of paste). All poinçonné-tiré decorations received a white-coloured incrustation (fig. 12). The second part of this article (Discussion ) confronts the data with that from recent excavations carried out in the Centre-West region of France, especially by chrono- stratigraphic analysis and the ceramic forms and analysis of their decoration. The site of Ponthezières has produced evidence of a contemporaneous existence with the Bell Beaker culture groups and also of the influence of these groups on the Artenac stylistic traditions. Secondly, the search for a better definition of local and/or regional Artenac culture groups appeared necessary. Confronting the distribution of the decorative techniques (fig. 14) and themes (fig. 15), it seems obvious that a distinction between the Atlantic façade and the continent can be proposed. The example of the decorations demonstrates clearly that the coastal and continental entities had a parallel evolution. Finally, this study shows that the diversity of the Neolithic groups and the diversity of relations with the Bell Beaker culture groups in the second half of the 3rd millennium ВС certainly had a different impact on the genesis of the cultures of the Early Bronze Age in central-western France.
23 pages
Source : Persée ; Ministère de la jeunesse, de l’éducation nationale et de la recherche, Direction de l’enseignement supérieur, Sous-direction des bibliothèques et de la documentation.

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Publié le 01 janvier 2003
Nombre de lectures 29
Langue Français
Poids de l'ouvrage 3 Mo

Extrait

Xavier Hénaff
La céramique décorée du site artenacien de Ponthezières à
Saint-Georges-d'Oléron (Charente-Maritime) dans son cadre
régional
In: Bulletin de la Société préhistorique française. 2003, tome 100, N. 4. pp. 733-755.
Citer ce document / Cite this document :
Hénaff Xavier. La céramique décorée du site artenacien de Ponthezières à Saint-Georges-d'Oléron (Charente-Maritime) dans
son cadre régional. In: Bulletin de la Société préhistorique française. 2003, tome 100, N. 4. pp. 733-755.
doi : 10.3406/bspf.2003.12907
http://www.persee.fr/web/revues/home/prescript/article/bspf_0249-7638_2003_num_100_4_12907Résumé
Ce travail a pour objectif d'analyser la céramique du site artenacien de Ponthezières à Saint-Georges-
d'Oléron (Charente-Maritime) en confrontant les données renouvelées par des fouilles récentes menées
dans le Centre-Ouest de la France. A travers l 'étude de la stratigraphie, des formes céramiques et de
leur décoration, nous avons tenté de démontrer d'une part, l'existence d'indices d'une contemporanéité
avec les groupes campaniformes et d'autre part, leur influence sur les traditions stylistiques
artenaciennes. En second lieu, la recherche d'une meilleure définition des faciès locaux et/ou régionaux
au sein de l'Artenacien nous a semblé nécessaire. La diversité de ces groupes néolithiques et leur
relation avec les Campaniformes dans la seconde moitié du IIIe millénaire ont certainement eu un
impact différent sur la genèse des cultures du Bronze ancien dans le Centre-Ouest de la France.
Abstract
The site of Ponthezières, on the island of Oléron, was excavated over an area of 500 m2 from 1986 to
1991, and revealed the existence of a well-preserved settlement (fig. 1 and 2). From a corpus totalling
over 30000 pottery sherds, this first approach of the decorated ceramics from the site was based on a
sector presenting a better state of conservation (squares с to f 10-11) and on part of the ditch 86, at a
point where its stratigraphic infill was practically complete (fig. 3). Due to the intense fragmentation of
the corpus, only thirty-five pots could be at least partially rebuilt. They represent eleven forms and all the
morphological and functional categories (fig. 4-8). The site of Ponthezières presents the traditional
division of ceramics of the Artenac group in two categories (coarse and fine) which are related to the
thickness of the walls, the quality of the paste and the treatment of surfaces. Although the material is
quite fragmented, the site of Ponthezières had many elements which conform to the traditional
organization of the Artenac decorative corpus (fig. 9-10). However, some specimens illustrate the result
of a process leading to the enrichment of the decorations (fig. 11, column 2 and 3) and others have a
more overall decoration without the regularity of the original geometrical forms (fig. 9, nos. 7-10). Some
elements present quite a "careless" decoration compared to that we are accustomed to from the
Artenac potters (fig. 9, nos. 11-17). The "poinçonné-tiré" (stamped/incised) technique largely dominates
over the "plastic" type (deformation of the wall, addition of paste). All "poinçonné-tiré" decorations
received a white-coloured incrustation (fig. 12). The second part of this article ("Discussion ") confronts
the data with that from recent excavations carried out in the Centre-West region of France, especially by
chrono- stratigraphic analysis and the ceramic forms and analysis of their decoration. The site of
Ponthezières has produced evidence of a contemporaneous existence with the Bell Beaker culture
groups and also of the influence of these groups on the Artenac stylistic traditions. Secondly, the search
for a better definition of local and/or regional Artenac culture groups appeared necessary. Confronting
the distribution of the decorative techniques (fig. 14) and themes (fig. 15), it seems obvious that a
distinction between the Atlantic façade and the continent can be proposed. The example of the
decorations demonstrates clearly that the coastal and continental entities had a parallel evolution.
Finally, this study shows that the diversity of the Neolithic groups and the diversity of relations with the
Bell Beaker culture groups in the second half of the 3rd millennium ВС certainly had a different impact
on the genesis of the cultures of the Early Bronze Age in central-western France.La céramique décorée du site
artenacien de Ponthezières
à Saint- Georges-d'Oléron
(Charente- Maritime)
Xavier HENAFF dans son cadre régional
faciès part, panif Résumé artenaciennes. nécessaire. les Ponthezières céramiques les Ce Ouest Campaniformes données travail ormes l'existence locaux de la a La et renouvelées et pour à France. Saint-Georges-d'Oléron d'autre et/ou En de diversité d'indices leur second objectif dans régionaux A part, décoration, de par travers la lieu, d'analyser d'une ces seconde des leur la groupes au fouilles l contemporanéité recherche 'étude influence nous sein moitié la (Charente-Maritime) néolithiques avons de céramique de récentes du sur d'une la Г Artenacien IIIe stratigraphie, tenté les millénaire menées meilleure avec traditions du et de site leur les démontrer dans nous en groupes artenacien définition relation ont des stylistiques confrontant le a certaineCentre- formes semblé d'une cam- avec des de
ment eu un impact différent sur la genèse des cultures du Bronze ancien
dans le Centre-Ouest de la France.
Abstract
The site of Ponthezières, on the island of Oléron, was excavated over an
area of 500 m2 from 1986 to 1991, and revealed the existence of a well-
preserved settlement (fig. 1 and 2). From a corpus totalling over 30000
pottery sherds, this first approach of the decorated ceramics from the site
was based on a sector presenting a better state of conservation (squares с
to f 10-11) and on part of the ditch 86, at a point where its stratigraphie
infill was practically complete (fig. 3). Due to the intense fragmentation of
the corpus, only thirty-five pots could be at least partially rebuilt. They
represent eleven forms and all the morphological and functional categories
(fig. 4-8). The site of Ponthezières presents the traditional division of
ceramics of the Artenac group in two categories (coarse and fine) which
are related to the thickness of the walls, the quality of the paste and the
treatment of surfaces. Although the material is quite fragmented, the site
of Ponthezières had many elements which conform to the traditional
organization of the Artenac decorative corpus (fig. 9-10). However, some
specimens illustrate the result of a process leading to the enrichment of
the decorations (fig. 11, column 2 and 3) and others have a more overall
decoration without the regularity of the original geometrical forms (fig. 9,
nos. 7-10). Some elements present quite a "careless" decoration compared
to that we are accustomed to from the Artenac potters (fig. 9, nos. 11-17).
The "poinçonné-tiré" (stamped/incised) technique largely dominates over
the "plastic" type (deformation of the wall, addition of paste). All
Bulletin de la Société préhistorique française 2003, tome 100, n° 4, p. 733-755 734 Xavier HÉNAFF
"poinçonné-tiré" decorations received a white-coloured incrustation
(fig. 12). The second part of this article ( "Discussion ") confronts the data
with that from recent excavations carried out in the Centre-West region of
France, especially by chrono- stratigraphie analysis and the ceramic forms
and analysis of their decoration. The site of Ponthezières has produced
evidence of a contemporaneous existence with the Bell Beaker culture groups
and also of the influence of these groups on theArtenac stylistic traditions.
Secondly, the search for a better definition of local and/or regional Artenac
culture groups appeared necessary. Confronting the distribution of the
decorative techniques (fig. 14) and themes (fig. 15), it seems obvious that a
distinction between the Atlantic façade and the continent can be proposed.
The example of the decorations demonstrates clearly that the coastal and
continental entities had a parallel evolution. Finally, this study shows that
the diversity of the Neolithic groups and the diversity of relations with the
Bell Beaker culture groups in the second half of the 3rd millennium ВС
certainly had a different impact on the genesis of the cultures of the Early
Bronze Age in central-western France.
poursuivre les premiers essais concernant la mise en INTRODUCTION
valeur de faciès locaux et/ou régionaux au sein de
L'Artenacien a été défini pour la première fois lors de l'Artenacien afin de mieux saisir la diversité d

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