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Photography After Conceptual Art

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208 pages
Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium 
  • Selected by Choice as an Outstanding Academic Title for 2011
  • Appeals to people interested in artist's use of photography and in contemporary art  
  • Tracks the efflorescence of photography as one of the most important mediums for contemporary art 
  • Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case 
  • Includes a number of the essays with previously unpublished photographs
  • Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall
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Photography After Conceptual Art presents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic medium 
  • Selected by Choice as an Outstanding Academic Title for 2011
  • Appeals to people interested in artist's use of photography and in contemporary art  
  • Tracks the efflorescence of photography as one of the most important mediums for contemporary art 
  • Explores the relation between recent art, theory and aesthetics, for which photography serves as an important test case 
  • Includes a number of the essays with previously unpublished photographs
  • Artists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall