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Puzzle Films

De
256 pages
Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love.
  • Unites American ‘independent’ cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity
  • Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia
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List of Contributors
Contents
Introduction: Puzzle Plots Warren Buckland
The Mind-Game Film Thomas Elsaesser
Making Sense of Warren Buckland
Lost Highway
“Twist Blindness”: The Role of Primacy, Priming, Schemas, and Reconstructive Memory in a First-Time Viewing of The Sixth Sense Daniel Barratt
Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices inMemento Stefano Ghislotti
“Frustrated Time” Narration: The Screenplays of Charlie Kaufman Chris Dzialo
Backbeat and Overlap: Time, Place, and Character Subjectivity inRun Lola Run Michael Wedel
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Contents
Infernal Affairsand the Ethics of Complex Narrative Allan Cameron and Sean Cubitt
Happy Together? Generic Hybridity in2046and In the Mood for Love Gary Bettinson
Revitalizing the Thriller Genre: Lou Ye’s andPurple Butterfly Yunda Eddie Feng
Suzhou River
The Pragmatic Poetics of Hong Sangsoo’sThe Day a Pig Fell into a Well Marshall Deutelbaum
Looking for Access in Narrative Complexity. The New and the Old inOldboy Eleftheria Thanouli
Index
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