Partition complète (realized continuo), VI Sonate per il Flauto Traversiere par Martin Ræhs

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Travaillez la partition de morceau VI Sonate per il Flauto Traversiere partition complète (realized continuo), sonates, fruit du travail de Ræhs, Martin. Cette partition baroque célèbre dédiée aux instruments suivants: flûte et Continuo
Cette partition se constitue de plusieurs mouvements: 6 sonates Sonata en A major Sonata en A major Sonata en B minor Sonata en D minor Sonata en A minor Sonata en D major et l'on retrouve ce genre de musique classée dans les genres pour 1 musicien avec continuo, pour flûte, continuo, sonates, partitions avec basso continuo, partitions pour flûte
Travaillez en même temps d'autres musique pour flûte et Continuo sur YouScribe, dans la rubrique Partitions de musique baroque.
Rédacteur: Christian Mondrup and Mogens Friis
Edition: Christian Mondrup
Publié le : jeudi 23 février 2012
Lecture(s) : 20
Licence : En savoir +
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Morten Ræhs
(1702–1766)
Sonata 5.
From
VI Sonate per il Flauto Traversiere...
1748
Musiksammlung der Landesbibliothek Meckelburg-Vorpommern Schwerin, Mus. 4400
Edited by
Christian Mondrup & Mogens Friis
Continuo realizations by
Christian Mondrup
c2009 Mogens Friis & Christian MondrupPreface
This score is part of the first modern edition of 6 sonatas for flute and basso continuo by Morten Ræhs (1702–1766) based on a manuscript kept at
Musiksammlung der Landesbibliothek Meckelburg-Vorpommern Schwerin (Mus. 4400) titled “VI Sonate per il Flauto Traversiere ... dal Rees”.
The manuscripts have many obvious write errors, the correction of which have been reported in the critical notes at the end of the full score and the
urtext score or, in the case of obviously missing ties, indicated in the modern edition as dashed ties. A few changes made by the editors are not error
corrections but rather due to musical considerations such as rhythmic or melodic consistency. These changes are marked directly in the score with note
numbers referring to corresponding music examples in the critical notes.
A general problem with the manuscript source of the sonatas is the phrasing slurs which seem to have been drawn sometimes very casually. This
often leaves the editors with the problem of ’reconstructing’ the actual intentions of the composer. Hence the phrasing slurs found in our modern
edition should be taken with a grain of salt. We strongly recommend our critical readers to compare our slurs with those found in the facsimiles of the
manuscript.
The use of accidentals in the manuscript source seems to reflect a change of practice at the time of copying. Sometimes accidental sharps, flats and
naturals have been set redundantly within a bar while at other occasions in accordance with modern usage. In our modern edition the accidentals have
been “normalized”, most often silently, but in a few cases accidentals added by the editors have been surrounded by parentheses.
The editors want to thank Andrea Friggi and Colin Booth for their kind and generous advice on the continuo realisations.
The scores have been typeset by Christian Mondrup by means of the music notation program MUP (see the Arkkra Enterprises home page
http://www.arkkra.com) for the note graphics and the publishing program T X (see the T X Users Group home page http://www.tug.org) for frontpages,E E
critical notes etc.
Our edition of the music by Morten Ræhs is “free” sheet music provided for non-commercial usage meaning that you may download the files for
viewing or printing on paper and that you may give printed copies to others. It does not mean, however, that you may sell printed scores nor distribute
digital copies of these editions in the given format or any other converted format without the express consent of the editors.
Mogens Friis (mogens.friis@stofanet.dk)
Christian Mondrup (reccmo@daimi.au.dk)G
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3
Sonata 5.
Morten R<hs (1702-1766)
Arr. Christian MondrupVivace
*) 3
3 |3 3 |
| |Flauto 3
4
Traversiere
3
4
Basso
Continuo
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4
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3
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+ | 3 3 | |
3 3
4 6 5 6 6 66 76 6 6 6 6 5 2 4 3 5 5 5 4 3
+ 11 + + + +
|3 3 3 3
|
pian fort
6 6 6 6 6 6 6 56 6 6 66 4 44 5p: 4
f:
+ + *) *)16
76 6 6 6 6 6 66 6 5 54 4 6 6
6 6
4 4
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+
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|
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|
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3
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5 3 3
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3
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*) Finger vibrato, see critical notesH
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5
Andante alternat
+
+ + + + + + + | + + + + + + + + + + + + + + + + + + + + + + + + + + + +
pian fort
|
6 6 6 6 6 7 66 7 6 6 6 6 6 6 5 5 5 p: f: 5 5
+ + + + + + + + + + + 6 + | + + + + + + + + + + + + + + + + + + + + +
( )
6 6 7 6 6 9 8 6 6 9 8 6 6 9 8 6 65 4 5 4 3 5 4 3 5 4 5 3
+ + + + + + 11 + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
( )
9 8 6
6 6 6 6 6 6 6 6 6 6 6 6 64 3 54 6 65 4 5 4 53 4 43
3
+ + + + + + 16 + + + + + + + + + + + + + + + + + + + + + + + + + + + + +
fine
6 6 6 5 6 6 6 66 6 6 6 fine 6 5 4 3 5 5 7 6 5 4 5 4 33G
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+
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3 3
pian
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|
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6 6 6 6 6 6 6 6 6 56 6 7 5 5 5 5 4 4
6 5 6 63 p: f: 4
+ 9 + + + | + | | | +
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+ 17 + + +
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( )
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9
+ + 33 +
| | | |
7 7 6 6 66 6 66 6 6 5 5
|41
|
6 6 6 6 6 6 6 5 6 6 66 6 7 5 5 5 5
49 + +
+ + + +
6 6 6 6 6 6 5 7 7 6 5 7 7 57 66 5
57 + +
(3) 3
6 6 6 6 4 6 7 6 6 7 7 66 5 2 4 4
310
Critical notes:
Vivace
Bar No. Part Note No. Comment
1 Flauto 5 Ornament=’finger vibrato’
9 Flauto 5 Dot below articulation bar in ms.
10 Flauto 9 Ornament=’finger vibrato’
19 Flauto 9 Ornament=’finger vibrato’
20 Flauto 9 Ornament=’finger vibrato’
33 Flauto 6 No accidental ♯ in ms.
35 Flauto 11 No accidental ♮ in ms.
38 Flauto 5 Ornament=’finger vibrato’
Andante alternat
Bar No. Part Note No. Comment
7 Flauto 3,7 No accidental ♯ in ms.
12 Flauto 8 No accidental ♯ in ms.
28 Flauto 9 No accidental ♭ in ms.
29 Flauto 9 No accidental ♮ in ms.
Allegro
Bar No. Part Note No. Comment
132 Flauto 3–4 notes in ms.
8
39 Flauto 6 No accidental ♯ in ms.
On ’finger vibrato’, see Maria Bania’s dissertation “Sweetenings and Babylonish Gabble, Flute Vibrato and Articulation of Fast Passages in the 18th
and 19th cebturies” Gothenburg 2008. The chapter ’Flute Vibrato’, p. 13ff describes vibrato technique, incl. fingerings. Appendix 4, p. 319f lists
indications of vibrato notes in the flute sonatas by Morten Ræhs,.

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