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Partition , Kyrie, Missa Sanctae Mariae Magdalenae, A minor, Sances, Giovanni Felice

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12 pages
Pratiquez la partition de Missa Sanctae Mariae Magdalenae , Kyrie, Masses, de Sances, Giovanni Felice , A minor. Cette partition de musique baroque dédiée aux instruments tels que:
  • voix: chœur mixte (SSAATTB)orchestre: 2 trompettes (ou 2 cornets)
  • 4 trombones (ATTB) + 2 violons
  • 2 violettas
  • 2 altos + continuo

Cette partition se constitue de 5 mouvements et est répertoriée dans les genres
  • Masses
  • religieux travaux
  • pour chœur mixte, orchestre
  • partitions chœur mixte
  • partitions pour orchestre
  • pour chœur avec orchestre
  • langue latine

Consultez encore une grande sélection de musique pour 2 violettas, voix: chœur mixte (SSAATTB)orchestre: 2 trompettes (ou 2 cornets), 2 altos + continuo, 4 trombones (ATTB) + 2 violons sur YouScribe, dans la catégorie Partitions de musique baroque.
Date composition: 1660s
Rédacteur: Steven Saunder David Hauser
Edition: David Hauser, Steven Saunder
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Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
Kyrie
Sonata                           Trombetta o Cornetto 1 
                          Trombetta o Cornetto 2 
                 Alto Trombone                  Tenor Trombone
                 Tenor Trombone  
              Basso Trombone     
                        Violino 1  
                 Violino 2      
    Violetta 1              
                     Violetta 2   
           Viola 3          
              Viola 4    
       Canto 1 
      Canto 2 
      Alto 1 
      Alto 2 
      Tenor 1 
      Tenor 2 
       Basso 
4-3# ß             Organo      
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)§
§
Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
2
Kyrie Eleison7                        Tpt 1 
                    Tpt 2   
        A Trb.     
                  T Trb. 1  
               T Trb. 2 
       B Trb.   
                  Vln 1 
          Vln 2  
     Vltta 1        
            Vltta 2    
     Vla 3          
       Vla 4   
        C 1 
       C 2 
S[olo]               A 1              
Ky-ri-e e-le-i- son, Ky-ri-e e-le - i-
S[olo]              A 2                 
ri-e e-le-i- son,Ky - ri-e e-le - i-Ky-       T 1 
       T 2 
         B 
4-3 # 4-3ß 4-3 4-3          Org.      
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
3
14
      Tpt 1 
        Tpt 2 
      A Trb. 
       T Trb. 1
       T Trb. 2
       B Trb.
          Vln 1 
          Vln 2 
      Vltta 1 
       Vltta 2
       Vla 3
       Vla 4
S[olo]                       C 1      
Ky-ri-e e -le-i- son, Ky-ri-e e-le-i-son,
S[olo]                  C 2          
Ky-ri-e e - le-i- son, Ky-ri-e e-le-i-son,
      A 1  
son,
      A 2  
son, S[olo]                       T 1             Ky-ri-e e-le - i-son,e-le-i-son, Ky-ri-e e-le-i-son,
S[olo]             T 2             Ky-ri -e e-le-i-son, Ky-ri-e e-le-i-son,
S[olo]                 B         
Ky-ri - e e-le-i-son, Ky-ri-e e-le-i-son,
6 6 4-3 ß# 4-3 ƒ ƒ ƒ #ƒ         Org.         
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
4
20          Tpt 1 
          Tpt 2 
                 A Trb. 
                 T Trb. 1
           T Trb. 2
             B Trb. 
                     Vln 1 
                    Vln 2  
   Vltta 1              
                      Vltta 2
        Vla 3             
              Vla 4 
T[utti]                              C 1                 
Ky-ri - e e-le - i-son, <Ky-ri - e e - le - i-son>, e-le-i-son, Ky-ri-e e-le - i-son,
T[utti]                                 C 2           
Ky-ri - e e-le - i-son, Ky - ri-e e-le-i-son, Ky-ri-e e-le - i- son,
T[utti]         A 1                
Ky-ri-e e-le - i-son, Ky - ri - e e - le-i-son,
T[utti]                    A 2                    
Ky-ri - e e - le - i-son, e-le-i-son, Ky-ri -e e-Ky-ri-e e-le - i-son,
T[utti]                            T 1          Ky-ri -e e - le - i-son, Ky-ri - e e-le-i-son, Ky-ri -e e-
T[utti]             T 2       Ky-ri - e e - le - - i-son,
T[utti]                 B          
Ky-ri -e e - le - i-son, Ky-ri - e e-le-i-son,
[ß] 66 4-3 [5]6 6 6 4-3 ƒƒ                Org.  
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)

Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
5
25          Tpt 1  
          Tpt 2  
                      A Trb.  
                     T Trb. 1 
                 T Trb. 2 
                   B Trb.  
                Vln 1  
                 Vln 2     
     Vltta 1                     
                               Vltta 2    
                  Vla 3         
                      Vla 4  
                     C 1       
Ky - ri-e e - le-i-son, Ky-ri-e e-le - i-son, e - le - i - son.
                   C 2        
Ky-ri e e - le-i-son, Ky-ri-e e-le - i-son, e - le - i - son.               A 1                              
Ky-ri-e e-le - i- ri -eson, i-son, ri-e e-le - i -son, Ky -e-le- Ky- e- le - i-son                 A 2                                 
le-i-son, Ky-ri - e e-le-i-son, Ky-ri e e - le - i-son, Ky-ri-e e-le-i-son, e- le - i-son.                    T 1              le-i-son, e - le-i-son, Ky-ri -e e-le - i - son, Ky - ri -e e - le - i - son.
               T 2                      Ky-ri-e e-lei -son, e-le-i-son, Ky-ri-e e-le-i son, e - le - i - son.
                         B                 
Ky-ri-e e-le - i-son, e-le-i-son, Ky-ri e e - le - i-son, Ky - ri -e e - le - i - son.
6 6 4-34-3 ƒ             Org.   
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
6
31 Christe           Tpt 1 
           Tpt 2 
             A Trb.  
               T Trb. 1 
            T Trb. 2 
            B Trb.    
              Vln 1 
             Vln 2 
             Vltta 1 
               Vltta 2 
         Vla 3       
            Vla 4    
S[olo]               C 1 
Chri - ste, Chri - ste e - le - i-son,
S[olo]               C 2 
Chri - ste, Chri - ste e - le - i-son,
S[olo]         A 1      
Chri - ste, Chri - ste e - le - i-son,
S[olo]        A 2      
Chri- stie, Chri - ste e - le - i-son,
S[olo] S[olo]            T 1      Chri - ste, Chri - ste e - le - i-son, Chri - ste,
S[olo]          T 2    Chri - ste,
S[olo]            B     
Chri - ste, Chri - ste e - le - i-son, Chri - ste,
4-3 4-3 4-3ß ƒ ß ƒ ƒ              Org.       
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)
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Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
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41
          Tpt 1 
          Tpt 2 
              A Trb. 
             T Trb. 1
           T Trb. 2 
          B Trb.   
               Vln 1 
               Vln 2 
        Vltta 1        
              Vltta 2
       Vla 3        
           Vla 4   
T[utti]               C 1 
Chri - ste, Chri - ste e - le - i-son, e - le - i-son,
T[utti]               C 2   
Chri - ste, Chri - ste e - le - i-son, e - le - i-son,
T[utti] S[olo]     A 1              Chri - ste, Chri - steChri - ste, Chri - ste e - le - i-son, e - le - i-son,
S[olo]T[utti]    A 2            
e - le - i- son, e - le - i - son, Chri - ste, Chri - ste
T[utti]           T 1          Chri - ste e - le - i-son, Chri-ste e - le - i-son, e - le - i - son,
T[utti]       T 2               Chri - ste e - le - i-son, Chri-ste e - le - i-son, e - le - i-son,
T[utti] S[olo]           B          
Chri - ste e - le - i-son, e - le - i-son, e - le - i-son, Chri - ste, Chri - steƒ ƒ4-3 4-3 4-3 [ß] ƒƒ               Org.     
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
8
Sonata51              Tpt 1 
          Tpt 2 
          A Trb.     
                T Trb. 1 
              T Trb. 2 
        B Trb.       
                Vln 1 
           Vln 2 
       Vltta 1         
            Vltta 2
     Vla 3       
        Vla 4       
T[utti]               C 1 
e - le - i-son, e - le - i-son.
T[utti]            C 2  
e - le - i-son, e - le - i-son.
T[utti]       A 1        
e - le - i-son, e - le - i-son.
T[utti]     A 2        
e - le - i-son, e - le - i-son.
T[utti]         T 1        e - le - i-son, e - le - i-son.
T[utti]      T 2         e - le - i-son, e - le - i-son.
T[utti]         B      
e - le - i-son, e - le - i-son.
4-3 4-3 4-3          Org.          
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)§

Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
9
59                             Tpt 1 
                                Tpt 2  
      A Trb. 
       T Trb. 1
       T Trb. 2
       B Trb.
      Vln 1 
      Vln 2 
      Vltta 1 
       Vltta 2
       Vla 3
       Vla 4
       C 1 
      C 2 
      A 1 
      A 2 
      T 1 
      T 2 
       B 
4-34-3 4-3 #ß fl      Org.              
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)§
§
Giovanni Felice Sances, Missa Sanctae Maria Magdalenae, KYRIE, ed. David Hauser and Steven Saunders
10
65                Tpt 1 
              Tpt 2 
      A Trb. 
       T Trb. 1
       T Trb. 2
       B Trb.
      Vln 1 
      Vln 2 
      Vltta 1 
       Vltta 2
       Vla 3
       Vla 4
S[olo]            C 1  
Ky-ri-e
S[olo]        C 2   
Ky-ri-e
S[olo]     A 1          
Ky-ri-e e-le - i-son,
S[olo]    A 2           
Ky-ri-e e-le - i-son,
      T 1 
      T 2 
       B 
ß ß 4-3ß 4-3 ƒ                 Org.   
WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.ssccm-wlscm.org), WLSCM No. 2 (April 2003)

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