Partition Sonata 2 en A major, Urtext score, VI Sonate per il Flauto Traversiere

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Consultez les partitions de morceau VI Sonate per il Flauto Traversiere Sonata 2 en A major, Urtext score, sonates, par Ræhs, Martin. La partition baroque écrite pour les instruments comme: flûte et Continuo
La partition compte différents mouvements: 6 sonates Sonata en A major Sonata en A major Sonata en B minor Sonata en D minor Sonata en A minor Sonata en D major et est classifiée dans les genres
  • sonates
  • pour flûte, continuo
  • partitions pour flûte
  • partitions avec basso continuo
  • pour 1 musicien avec continuo

Redécouvrez dans le même temps une grande sélection de musique pour flûte et Continuo sur YouScribe, dans la rubrique Partitions de musique baroque.
Rédacteur: Christian Mondrup and Mogens Friis
Edition: Christian Mondrup
Publié le : jeudi 23 février 2012
Lecture(s) : 16
Licence : En savoir +
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Morten Ræhs
(1702–1766)
Sonata 2.
From
VI Sonate per il Flauto Traversiere...
1748
Musiksammlung der Landesbibliothek Meckelburg-Vorpommern Schwerin, Mus. 4400
Edited by
Christian Mondrup & Mogens Friis
Urtext
c 2009 Mogens Friis & Christian MondrupPreface
This score is part of the first modern edition of 10 sonatas for flute and basso continuo by Morten Ræhs (1702–1766) based on a manuscript kept at the
omusic department of the Royal Library, Copenhagen as “CII, 35” (Gieddes Samling I,15 2 ) titled “10 Solos a` Flauto Traverso & Violoncello Dall Sigr
M: Ræhs”.
A concordance of Sonata no. 7 exists as Sonata no. 2 in a manuscript from Musiksammlung der Landesbibliothek Meckelburg-Vorpommern
Schwerin (Mus. 4400). This score contains the Schwerin version.
The manuscripts have many obvious write errors, the correction of which have been reported in the critical notes at the end of the full score and the
urtext score or, in the case of obviously missing ties, indicated in the modern edition as dashed ties. A few changes made by the editors are not error
corrections but rather due to musical considerations such as rhythmic or melodic consistency. These changes are marked directly in the score with note
numbers referring to corresponding music examples in the critical notes.
A general problem with the manuscript source of the sonatas is the phrasing slurs which seem to have been drawn sometimes very casually. This
often leaves the editors with the problem of ’reconstructing’ the actual intentions of the composer. Hence the phrasing slurs found in our modern
edition should be taken with a grain of salt. We strongly recommend our critical readers to compare our slurs with those found in the facsimiles of the
manuscript.
Some of dynamic indications of the Schwerin Sonata seem to have been placed rather casually in the manuscript. In these cases the editors have
chosen to adapt the positions of these indications to the musical context.
The use of accidentals in the manuscript source seems to reflect a change of practice at the time of copying. Sometimes accidental sharps, flats and
naturals have been set redundantly within a bar while at other occasions in accordance with modern usage. In our modern edition the accidentals have
been “normalized”, most often silently, but in a few cases accidentals added by the editors have been surrounded by parentheses.
The editors want to thank Colin Booth for his kind and generous advice on the continuo realisations.
The scores have been typeset by Christian Mondrup by means of the music notation program MUP (see the Arkkra Enterprises home page
http://www.arkkra.com) for the note graphics and the publishing program T X (see the T X Users Group home page http://www.tug.org) for frontpages,E E
critical notes etc.
Our edition of the music by Morten Ræhs is “free” sheet music provided for non-commercial usage meaning that you may download the files for
viewing or printing on paper and that you may give printed copies to others. It does not mean, however, that you may sell printed scores nor distribute
digital copies of these editions in the given format or any other converted format without the express consent of the editors.
Mogens Friis (mogens.friis@stofanet.dk)
Christian Mondrup (scancm@biobase.dk)G
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3
Sonata 2.
Allegro moderato Morten RMorten R<<hs (1702-1766)
+
Flauto

Traverso
Basso
Continuo
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+ + 3 + + 2 (3) + (3) (3) (3) (3) 3
( )
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66 4 3 5
4 |||| 333
3
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+
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3
+ 8 |+ + + (+)
3 3 3 3 3 |
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3
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Adagio
+ + 3 | *)+ | | 3
|
6 6 7 6 6
5
+ +
2 33 + | 33 3 | ( )
7 6 7 6 6 6 6 6 66 6 7 5 44
2
+
|4 + | || | |3 |
6 5 7 66 6 6 5 6 6 4 3 4 3 4
+
|6 | 3 | + |3 3 3 | + | | |
|
9 8 66 6 6 6 6 6 6 44 5
+ 8 |3 *) | (|) (|) |(|) (|) 3 || || | || | ||
6 6 7 6 9 86 6 6 7 7 7 75
*) Finger vibrato, see critical notesG
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|
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3
3
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6 6 7 5 4
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8
Postiglione, Vivace
+
3
2
4
2
4
6 6 6 6 6
6 6 6 6 5 4 4
8 + |(|) |(|) || ||3
( )
6 6 6 6 6 5 6 5 5 6 5 6 5

1.
+ 15
+ 3
|
( )
6 6 6 6
7 5
2.
20 + +
+ 33
6 6 6 6 6 6 6 6 5 9 8 4 4 4
+ 27 + + + +
+ 3
3
7 6 7 9 8 6 6 6 6 7 9 8
4 3 5 4 3V
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M
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G
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3
G
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G
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G
G
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G
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V
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N
V
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G
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G
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A
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V
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9
35
+ + + +
|
(|)
7 6 7 8 6 6 6 6 6 6 7 69 76 6 5 3 5 5 5 44
+
43 3 (3) + 3|(|) (3)
|
6 7 6 6 6 5 7 9 8 6 5
6 7 6 6 6 5 5 5 4 4
50
3 3(3) (3) 3 (3)
7 6 4 6 6 6 6 2 57 7
5
57 +
+ + +
3
6 6 6 6 6 66 6 5
3 5 4 4
64
1. 2.
3 (3) (3)
(3)
6 6 7 7 6
6 6 5 5 5 410
Critical notes:
Allegro moderato
Bar No. Part Note No. Comment
9 Basso 1 No accidental ♯ on b.c. digit “6” in ms.
18 Flauto 3 Ornament=’finger vibrato’
23 Flauto 23 No accidental ♮ in ms.
23 Basso 9 No accidental ♮ on b.c. digit “6” in ms.
1 124 Flauto 14–15 notes in ms.
16 8
Adagio
Bar No. Part Note No. Comment
1 Flauto 16 Ornament=’finger vibrato’
2 Basso 1–4 Beaming changed from 2+2 to 4
6
4♯2 Basso 4 B.c. digits in ms.
3
1 1 1 13 Flauto 1–4 dotted , , dotted , in ms.
16 32 16 32
4 Flauto 16 Accidental ♮ missing in ms.
1 notes in ms.7 Basso 1–2
8
7 Basso 5–8 Beaming changed from 2+2 to 4
10 Basso 1–4 Beaming changed from 2+2 to 4
111 Flauto 11,16 notes in ms.
16
12 Flauto 3 No accidental ♯ in ms.
12 Flauto 12,16,20 No accidental ♮ in ms.
Postiglione, Vivace
Bar No. Part Note No. Comment
19 Basso 1–4 Beaming changed from 2+2 to 4
20b Flauto 1 No second ending in ms.
26 Flauto 2 No accidental ♯ in ms.
37 Basso 1 No accidental ♮ in ms.
48 Flauto 2 Accidental ♯ in ms.
49 Basso 1 Accidental ♯ in ms.
On ’finger vibrato’, see Maria Bania’s dissertation “Sweetenings and Babylonish Gabble, Flute Vibrato and Articulation of Fast Passages in the 18th
and 19th cebturies” Gothenburg 2008. The chapter ’Flute Vibrato’, p. 13ff describes vibrato technique, incl. fingerings. Appendix 4, p. 319f lists
indications of vibrato notes in the flute sonatas by Morten Ræhs,.

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