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Fagot
Converses en tres moviments
TRIO per a oboe, fagot i piano dedicat al trio Mariola salvador sanchis
Allegro tranquilo                   
f
  4                     
8    3 3                 
12                                   p
16                                      
19                                           
22                                      
25                                   
30 espress.         
p
ISBM:84-8568.522 Fagot
36          
42              
50             
f
 55         
cresc.
60 3marcato 3 33        
66   33 33            f
72                   fp sf
75            
sf3FagotAndante comodo
II77                    
3p
81               
88        
3 3f p
95              3 3
99                     cresc. molto
102                      
ff 3
poco rall. A tempo106              
mp
115                    
117 espress. e libero                      
119                  
V.S.p4 Fagot
121                           mf
126                      
133 poco rall.             p
137               
III
Allegretto140                    
f
143                    
sf
146                              
150                          
155             
p5Fagot
162                  
165                
169 legato           
f
200              
205             
210          
214        6 Fagot
218             
223            
228            
233         
238        
244             