Partition complète, pour Other côté, Bitensky, Laurence Scott

Laurence Scott Bitensky

Description

Découvrez les partitions de la musique pour Other côté partition complète, pièces, de Bitensky, Laurence Scott. Cette partition de musique moderne dédiée aux instruments tels que:

• Solo: trompette (C)orchestre: flûte
• clarinette (B♭) + percussion (bongos
• 2 cowbells
• carillon
• 2 gongs (haut
• low)
• marimba (medium mallets)
• 2 suspended cymbales (petit
• medium)
• tambourin
• triangle) + piano + violon
• violoncelle

Cette partition se constitue de 1 mouvement et l'on retrouve ce genre de musique classifiée dans les genres

• pièces
• pour trompette, orchestre
• partitions pour trompette
• partitions pour orchestre
• pour orchestre avec solistes

Découvrez en même temps d'autres musique pour 2 suspended cymbales (petit, clarinette (B♭) + percussion (bongos, 2 gongs (haut, triangle) + piano + violon, low), Solo: trompette (C)orchestre: flûte, marimba (medium mallets), medium), carillon, 2 cowbells, violoncelle, tambourin sur YouScribe, dans la rubrique Partitions de musique variée.
Date composition: 2003
Edition: Silly Black Dog Music
Durée / duration: 10 minutes

Sujets

• Modernité
• Violoncelle
• Violin
• Piano
• Triangle
• Tambourin
• Medium
• Petit
• Cymbale
• Suspended
• Marimba
• Hauteur
• Carillon
• Cowbell
• Bongo drum
• Percussion instrument
• Clarinet
• Flute
• Trompette

Informations

• Publié par: BITENSKY
• Nombre de lectures: 72
• Licence : En savoir +
  Paternité
• Langue: Français
• Poids de l'ouvrage: 2 Mo

Extrait

laurence
bitensky
the
other
side
for
trumpet
and
chamber
ensemble
/
flute,
clarinet,
violin,
cello,
percussion,
piano)the
other
side
































 

 
 
 laurence
bitensky

ca.
10’



Instrumentation



Flute 

Bb
Clarinet



Solo
C
Trumpet



Violin

Violoncello



Percussion:

Bongos,
2Cowbells
(high,
low),
Glockenspiel,
2
Gongs
(high,
low),
Marimba
(medium
mallets),
2d
Seuds
Cpyemnbals
(small,
medium),
Tambourine,

Triangle



Piano



SCORE
IN
C



Performance
notes




The
sections
marked
ad
libitum
should
be
played
freely.

It
is
often
the
case
that
one
of
the
instrumentalists,
usually
the
solo
trumpet,
performs

in
a
free,
unmetered
style
while
one
or
more
instruments
provides
a
metered
background
(as
in
rehearsal
12
to
17).

These
different

instrumental
strands
should
not
be
coordinated.

The
conductor
(or
one
of
the
instrumentalists
if
there
is
no
conductor)
should
give
a
cue
at
the

beginning
of
each
ad
libitum
section
and
at
rehearsal
letters
within
each
ab
libitum
section.

The
sections
marked
a
battuta
should
be
metered

(and
conducted
if
there
is
a
conductor).




© sillyblackdogmusic/2003
 The Other Side
Laurence Bitensky1q = c. 104 Ad libitumq = c. 69
6                          Flute 
sffzsffzsffz sfzsffz freely, improvisatory mf                                       Clarinet in Bb 
pocosffz sffz sffz f
1q = c. 104 Ad libitumq = c. 69  Trumpet in C 
                         Violin 
sffzsffzsffz sffz sfz
  Violoncello 
Marimba Small Sus. Cymb. (stick - dampen immediately)   To Bongos             Percussion       
sfz6sffzsffz sffz sffz mf
q = c. 104 Ad libitumq = c. 69 1           3                                     sfzsffzPiano mfff           
Ped. freely
© sillyblackdogmusic/20032
q = c. 104
 
Fl.  

Cl.  
q = c. 104 
Tpt  
 
Vln  
solo
poco accel.                                         Vc.    3  3
vigorously; freelyf 3 
Perc.  
q = c. 104
  
Pno
  3
A Battuta; Fast and funkyq = c. 1042    Fl. 
   Cl. 
A Battuta; Fast and funkyq = c. 1042    Tpt 
    Vln 
pizz.                 Vc.                            f
Bongos (hands) 3 3 3                             Perc.                    
f
A Battuta; Fast and funkyq = c. 1042 3
                                                                Pno non legato; poco marcatof                                                         
Ped. freely4
3   Fl. 
  Cl. 
3   Tpt 
solo       Vln  
6f
6                    Vc.                     
3 3 3                              Perc.                   
3 3                                                            Pno 3                                                   5
  Fl. 
 Cl. 
  Tpt 
                                      Vln   
6 6
3                Vc.             
3 3                      Perc.             
                                      
Pno 3                                  6
  Fl. 
 Cl. 
  Tpt 
                                      Vln   
6 6
3 arco sim. arco detache pizz. pizz.                 Vc.          
3 3                      Perc.             
3                                    Pno                                         7
4                                                        
Fl. 
f                                                       
Cl. 
f
4   Tpt 
                                                             Vln    
6 6 6
3 3arco sim. arco detache arco detachepizz. pizz. pizz.                         Vc.                 
3 3 3                            Perc.                   
4
3                                                       Pno                                                                   