Partition complète et parties, Autumnal Interlude, Harris, Ian Keith

Ian Keith Harris

Description

Visualisez la partition de musique Autumnal Interlude partition complète et parties, Interludes, composition de Harris, Ian Keith. La partition moderne écrite pour les instruments suivants: hautbois d’amore (hautbois) et harpe (ou Piano)
La partition enchaine plusieurs mouvements et l'on retrouve ce genre de musique classée dans les genres pour 2 musiciens, partitions pour hautbois, pour hautbois damore, harpe, pour hautbois, piano, partitions pour piano, Interludes, partitions pour harpe, partitions pour hautbois damore, pour hautbois damore, piano, pour hautbois, harpe
Consultez en même temps tout un choix de musique pour hautbois d’amore (hautbois) et harpe (ou Piano) sur YouScribe, dans la catégorie Partitions de musique variée.
Date composition: 2005
Rédacteur: Jennifer Paull
Edition: Amoris International. Edition AI SI 020.
Dédicace: For Jennifer Paull

Sujets

• Modernité
• Piano
• Harpe
• Oboe
• D'Amore
• Harris

Informations

• Publié par: HARRIS
• Nombre de lectures: 19
• Licence : En savoir +
  Paternité, pas de modification
• Langue: Français

Extrait

IAN KEITH HARRIS









AUTUMNAL INTERLUDE

Oboe d’amore (Oboe) & Harp (Piano)












EN 009 SI 020 Ian Keith Harris
(1935-)
Australian composer, arranger, oboist, music educator, critic and eclectic musician,
Ian Harris, was born in Melbourne in 1935, living there for the first 26 years of his
life. He started the piano at the age of five and three years later was playing cornet in
his school band. He took up the violin shortly after this, playing for several years, but
relinquished it when he became his school pianist at thirteen. The oboe came next,
and in 1953, he began his Bachelor of Music degree at Melbourne University
Conservatorium of Music taking piano as chief study and oboe as second. National
Service in the Army intervened and, this time, Ian Harris played the trombone in the
University Regiment. The same year, he changed to oboe as his chief study. The
trombone did not impress Jiři Tancibudek, his professor! This time, the piano was his
second study and composition (Arthur Nickson) crept in too.
Not surprisingly he was soon in demand as a free-lance orchestral musician, arranger
and copyist, working in a very eclectic mix of musical spheres from arranging for
Eartha Kitt (television and various theatrical shows), to playing in opera, ballet,
chamber music and symphony orchestras. He was a founding member of the
Glendenian Trio, (flute, oboe, bassoon), which gave regular broadcasts over several
years. The trio was another area in which his skills at arrangement were frequently
employed.
Ian Harris moved to Hobart, Tasmania, in 1961 (Tasmanian Orchestra), was
seconded to the Sydney Symphony Orchestra (cor anglais) for several months,
returned to Tasmania only to be seconded again, this time to the Victorian Symphony
Orchestra (oboe).
Back again in Tasmania, his next move was to Wellington, New Zealand (1965-
1974) to join NZBCSO (the New Zealand Broadcasting Corporation Symphony
Orchestra) as Principal Cor anglais. During this time, in which he yo-yoed across
Australasia, Harris tutored at the universities of Tasmania, Melbourne, and the
Victoria University of Wellington. It was at the latter that he completed his degree in
composition (with David Farquhar) in 1969. He was to return yet again to Tasmania
at the end of 1974.

However, this time, he embraced a new career as a music educator with his move. His
wealth of instrumental and orchestral experience was invaluable to his students. He
also conducted the Tasmanian Junior Youth Orchestra for several years.

Harris was a dedicated member of policy committees, especially in Education and the
Arts. A great listener to music and musicians, he served as music critic for The
Mercury, Hobart’s daily newspaper, for several years.

His oeuvre consists mainly of chamber music, much of which has been performed and
broadcast: Microsymphony for Cor anglais Quartet (cor anglais, string trio), Oboe
Quartet (oboe, string trio), Essay for Bassoon and Strings, Sonata for Viola and Piano,
amongst many other pieces and numerous arrangements for broadcasts and concerts.

His sense of fun has shown in many of his compositions including, A Piece with
Strawberry Jam, The Little Dog's Day (Rupert Brooke), ’Paw de trois’- Three Dances for
Canines (for Woodwind Quintet, with movements dedicated to his dogs by name), The
Whitebait Fishers –

“A sort of Donizetti-like spoof for harpsichord, string quartet and small
choir, for which the producer of the hour-long national radio show penned
the libretto for this, a special anniversary broadcast of the programme.”

Harris orchestrated songs for symphony concerts, including a version of The Last Rose
of Summer for Rita Streich (1920-1987). He also wrote, directed and even performed
in advertising jingles, playing celesta, oboe, cor anglais or whatever was required.

Ian Harris moved back to Sydney definitively in 2000 and has since devoted himself
to composition and a considerable entourage of cats (10) and dogs (5). He is a keen
gardener and chef and a passionate enthusiast of the oboe d’amore. A close friend of
Jennifer Paull, he has written many works for her.




Autumnal Interlude

Oboe d’amore (Oboe) & Harp (Piano)

SI 020
This piece for oboe d’amore (oboe) and harp (piano) was completed in 2005. It was
written for and dedicated to Jennifer Paull. The season of autumn is so welcome after
the intense heat of an Australian summer and before the onslaught of the winter cold.
Relief is reflected in the modulating aspect of the landscape as leaves change their
colours to reds and browns. There is magic in the last flowering of the roses. The
slightly melancholic mood of this work can be interpreted as the suggestion of both the
season of autumn itself, and as a reference to the stage of my life in which it was
composed.

Ian Keith Harris
2006

Other works by Ian Keith Harris can be found listed at

www.amoris.com











www.amoris.com




for Jennifer Paull
AUTUMNAL INTERLUDE
Ian Keith Harris
(1935-)
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In Concert Pitch
N.B.:glissandi directives apply exclusively to the harp.
AI SI 020 Copyright © Amoris International
www.amoris.com2
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