Partition complète, New et Complete Instructions pour pour violoncelle

Various

Description

Jouez la partition de New et Complete Instructions pour pour violoncelle partition complète, méthodes, fruit du travail de Various. La partition de musique classique écrite pour les instruments tels que: violoncelle, 2 violoncelles
Cette partition se constitue de plusieurs mouvements et est classifiée dans les genres méthodes, pour 2 violoncelles, pour 2 musiciens, langue anglaise, pour violoncelle, partitions pour violoncelle, pour 1 musicien
Redécouvrez encore tout une collection de musique pour violoncelle, 2 violoncelles sur YouScribe, dans la rubrique Partitions de musique classique.
Edition: London: G. Goulding, n. d. (ca. 1785).

Sujets

• Classique
• Violoncelle
• Various

Informations

• Publié par: VARIOUS
• Nombre de lectures: 36
• Licence : Libre de droits
• Langue: English
• Poids de l'ouvrage: 2 Mo

Extrait

New a]vd
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THE ViolonccUo was ever estcemd an e^clknt Innrument not Oi.ly in Concert
but alio lor playing LdTons &. may bn ^-c>ufider\! as a Large Fiddle held the
contrary way and the• fourth String is .e.t the Bow Hand as the isBudr tun/d
downward, the lower part to,. reft on .he Calves ..t the 1..^. the edge *ol the
back to relt on the Lcj? . by which ..xaus it turns the ftrings of the Bafs
convenient to, the Bow hand befides^ it prevents the Legs prellu>g too hard upon
the weak m„ or lldes of your lultrument .6. places in the moft convenient pofition
for playing Hrft it will. be verv necffary for the Learner to ^.X the nances of
the notes in the Gamut alio .hat hue A. fpace each note -ft.nc; o« as
dcfcnb'd in the manner- followiu"-
V2 OI^ LI> CX OV I Ofor theGAMUTThe
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Striu;3 .String4.
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DCBAGD E FB CAFF GliD EEcc
ableuotisLearuer
• the.. , luuuof'dlupprr \.v'*iK to beDctlsiorTuneinpcrfcttlyisI.dftrumciitnmru rIf >oi*rvoi*r <iil nu.!youGamut:th.-i-r of*>,. X^tural Notesi
the-oMcrvc playdoiuuisdouble Cornoteloweftlowelt,, ^ ^ ^ K1. F theJdoubleanddouble EDdouble .CDoubleare Unagcthefrom' Inches24-. »,.. 4. String ahabout, ,» V S.ru,g.hecolsAc Bow *^r.wi.gi./is do„.,hich f.o|.''double E Udou leNofNo.,,befromL.ches.hreeaboutfirf. finser.he.i.hflop..isUdouble '-^"fin.e,fW.hef™m »'diftauce...ne.he ;nea,,yK>„se.h"seco.'!^I
.he,u.«e, ,«.a..dluchan31 abou. —.hemc- ^. fi...%iiH..,., „.sIS *-"fe-»;lxeable VJt ^ ^-^-^-J^^halforSeu>,,onebu.i. is ,becaulVisihortUit is ftoved.heof•1 -• dl«..,ceth.^^l^op d wxthisopcut Apl^yd...d C.C. isA BSt..., . re Gthirdtl.eTlxole ou
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isE-GNote abovehalfSomitoue orahei.>g hu.n.iru.:halfInch a>.dan
theont TholeSecoudthequarter froma..'niches> t.uFiu^,Uttlevith'th.itopM
thewithHnger. Cfirlt.he,B .it'^playd o, .is1.. AA,B,C,a..!areStrtngtirit
String.Secondtheas our.e diltancet!u ^atlittle Fluscrwith theDaudSecond.-
mult)..arnc*.Tintnncurthe N.tesloon UopmayLearnerthedirecuons']W thefe
Semitones.are onlyCb.t.cJu B ^^-il^Notes E^Fbewe.u thethethatobferve
introducehereatter'u. w. will- .V.,ut:th.they fall iuasNoteshalfor
to acomparemaywhxch weSemitone,' .ndVArt^fu^alN„tu.Scale ofperiod^a
forOccafionally?ofdifpoletake andand to.'Sound,Store Houfc oforMa-azine
the K oyasalterwillfingeringtheand th.«Key.torm'd intobemuftthe'scale
amiAlphabetof theLettersSevenfirltby thoknowuMufic isAll'chan.^es:
to Ffrom Fto EEto ,D fromD ,to Cas from Cfame fuchtheEighth i>the
Semitones.th.irwith'toj^etirtofr.u> U BA to A&to fromGfrom
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A Perfect SCALE for the VIOLONCELLO
112 2— — —" -' :r -\ -—y
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Thele are ail. the Notes Natural and Artiiicial ncccfsar^ for a begiiuier in
the Bals Cliff the Artificial are calld Flats and Sharps a Flat thus a\, Sha,-p
thus a.id a Natural thus ^,luch% brings *tbi« Note\ to its place after a .or j?
ifiit. -here are two other CHffs Tenor and CouDter T.>uor and £.^, tL..T are
verv liieti.l viU fet them both the Tenor Traufpoles !h- notes a fifth iijgher
f'j
the C. 'inter 'iVui.r ferenth* but are verv feldom ufd ou the fourth Strings.
TE I*; > R COUNTER TENOR
3, Striug^ ti^'Au\M^ 1. String 2 . String' 1, String
5 1^4 h1 2 12 3
, 2 O 12 1 2 ^4.1i? .'j
i
-^— Mn ? ^^^^^^^Pllii.FG ABCDEFG FG ABC13SFG it t;Finger board ofA Scale for the a Violoncello
Showing distancesthe w(here the Fing'-rs are to be placed.
From Nutt to Bridge Twentv SisL laches and half
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ing 1^ -2vStrin^ String e £Treble rl f
>assin TuneNotesStoppinpjOf
the Notesbefore ^e ran stoptime^ill be someitgood EaraTho the Learner may have
h,s Fingerfirst to havehim athelp toa greatyiU beitin Tune & thereforeperfertlv
theacquainted w thFingers are^ben theon andP.;,.r pastedmurkU witl*toard
to she^the Gamut ,*.playing offforoff butt.k.nmurksFingerboard, have tb.
Keys, in ordercalldvhich areOctaves,it intoform..e willthereofthe right use
.descending.thusascending, &properly,Semitonesintroduce all theto
KeyDCKeyKeyC
l*.*Str:2*3str:.9'Jstr:4*.^Str:
i^^m%m
04?1
Bb KeyA KeyG Key
O94 !24<2XQ^1
^^^m
inFingers differbovr theseelearner mayKeys ivbere thepracticaltheThese are boardthe FingerofRepresentationthisvhichKeys;differentin theerNostoT.p ng the thowith linos..drawn cross .half NotesorSemitonestheLving allas.Til'explain
n-U .te^ch it bytois not possiblepart ittunelngrxpldml thentlyIriVxc have .suff