Th  Barrel Organ
39 pages
English

Th' Barrel Organ

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The Project Gutenberg eBook, Th' Barrel Organ, by Edwin Waugh
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at
www.gutenberg.net
Title: Th' Barrel Organ
Author: Edwin Waugh
Release Date: June 4, 2005 [eBook #15986]
Language: English
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK TH' BARREL ORGAN***
E-text prepared by Todd Augsburger
TH' BARREL ORGAN
by
EDWIN WAUGH
Manchester:
John Heywood, 143 Deansgate.
London: Simkin, Marshall & Co.
I came out at Haslingden town-end with my old acquaintance, "Rondle o'th Nab," better known by the name of
"Sceawter," a moor-end farmer and cattle dealer. He was telling me a story about a cat that squinted, and grew very fat
because—to use his own words—it "catched two mice at one go." When he had finished the tale, he stopped suddenly in
the middle of the road, and looking round at the hills, he said, "Nea then. I'se be like to lev yo here. I mun turn off to 'Dick
o' Rough-cap's' up Musbury Road. I want to bargain about yon heifer. He's a very fair chap, is Dick,—for a cow-jobber.
But yo met as weel go up wi' me, an' then go forrud to our house. We'n some singers comin' to neet."
"Nay," said I, "I think I'll tak up through Horncliffe, an' by th' moor-gate, to't 'Top o'th Hoof.'"
"Well, then," ...

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Publié le 08 décembre 2010
Nombre de lectures 34
Langue English

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The Project Gutenberg eBook, Th' Barrel Organ,by Edwin WaughThis eBook is for the use of anyone anywhere atno cost and with almost no restrictions whatsoever.You may copy it, give it away or re-use it under theterms of the Project Gutenberg License includedwith this eBook or online at www.gutenberg.netTitle: Th' Barrel OrganAuthor: Edwin WaughRelease Date: June 4, 2005 [eBook #15986]Language: EnglishCharacter set encoding: ISO-646-US (US-ASCII)*E**BSOTOAKR TT HO' FB ATRHER EPLR OORJEGCATN *G**UTENBERGE-text prepared by Todd Augsburger<todd@rollerorgans.com>
TH' BARREL ORGANybEDWIN WAUGHManchester:John Heywood, 143 Deansgate.London: Simkin, Marshall & Co.I came out at Haslingden town-end with my oldacquaintance, "Rondle o'th Nab," better known bythe name of "Sceawter," a moor-end farmer andcattle dealer. He was telling me a story about a catthat squinted, and grew very fat because—to usehis own words—it "catched two mice at one go."When he had finished the tale, he stoppedsuddenly in the middle of the road, and lookinground at the hills, he said, "Nea then. I'se be like tolev yo here. I mun turn off to 'Dick o' Rough-cap's'up Musbury Road. I want to bargain about yonheifer. He's a very fair chap, is Dick,—for a cow-jobber. But yo met as weel go up wi' me, an' thengo forrud to our house. We'n some singers comin'to neet.""aNn'a by,y"  tsha' idm Io, o"rI- tghaitnek,  It'lol' tt a'Tk oupp  ot'thhr oHuogohf .H'"orncliffe,
"Well, then," replied he, "yo mun strike off at th' lifthond, about a mile fur on; an' then up th' hill side,an' through th' delph. Fro theer yo mun get upo' th'owd road as weel as yo con; an' when yo'n gettenit, keep it. So good day, an' tak care o' yorsel'.Barfoot folk should never walk upo' prickles." Hethen turned, and walked off. Before he had gonetwenty yards he shouted back, "Hey! I say! Dunnotforget th' cat."It was a fine autumn day; clear and cool. Deadleaves were whirling about the road-side. I toiledslowly up the hill, to the famous HorncliffeQuarries, where the sounds of picks, chisels, andgavelocks, used by the workmen, rose strangelyclear amidst the surrounding stillness. From thequarries I got up by an old pack horse road, to acommanding elevation at the top of the moors.Here I sat down on a rude block of mossy stone,upon a bleak point of the hills, overlooking one ofthe most picturesque parts of the Irwell valley. Thecountry around me was part of the wild tract stillknown by its ancient name of the Forest ofRossendale. Lodges of water and beautiful reachesof the winding river gleamed in the evening sun,among green holms and patches of woodland, fardown the vale; and mills, mansions, farmsteads,churches, and busy hamlets succeeded each otheras far as the eye could see. The moorland topsand slopes were all purpled with fading heather,save here and there where a well-defined tract ofgreen showed that cultivation had worked up a littleplot of the wilderness into pasture land. About eight
miles south, a gray cloud hung over the town ofBury, and nearer, a flying trail of white steammarked the rush of a railway train along the valley.From a lofty perch of the hills, on the north-west,the sounds of Haslingden church bells camesweetly upon the ear, swayed to and fro by theunsettled wind, now soft and low, borne away bythe breeze, now full and clear, sweeping by me in agreat gush of melody, and dying out upon themoorland wilds behind. Up from the valley camedrowsy sounds that tell the wane of day, andplease the ear of evening as she draws hercurtains over the world. A woman's voice floatedup from the pastures of an old farm-house, belowwhere I sat, calling the cattle home. The barking ofdogs sounded clear in different parts of the vale,and about scattered hamlets, on the hill sides. Icould hear the far-off prattle of a company of girls,mingled with the lazy joltings of a cart, theoccasional crack of a whip, and the surly call of adriver to his horses, upon the high road, half a milebelow me. From a wooded slope, on the oppositeside of the valley, the crack of a gun came, wakingthe echoes for a minute; and then all seemed tosink into a deeper stillness than before, and thedreamy surge of sound broke softer and softerupon the shores of evening, as daylight sobereddown. High above the green valley, on both sides,the moorlands stretched away in billowywildernesses—dark, bleak, and almost soundless,save where the wind harped his wild anthem uponthe heathery waste, and where roaring streamsfilled the lonely cloughs with drowsy uproar. It wasa striking scene, and it was an impressive hour.
The bold, round, flat-topped height of Musbury Torstood gloomily proud, on the opposite side, girdledoff from the rest of the hills by a green vale. Thelofty outlines of Aviside and Holcombe wereglowing with the gorgeous hues of a cloudlessOctober sunset. Along those wild ridges thesoldiers of ancient Rome marched fromManchester to Preston, when boars and wolvesranged the woods and thickets of the Irwell valley.The stream is now lined all the way with busypopulations, and evidences of great wealth andenterprise. But the spot from which I looked downupon it was still naturally wild. The hand of manhad left no mark there, except the grass-grownpack-horse road. There was no sound nor sign oflife immediately around me.The wind was cold, and daylight was dying down. Itwas getting too near dark to go by the moor tops,so I made off towards a cottage in the next clough,where an old quarry-man lived, called "Joneo'Twilter's." The pack-horse road led by the place.Once there, I knew that I could spend a pleasanthour with the old folk, and, after that, be directedby a short cut down to the great highway in thevalley, from whence an hour's walk would bring menear home. I found the place easily, for I had beenthere in summer. It was a substantial stone-builtcottage, or little farm-house, with mullionedwindows. A stone-seated porch, white-washedinside, shaded the entrance; and there was a littlebarn and a shippon, or cow-house attached. By theby, that word "shippon," must have been originally"sheep-pen." The house nestled deep in the
clough, upon a shelf of green land, near themoorland stream. On a rude ornamental stone,above the threshold of the porch, the date of thebuilding was quaintly carved, "1696," with theinitials, "J. S.," and then, a little lower down, andpartly between these, the letter "P.," as if intendedfor "John and Sarah Pilkington." On the lower slopeof the hill, immediately in front of the house therewas a kind of kitchen garden, well stocked, and invery fair order. Above the garden, the wildmoorland rose steeply up, marked with wanderingsheep tracts. From the back of the house, a littleflower garden sloped away to the edge of a rockyback. The moorland stream rushed wildly along itsnarrow channel, a few yards below; and, viewedfrom the garden wall, at the edge of the bank, itwas a weird bit of stream scenery. The waterrushed and roared here; there it played a thousandpranks; and there, again, it was full of gracefuleddies; gliding away at last over the smooth lip of aworn rock, a few yards lower down. A kind of greengloom pervaded the watery chasm, caused by thethick shade of trees overspreading from theopposite bank. It was a spot that a painter mighthave chosen for "The Kelpie's Home."The cottage door was open; and I guessed by thesilence inside that old "Jone" had not reachedhome. His wife, Nanny, was a hale and cheerfulwoman, with a fastidious love of cleanliness, andorder, and quietness, too, for she was more thanseventy years of age. I found her knitting, andslowly swaying her portly form to and fro in a shinyold-fashioned chair, by the fireside. The carved oak
clock-case in the corner was as bright as a mirror;and the solemn, authoritative ticking of the ancienttime-marker was the loudest sound in the house.But the softened roar of the stream outside filled allthe place, steeping the senses in a drowsy spell. Atthe end of a long table under the front window, satNanny's granddaughter, a rosy, round-faced lass,about twelve years old. She was turning over thepictures in a well-thumbed copy of "Culpepper'sHerbal." She smiled, and shut the book, butseemed unable to speak; as if the poppiedenchantment that wrapt the spot had subdued heryoung spirit to a silence which she could not break.I do not wonder that old superstitions linger in suchnooks as that. Life there is like bathing in dreams.But I saw that they had heard me coming; andwhen I stopt in the doorway, the old woman brokethe charm by saying, "Nay sure! What; han yogetten thus far? Come in, pray yo.""Well, Nanny," said I; "where's th' owd chap?""Eh," replied the old woman; "it's noan time for himyet. But I see," continued she, looking up at theclock, "it's gettin' further on than I thought. He'll behere in abeawt three-quarters of an hour—that is,if he doesn't co', an' I hope he'll not, to neet. I'll putth' kettle on. Jenny, my lass, bring him a tot o' ale."Ia  stahit cdk opwlan nbey-t rtheee  tsoidpe,  socf oau rsemd alal sr owuhnitde  taasb lea,  clweitahnshirt; and Jenny brought me an old-fashioned blue-and-white mug, full of homebrewed.
"Toast a bit o' hard brade," said Nanny, "an' put itinto't."I did so.The old woman put the kettle on, and scaled thefire; and then, settling herself in her chair again,she began to re-arrange her knitting-needles.Seeing that I liked my sops, she said, "Reitch somemoor cake-brade. Jenny'll toast it for yo."I thanked her, and reached down another piece;which Jenny held to the fire on a fork. And then wewere silent for a minute or so."I'll tell yo what," said Nanny, "some folk's o'th lucki'th world.""What's up now, Nanny?" replied I."They say'n that Owd Bill, at Fo' Edge, has had adowter wed, an' a cow cauve't, an a mare foal't o' i'one day. Dun yo co' that nought?"fBoeoftosrtee pI sc coaulmd er eupplyo,n t hoeu rs eoaurnsd.  Tofh aepn,p rtohaecy hsitnogpt, afew yards off; and a clear voice trolled out a snatchof country song:—   "Owd shoon an' stockins,   An' slippers at's made o' red leather!   Come, Betty, wi' me,   Let's shap to agree,   An' hutch of a cowd neet together.
   "Mash-tubs and barrels!   A mon connot olez be sober;   A mon connot sing   To a bonnier thing   Nor a pitcher o' stingin' October.""Jenny, my lass," said the old woman, "see who itis. It's oather'Skedlock' or 'Nathan o' Dangler's.'"Jenny peeped through the window, an' said, "It'sLSiktteled lJoocsk.e pHhe''ss  lwoi' ohkiinm' . aTt hthe'y 'truer mciotsm ii'nt'h i ng.a rJdoesen.ph'snew clogs on."Skedlock came shouldering slowly forward into thecottage,—a tall, strong, bright-eyed man, of fifty.His long, massive features were embrowned byhabitual exposure to the weather, and he wore themud-stained fustian dress of a quarryman. He wasfollowed by a healthy lad, about twelve years ofage,—a kind of pocket-copy of himself. They wereas like one another as a new shilling and an oldcrown-piece. The lad's dress was of the same kindas his father's, and he seemed to have studiouslyacquired the same cart-horse gait, as if his limbswere as big and as stark as his father's."JoWseellp, hS kweitdhloo,c Ik ,s" esea.i dD oNeasn nhye,  g"toh taoe 'ssc gheotot eynet ?""Nay; he reckons to worch i'th delph wi' me, neaw."
"Nay, sure. Does he get ony wage?""hiNsa tweee,t"h ,r espol ifeudr . SBkuetd lhoec'ks;  l"ahrnei'ns' ,d ryao'w kn nhoisw nwaghee 'swi'larnin'. Where's yo'r Jone? I want to see himabeawt some plants.""Well," said Nanny, "sit tho down a minute. Hastono news? Thae'rt seldom short of a crack o' some".kam"Nay," said Skedlock, scratching his rusty pate, "awdon't know 'at aw've aught fresh." But when he hadlooked thoughtfully into the fire for a minute or so,his brown face lighted up with a smile, and drawinga chair up, he said, "Howd, Nanny; han yo yerdwhat a do they had at th' owd chapel, yesterday?""Nawe.""Eh, dear!… Well, yo known, they'n had a deal o'tbwoto hbear cakb. oYuot 'nm buisni ca  uspi nagt etrh yato 'rcsheal,p eNl,a tnhnisy ,y i'e ayro 'orryoung days—never a better.""Eh, Skedlock," said Nanny; "aw us't to think Icould ha' done a bit, forty year sin—an' I could, too—though I say it mysel. I remember gooin' to aoratory once, at Bury. Deborah Travis wur theer,fro Shay. Eh! when aw yerd her sing 'Let the brightseraphim,' aw gav in. Isherwood wur theer; an' herat's Mrs Wood neaw; an' two or three fro Yawshurroad on. It wur th' grand'st sing 'at ever I wur at i'my life…. Eh, I's never forget th' practice-neets 'atwe use't to have at owd Israel Grindrod's! Johnny
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