:^^^ LibraryUNIVERSITY OFCALIFORNIASAN 0IE«OV.z,1' '-- —)PRINTING TYPESFORMS, AND USETHEIR HISTORY,PRINTING TYPESUSETHEIR HISTORY, FORMS, ANDSTUDY IJV SURVIVALSABYDANIEL BERKELEY UPDIKEWITH ILLUSTRATIONSni tienen las artes otros'^JVunca han temdo,que los ignorantes"enemigosVOLUME nCAMBRIDGEHARVARD UNIVERSITY PRESSLONDON: HUMPHREY MILFORDOXFORD PRESS1922HARVARD UNIVERSITY PRESSCOPYRIGHT, 1922, BYPrinting, August, 1922First January, 1923SecondPRESS, BOSTON, U. S. A.D. B. UPDIKE, THE MERRYMOUNTTABLE OF CONTENTSVOLUME IICHAPTER Page1500-1800XV. TYPES OF THE NETHERLANDS:I. THE WORK OF THE PLANTIN PRESS 3II. THE ELZEVIR EDITIONS 15III. OTHER EXAMPLES OF NETHERLANDS PRINTING 231. XVI CENTURY§ 24XVII§ 2. 28§ 3. XVIII CENTURY 32IV. NETHERLANDS FOUNDRIES AND SPECIMENS 351500-1800XVI. SPANISH TYPES :I. EXAMPLES OF SPANISH PRINTING 451. XVI CENTURY 60§2. XVII§ 67XVIII CENTURY§ 3. 70II. SPANISH FOUNDRIES AND SPECIMENS 80XVII. ENGLISH types: 1500-1800I. FROM PYNSON TO WILLIAM CASLON 88II. WILLIAM CASLON AND THE CASLON FOUNDRY 101III. JOHN BASKERVILLE 107IV. WILSON, FRY, MARTIN, FOUNDERS 116AND OTHER124V. EXAMPLES OF ENGLISH PRINTING§ 1. XVI CENTURY 125§ 2. XVII 1303. XVIII CENTURY 133§XVIII. TYPES USED IN THE AMERICAN COLONIES, AND SOMEEARLY AMERICAN SPECIMENS 149CONTENTSviCENTURY "CLASSICAL" TYPES. BODONlXIX. NINETEENTHAND THE DIDOTS"classical" MOVEMENT 159I. THEBODONT 163n. GIAMBATTISTAFAMILY 176m. THE DIDOTCENTURY ...
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^ Library
UNIVERSITY OF
CALIFORNIA
SAN 0IE«O
V.z
,1' '-- —)PRINTING TYPES
FORMS, AND USETHEIR HISTORY,PRINTING TYPES
USETHEIR HISTORY, FORMS, AND
STUDY IJV SURVIVALSA
BY
DANIEL BERKELEY UPDIKE
WITH ILLUSTRATIONS
ni tienen las artes otros'^JVunca han temdo,
que los ignorantes"enemigos
VOLUME n
CAMBRIDGE
HARVARD UNIVERSITY PRESS
LONDON: HUMPHREY MILFORD
OXFORD PRESS
1922HARVARD UNIVERSITY PRESSCOPYRIGHT, 1922, BY
Printing, August, 1922First January, 1923Second
PRESS, BOSTON, U. S. A.D. B. UPDIKE, THE MERRYMOUNTTABLE OF CONTENTS
VOLUME II
CHAPTER Page
1500-1800XV. TYPES OF THE NETHERLANDS:
I. THE WORK OF THE PLANTIN PRESS 3
II. THE ELZEVIR EDITIONS 15
III. OTHER EXAMPLES OF NETHERLANDS PRINTING 23
1. XVI CENTURY§ 24
XVII§ 2. 28
§ 3. XVIII CENTURY 32
IV. NETHERLANDS FOUNDRIES AND SPECIMENS 35
1500-1800XVI. SPANISH TYPES :
I. EXAMPLES OF SPANISH PRINTING 45
1. XVI CENTURY 60§
2. XVII§ 67
XVIII CENTURY§ 3. 70
II. SPANISH FOUNDRIES AND SPECIMENS 80
XVII. ENGLISH types: 1500-1800
I. FROM PYNSON TO WILLIAM CASLON 88
II. WILLIAM CASLON AND THE CASLON FOUNDRY 101
III. JOHN BASKERVILLE 107
IV. WILSON, FRY, MARTIN, FOUNDERS 116AND OTHER
124V. EXAMPLES OF ENGLISH PRINTING
§ 1. XVI CENTURY 125
§ 2. XVII 130
3. XVIII CENTURY 133§
XVIII. TYPES USED IN THE AMERICAN COLONIES, AND SOME
EARLY AMERICAN SPECIMENS 149CONTENTSvi
CENTURY "CLASSICAL" TYPES. BODONlXIX. NINETEENTH
AND THE DIDOTS
"classical" MOVEMENT 159I. THE
BODONT 163n. GIAMBATTISTA
FAMILY 176m. THE DIDOT
CENTURY FRENCH FOUNDRIES ANDrV. NINETEENTH
181SPECIMENS
1800-1844XX. ENGLISH types: 188
AND FELL TYPESXXI. REVIVAL OF CASLON 198
REVIVAL EARLYXXn. ENGLISH AND AMERICAN OF TYPE-
FORMS AND ITS EFFECT ON CONTINENTAL TYPES
I. ENGLAND AND THE UNITED STATES 202
II. THE CONTINENT 219
XXIII. THE CHOICE OF TYPES FOR A COMPOSING-ROOM 226
XXIV. INDUSTRIAL CONDFTIONS OF THE PAST AND THEIR
RELATION TO THE PRINTEr's PROBLEM TO-DAY
I. INTRODUCTORY 245
ir. EARLY CONDITIONS IN THE FRENCH PRINTING
INDUSTRY 247
SOME SIXTEENTH CENTURY LABOUR TROUBLESin. 253
AT PARIS IN THE SEVENTEENTH ANDIV. PRINTING
EIGHTEENTH CENTURIES 258
V. THE CENSORSHIP 266
VI. RATE OF PRODUCTION, HOURS OF LABOUR, ETC. 270
VII. CONCLUSION 272
CHRONOLOGICAL LIST OF SPECIMENS 279
281INDEX