Affective Narratology

Colm Hogan Patrick

Description

Stories engage our emotions. We’ve known this at least since the days of Plato and Aristotle. What this book helps us to understand now is how our own emotions fundamentally organize and orient stories. In light of recent cognitive research and wide reading in different narrative traditions, Patrick Colm Hogan argues that the structure of stories is a systematic product of human emotion systems. Examining the ways in which incidents, events, episodes, plots, and genres are a function of emotional processes, he demonstrates that emotion systems are absolutely crucial for understanding stories.

Hogan also makes a case for the potentially integral role that stories play in the development of our emotional lives. He provides an in-depth account of the function of emotion within story—in widespread genres with romantic, heroic, and sacrificial structures, and more limited genres treating parent/child separation, sexual pursuit, criminality, and revenge—as these appear in a variety of cross-cultural traditions. In the course of the book Hogan develops interpretations of works ranging from Tolstoy’s Anna Karenina to African oral epics, from Sanskrit comedy to Shakespearean tragedy.

Integrating the latest research in affective science with narratology, this book provides a powerful explanatory account of narrative organization.

Sujets

• USA
• United States of America
• États-Unis

Informations

• Publié par: Nebraska
• Date de parution: 01 novembre 2011
• Nombre de lectures: 0
• EAN13: 9780803237735
• Langue: English
• Poids de l'ouvrage: 4 Mo

Extrait

Aféçvé Nààôôy

FronTiers of s e r I e s e d I T o r NarraTiveDàv éà OHio State University

Aféçvé Nààôôy he Emotional Structure of Stories paTrIck colm Ho gan

Uvéŝy ô Néàŝà Péŝŝ | Lçô à Lôô

© 2011 y é Bôà ô Rééŝ ô é Uvéŝy ô Néàŝà. A ŝ éŝévé. Màuàçué  é Ué Sàéŝ ô Aéçà.

Pàŝ ô é ôuçô à çàé 1, “hé Bà  Lôvé,” wéé ôày uŝé àŝ “hé Bà  Lôvé: A Càŝé Suy  Côvé Néuôŝçéçé à Léày héôy” Journal of Literary heory1.2 (2007): 339–55. A éàé véŝô ô à ô é ô- uçô àéàé àŝ “A Pàŝŝô ô Pô: Pôéôéà ô Aféçvé Nààôôy” symplokē18.1–2 (2011). Pàŝ ô çàéŝ 3 à 4 wéé ôày uŝé àŝ “Nààvé Uvéŝàŝ, Nàôà Sàçiçé, àDou E Yuan”Ex/CHange12 (2005): 18–25.

Làyô Côéŝŝ Cààô--Puçàô Dàà ôà, Pàç Cô. Aféçvé ààôôy : é éôôà ŝuçué ô ŝôéŝ / Pàç Cô ôà. . ç.—(Fôéŝ ô ààvé) ïçuéŝ ôàçà éééçéŝ à éx. Isbn 978-0-8032-3002-6 (çô: à. àé) 1. Dŝçôuŝé ààyŝŝ, Nààvé. 2. Eôôŝ  éàué. 3. Nààô (Réôç). ï. é. p302.7.H64 2011 808'.036—ç22 2011015514

Sé  Mô Pô y Bô Réz. Déŝé y A. Sàà.

Fô y éàçéŝ, çu Sŝé Jàéŝ Lôuŝé, Mŝŝ Péà, Mŝ. Làŝé, M. Sçéz, Fàé Rà, Bôé Jàéŝ, Jôé Kàé, Jô Cà, Pà Côéy, M. Azzàà, Fàé Réé, Fàé O, Dà Dàŝô, J Féà, Jôŝé Déà, Jàéŝ Déà, Nôô Fyé, Màŝà MçLuà, Dôà Dàvŝô, J MçCàwéy, Muày Sçwàz, ïv Màŝŝéy, à Nôà ôà.

Côéŝ

 Açôwééŝ x  ïôuçô: A Pàŝŝô ô Pô 1 1 Béôé Sôéŝ: Eôôà é à Anna Karenina 29 2 Sôéŝ à Wôŝ: Fô Açé Ey  ô Pôŝôéŝ 69 3 Uvéŝà Nààvé Pôôyéŝ: Sàçiçé,  éôŝ, à Rôàç Lôvé 125 4 Côŝŝ-Cuuà Mô Gééŝ: Aàçé,  Luŝ, Révéé, à Cà Juŝçé 185  Atéwô: Sôéŝ à é à  ô Séŝy 237  Nôéŝ 253  Wôŝ Cé 265  ïéx 279

Açôwééŝ

A éàé véŝô ô é ŝçuŝŝô ôhe Injustice Done to Tou Ngowàŝ uŝé àŝ “Nààvé Uvéŝàŝ, Nàôà Sàçiçé, àDou E Yuan” Ex/CHange(ô Kô) 12 (2005): 18–25. ï à àéu ô é éô, Zà Lôx, ô véy éu çôéŝ à ŝuéŝôŝ ô à éàé àt ô à éŝŝày. Pàŝ ô é ôuçô à çàé 1 àéàé év- ôuŝy  “hé Bà  Lôvé: A Càŝé Suy  Côvé Néuôŝçéçé à Léày héôy,”Journal of Literary heory1.2 (2007): 339–55. A éàé véŝô ô à ô é ôuçô àéàé àŝ “A Pàŝŝô ô Pô: Pô- éôéà ô Aféçvé Nààôôy” symplokē18.1–2 (2011).  Eé Là y çéçé ŝôé àŝŝàéŝ  é Ruŝŝà ôAnna Karenina. Làà Pà éé éày w îçu ôŝ  é Uu ô Meenaxià é Sàŝ ôAbHijñānaśākuntalam. Dàv Côà ôv- é vàuàé àŝŝŝàçé ô é Sô-Jàà éç, v é àççéŝŝ ô uu- ŝé àŝ ô CôÉ’ŝ véŝô ( Côà’ŝ ôw àŝàô) à àéy àŝwé y quéŝôŝ àôu îçu àŝ ô CôÉ’ŝ éx. ï à véy àéu ô à éé. ï à àŝô àéu ô éé éàéŝ ô é Uvéŝy ô Néàŝà Péŝŝ à ô Dàv éà, wô éà é wô féé vé- ŝôŝ ô é àuŝç w éà çàé à ôvé véy éu çô- éŝ. Fày, ï wŝ ô à Kŝé Eàŝ Rôwéy ô é Uvéŝy ô Néàŝà Péŝŝ ô é çàéu à ô é àuŝç, àŝ wé àŝ A Bàé, y ôuçô éô, à Lôà Déàô, wô çôyéé é àuŝç.

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