Tricksters and Cosmopolitans

Rei Magosaki

Description

Tricksters and Cosmopolitans is the first sustained exploration into the history of cross-cultural collaborations between Asian American writers and their non-Asian American editors and publishers. The volume focuses on the literary production of the cosmopolitan subject, featuring the writers Sui Sin Far, Jessica Hagedorn, Karen Tei Yamashita, Monique Truong, and Min Jin Lee. The newly imagined cosmopolitan subject that emerges from their works dramatically reconfigured Asian American female subjectivity in metropolitan space with a kind of fluidity and ease never before seen. But as Rei Magosaki shows, these narratives also invariably expose the problematic side of this figure, which also serves to perpetuate exploitative structures of Western imperialism and its legacies in late capitalism.Arguing that the actual establishment of such a critical standpoint on imperialism and globalization required the expansive and internationalist vision of editors who supported, cultivated, and promoted these works, Tricksters and Cosmopolitans reveals the negotiations between these authors and their publishers and between the shared investment in both politics and aesthetics that influenced the narrative structure of key works in the Asian American literary canon.

Sujets

• Idioma inglés
• USA
• Ethnic studies
• English
• États-Unis
• Anglais

Informations

• Publié par: Fordham University Press
• Date de parution: 01 août 2016
• Nombre de lectures: 0
• EAN13: 9780823271337
• Langue: English
• Poids de l'ouvrage: 1 Mo

Extrait

ricksters and Cosmopolitans

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ricksters and Cosmopolitans

Côŝŝ-Cuuà Côàbôàôŝ  Aŝà Aéçà éà Pôuçô

r ei m ag osa k i

Fôà Uvéŝ Péŝŝ new york 206

Cô © 206 Fôà Uvéŝ Péŝŝ

A ŝ éŝévé. Nô à ô ŝ ubçàô à bé éôuçé, ŝôé  à éévà ŝŝé, ô àŝé  à ô ô b à éàŝ—ééçôç, éçàçà, ôôçô, éçô, ô à ôé—éçé ô bé quôàôŝ  é évéŝ, ôu é ô éŝŝô ô é ubŝé.

Fôà Uvéŝ Péŝŝ àŝ ô éŝôŝb ô é éŝŝéçé ô àççuàç ô URŝ ô ééà ô -à ïéé ébŝéŝ ééé ô  ŝ ubçàô à ôéŝ ô uààéé à à çôé ô ŝuç ébŝéŝ ŝ, ô  éà, àççuàé ô àôàé.

Fôà Uvéŝ Péŝŝ àŝô ubŝéŝ ŝ bôôŝ  à vàé ô ééçôç ôàŝ. Sôé çôé à àéàŝ   à ô bé àvààbé  ééçôç bôôŝ.

Vŝ uŝ ôé à .ôàéŝŝ.çô.

bà ô Côéŝŝ Cààô--Pubçàô Dàà àvààbé ôé à çààô.ôç.ôv.

Pé  é Ué Sàéŝ ô Aéçà

8  6 5  3 2 

Fŝ éô

A bôô  é Aéçà éàuéŝ ïàvé (Aï), à çôàbôàvé ubŝ ôjéç ô NYU Péŝŝ, Fôà Uvéŝ Péŝŝ, Ruéŝ Uvéŝ Péŝŝ, éé Uvéŝ Péŝŝ, à é Uvéŝ ô Và Péŝŝ. hé ïàvé ŝ ŝuôé b hé Aé W. Méô Fôuàô. Fô ôé ôàô, éàŝé vŝ .àéçàéàuéŝ.ô .

Contents

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Açôééŝ

ïôuçô çŝé Pôéçŝ à é u ô é éé Céu ôçà çŝé Pôéçŝ: Càéŝ Céŝu’ŝ He Conjure Woman(889)9à Wàé éŝ Pàé Séçé àŝ S: Su S Fà’ŝ Sô Sôéŝ à Wà àéŝ Wà 30 hé Mà ô é Côŝôôà Subjéç Sà Fàçŝçô’ŝ Muçuuà Avà-Gàé éà Sçéé 6 A Sà ïŝ Bô: Nààvé Côŝuçô ô é Côŝôôà Subjéç  Jéŝŝçà àéô’ŝ “Pé Fôô” 53 hé Déà ô é Aŝ: Nààvé Côŝuçô ô é Côŝôôà Subjéç  Jéŝŝçà àéô’ŝ “Pé Fôô,” Sé B 6 Séé Vçé, Môô’ŝ Péŝŝ, à é CàT ô “Pé Fôô” 0 .A.–Pàŝ–Né Yô: hé Pààééŝ ô éà Pôuçô à é u ô é é-Fŝ Céu Aà é Gôbà Sôu  àé é Yààŝà’ŝ Tropîc o Orange(998) 96 ïé é ïéà-Côôà Réŝé  Môqué uô’ŝ He Book o Sal(2003) 06 Cç  Gôéŝ ô Wà Séé: M J éé’ŝFree Food or Mîllîonaîres(200) 5

Nôéŝ ïé

v

1 17

4



29 9

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Acknowledgments

ï ôu é ô à Càà Uvéŝ à Wŝô Côéé ô Aŝ, uàéŝ, à Sôçà Sçéçéŝ ô é ééôuŝ ŝuôà ŝuô é àvé vé é ô é éŝéàç à ŝçôà àçv éàé ô ŝ ôjéç, àô é ô àvé ô àçvéŝ à éŝé ô  î- ŝ. hé Jàà Fôuàô ô Né Yô, Eàŝ/Wéŝ Côŝôu, à Pà ô Jàà béçàé jô ŝôŝôŝ, ç ôvé é é à ŝàçé éçéŝŝà ô çôéé é àuŝç, à ï à vé àéu ô é ééôŝ ô Fôà Aàç Uvéŝ  ôé u é éŝôuçéŝ, àŝ é àŝ ô é ôô ô ŝ àçu ébéŝ à ŝàf u é éà ï ŝé àŝ é ŝçôà  éŝéçé. ï à ébé ô ô à à Fôà Uvéŝ Péŝŝ ô éà ôu é àT à b  ô ô é àéô ô é àé éé àà à éà. ï ôu é ô à é àôôuŝ éàéŝ ô é ŝô ŝuô à éàé ŝu- éŝôŝ ô évŝô; ï bééîé à éàé uç ô é çôŝuç- vé ççŝ. ï àŝ béé à éàŝué à ôô ô ô  Rçà Môŝô, ôŝé éuŝàŝ à éçôuàéé àvé éà à ô ô é, à ï u àéçàé é à ô ô ŝ éà. ï véŝ é éà éàŝué ô ééŝŝ  àéçàô ô é éàç- éŝ, çôéàuéŝ, à éŝ ô éé é  féé àŝ àŝ ï ôé ŝ bôô. A ué àŝ ôéŝ ô Jôàà év à Mçàé Wôô ô é é à àéô  éà é éé àuŝç. Rà Féŝ’ŝ éôŝ à éŝ àvé ééé ôvé à éàŝ, à Dàé E. Pééŝô’ŝ éŝéçé é ï ééé éàbé uàçé àŝ béé juŝ àŝ ôà. ï àvé béé béŝŝé ô éçévé àvçé à ŝuô ô àé

vack now l e d gm e n ts /

Sàçéz-Eé, Aà Nàé, Jéé Wçé, Eç ô, Dô Péàŝé, Yué uà, Ré éàà, à Sçô Sàu; à Càà, éé àŝ Jéàé Gu- é, Rçà Rué, év O’Bé, Séàé ààààà, Mé éŝ, à ô Zôéé. Svà Cô éçévéŝ à ŝéçà àŝ ô à-  é ué é  à ôuç é ô é Aŝŝôçàô ô Aŝà Aéçà Suéŝ, ôé ô é ôŝ vbà à ççà ŝàvv ééç- uà çôuéŝ ï àvé ô, ç àŝ uué  évéôé àŝ à ŝçôà  ôà àŝ. ï àŝ à uééçé T à ï çàé ô ô Séé Vçé àŝ à é u é ôçéŝŝ ô çôuç éŝéàç. ŝ ŝuŝàé ééŝ   ô é é vé ô é, àŝ   éàçôŝ  àŝô ïàà, Màé ô ŝô, ô Obézé, Jéŝŝçà àéô, M J éé, Môqué uô, à E. Nôô, à Cŝé Bààçé. hŝ bôô ŝ éçàé ô  àéŝ  ôô, Uéu à Nô- ô Màôŝà, ô àé  ôŝŝbé ô é ô çôué  uŝu ô éàŝ àçôŝŝ é Pàçîç. ï ôu é ô ôô é éô ô Suô ïbà, àé Gfô, à Dô W àôŝé  çôŝé éŝ ô bô ŝéŝ ô é Pàçîç ôŝé véŝ àé ŝàôà: Aô Sàô, ààô Aô, E ààà, Aôà Sôà, ààô àà, Juô Oààŝ, M Sôé, éŝué Gôà, A Yôŝô, Màŝà Nàààà, A Yààŝà, Màu Màŝubàà, Nôô Sôàà, Nôô Dôàué, Nubà ôv- ŝéà, Càçàé Pééŝ, Aà éà, Jà Oŝbô, Juŝé Và Méé, Sàà àé, Màà Wé, Jôé Séfé, à Pé Féé. hé àŝ ŝééçé ô ŝ àçôéé àŝ ô béé éŝévé ô .A.C.,  àvôé çŝé à çôŝôôà  é béŝ ŝéŝé ô éŝé éŝ, ôŝé éŝôuçéuéŝŝ, àéçé, à ôvé ô é ôuàô ô ŝ bôô. hà ôu ô béév  é.

ricksters and Cosmopolitans