Clarence
104 pages
English

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104 pages
English

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Description

Although many imagine that the impact of the American Civil War largely skirted the Western territories, in truth, the repercussions of the bloody conflict rippled out across the entire continent. This novel, which unfurls against the backdrop of the Civil War, depicts a family torn asunder by diverging loyalties.

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Publié par
Date de parution 01 avril 2016
Nombre de lectures 0
EAN13 9781776597710
Langue English

Informations légales : prix de location à la page 0,0134€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

CLARENCE
* * *
BRET HARTE
 
*
Clarence First published in 1895 Epub ISBN 978-1-77659-771-0 Also available: PDF ISBN 978-1-77659-772-7 © 2014 The Floating Press and its licensors. All rights reserved. While every effort has been used to ensure the accuracy and reliability of the information contained in The Floating Press edition of this book, The Floating Press does not assume liability or responsibility for any errors or omissions in this book. The Floating Press does not accept responsibility for loss suffered as a result of reliance upon the accuracy or currency of information contained in this book. Do not use while operating a motor vehicle or heavy equipment. Many suitcases look alike. Visit www.thefloatingpress.com
Contents
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PART I Chapter I Chapter II Chapter III Chapter IV PART II Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII PART III Chapter I Chapter II Chapter III Endnotes
PART I
*
Chapter I
*
As Clarence Brant, President of the Robles Land Company, and husband ofthe rich widow of John Peyton, of the Robles Ranche, mingled with theoutgoing audience of the Cosmopolitan Theatre, at San Francisco, heelicited the usual smiling nods and recognition due to his goodlooks and good fortune. But as he hurriedly slipped through the stilllingering winter's rain into the smart coupe that was awaiting him, andgave the order "Home," the word struck him with a peculiarly ironicalsignificance. His home was a handsome one, and lacked nothing inappointment and comfort, but he had gone to the theatre to evade itshollow loneliness. Nor was it because his wife was not there, for he hada miserable consciousness that her temporary absence had nothing to dowith his homelessness. The distraction of the theatre over, that dull,vague, but aching sense of loneliness which was daily growing upon himreturned with greater vigor.
He leaned back in the coupe and gloomily reflected.
He had been married scarcely a year, yet even in the illusions ofthe honeymoon the woman, older than himself, and the widow of his oldpatron, had half unconsciously reasserted herself, and slipped backinto the domination of her old position. It was at first pleasantenough,—this half-maternal protectorate which is apt to mingle evenwith the affections of younger women,—and Clarence, in his easy,half-feminine intuition of the sex, yielded, as the strong are apt toyield, through the very consciousness of their own superiority. But thisis a quality the weaker are not apt to recognize, and the woman whohas once tasted equal power with her husband not only does not easilyrelegate it, but even makes its continuance a test of the affections.The usual triumphant feminine conclusion, "Then you no longer love me,"had in Clarence's brief experience gone even further and reached itsinscrutable climax, "Then I no longer love you," although shown only ina momentary hardening of the eye and voice. And added to this was hissudden, but confused remembrance that he had seen that eye and heardthat voice in marital altercation during Judge Peyton's life, and thathe himself, her boy partisan, had sympathized with her. Yet, strange tosay, this had given him more pain than her occasional other reversionsto the past—to her old suspicious of him when he was a youthful protegeof her husband and a presumed suitor of her adopted daughter Susy.High natures are more apt to forgive wrong done to themselves than anyabstract injustice. And her capricious tyranny over her dependents andservants, or an unreasoning enmity to a neighbor or friend, outraged hisfiner sense more than her own misconception of himself. Nor did he dreamthat this was a thing most women seldom understand, or, understanding,ever forgive.
The coupe rattled over the stones or swirled through the muddy poolsof the main thoroughfares. Newspaper and telegraphic offices were stillbrilliantly lit, and crowds were gathered among the bulletin boards.He knew that news had arrived from Washington that evening of the firstactive outbreaks of secession, and that the city was breathless withexcitement. Had he not just come from the theatre, where certaininsignificant allusions in the play had been suddenly caught upand cheered or hissed by hitherto unknown partisans, to the dumbastonishment of a majority of the audience comfortably settled tomoney-getting and their own affairs alone? Had he not applauded, albeithalf-scornfully, the pretty actress—his old playmate Susy—who hadaudaciously and all incongruously waved the American flag in theirfaces? Yes! he had known it; had lived for the last few weeks in anatmosphere electrically surcharged with it—and yet it had chieflyaffected him in his personal homelessness. For his wife was aSoutherner, a born slaveholder, and a secessionist, whose notedprejudices to the North had even outrun her late husband's politics. Atfirst the piquancy and recklessness of her opinionative speech amusedhim as part of her characteristic flavor, or as a lingering youthfulnesswhich the maturer intellect always pardons. He had never taken herpolitics seriously—why should he? With her head on his shoulder he hadlistened to her extravagant diatribes against the North. He had forgivenher outrageous indictment of his caste and his associates for the sakeof the imperious but handsome lips that uttered it. But when he wascompelled to listen to her words echoed and repeated by her friends andfamily; when he found that with the clannishness of her race she haddrawn closer to them in this controversy,—that she depended upon themfor her intelligence and information rather than upon him,—he hadawakened to the reality of his situation. He had borne the allusionsof her brother, whose old scorn for his dependent childhood had beenembittered by his sister's marriage and was now scarcely concealed. Yet,while he had never altered his own political faith and social creedin this antagonistic atmosphere, he had often wondered, with his oldconscientiousness and characteristic self-abnegation, whether his ownpolitical convictions were not merely a revulsion from his domestictyranny and alien surroundings.
In the midst of this gloomy retrospect the coupe stopped with a jerkbefore his own house. The door was quickly opened by a servant, whoappeared to be awaiting him.
"Some one to see you in the library, sir," said the man, "and"—Hehesitated and looked towards the coupe.
"Well?" said Clarence impatiently.
"He said, sir, as how you were not to send away the carriage."
"Indeed, and who is it?" demanded Clarence sharply.
"Mr. Hooker. He said I was to say Jim Hooker."
The momentary annoyance in Clarence's face changed to a look ofreflective curiosity.
"He said he knew you were at the theatre, and he would wait until youcame home," continued the man, dubiously watching his master's face. "Hedon't know you've come in, sir, and—and I can easily get rid of him."
"No matter now. I'll see him, and," added Clarence, with a faint smile,"let the carriage wait."
Yet, as he turned towards the library he was by no means certain thatan interview with the old associate of his boyhood under Judge Peyton'sguardianship would divert his mind. Yet he let no trace of his doubtsnor of his past gloom show in his face as he entered the room.
Mr. Hooker was apparently examining the elegant furniture and luxuriousaccommodation with his usual resentful enviousness. Clarence had got a"soft thing." That it was more or less the result of his "artfulness,"and that he was unduly "puffed up" by it, was, in Hooker'scharacteristic reasoning, equally clear. As his host smilingly advancedwith outstretched hand, Mr. Hooker's efforts to assume a properabstraction of manner and contemptuous indifference to Clarence'ssurroundings which should wound his vanity ended in his lolling back atfull length in the chair with his eyes on the ceiling. But, rememberingsuddenly that he was really the bearer of a message to Clarence, itstruck him that his supine position was, from a theatrical view-point,infelicitous. In his experiences of the stage he had never delivered amessage in that way. He rose awkwardly to his feet.
"It was so good of you to wait," said Clarence courteously.
"Saw you in the theatre," said Hooker brusquely. "Third row in parquet.Susy said it was you, and had suthin' to say to you. Suthin' you oughtto know," he continued, with a slight return of his old mystery ofmanner which Clarence so well remembered. "You saw HER—she fetched thehouse with that flag business, eh? She knows which way the cat isgoing to jump, you bet. I tell you, for all the blowing of thesesecessionists, the Union's goin' to pay! Yes, sir!" He stopped, glancedround the handsome room, and added darkly, "Mebbee better than this."
With the memory of Hooker's characteristic fondness for mystery still inhis mind, Clarence overlooked the innuendo, and said smilingly,—
"Why didn't you bring Mrs. Hooker here? I should have been honored withher company."
Mr. Hooker frowned slightly at this seeming levity.
"Never goes out after a performance. Nervous exhaustion. Left her at ourrooms in Market Street. We can drive there in ten minutes. That's why Iasked to have the carriage wait."
Clarence hesitated. Without caring in the least to renew theacquaintance of his old playmate and sweetheart, a meeting that nightin some vague way suggested to him a providential diversion. Nor was hedeceived by any gravity in the message. With his remembrance of Susy'stheatrical tendencies, he was quite prepared for any capricious futileextravagance.
"You are sure we will not disturb her?" he said politely.
"No."
Clarence led the way to the carriage. If Mr. Hooker expected him duringthe journey to try to divine the purport of Susy's message he wasdisappointed. His companion did not allude to it. Possibly looking uponit as a combined theatrical performance, Clarence preferred to wait forSusy as the better actor. The carriage rolled rapidly through the nowdeserted st

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