Summary of Donald Miller s Hero On A Mission
23 pages
English

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23 pages
English

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Description

Please note: This is a companion version & not the original book.
Sample Book Insights:
#1 The author of our stories is us. We are the ones who have the responsibility to shape them into something meaningful. If God is writing our stories, He isn’t doing a good job. Some people’s stories seem quite tragic, and many of us have experienced our share of those tragedies.
#2 It is important to realize that we are the authors of our stories. And it’s more than a useful belief: it’s a fun belief. We can change our personal experience and feel gratitude for its beauty rather than resentment for its meaninglessness.
#3 The four main characters in every story are the victim, the villain, the hero, and the guide. The hero must want something difficult and perhaps even frightening to achieve. A victim, on the other hand, does not move forward or accept challenges.
#4 We must ask ourselves what character we are playing in our story - if we are playing the victim or the villain. The two characters that will ruin our story the fastest are the victim and the villain.

Sujets

Informations

Publié par
Date de parution 19 mars 2022
Nombre de lectures 0
EAN13 9781669354239
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0150€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Insights on Donald Miller's Hero on a Mission
Contents Insights from Chapter 1 Insights from Chapter 2
Insights from Chapter 1



#1

The author of our stories is us. We are the ones who have the responsibility to shape them into something meaningful. If God is writing our stories, He isn’t doing a good job. Some people’s stories seem quite tragic, and many of us have experienced our share of those tragedies.

#2

It is important to realize that we are the authors of our stories. And it’s more than a useful belief: it’s a fun belief. We can change our personal experience and feel gratitude for its beauty rather than resentment for its meaninglessness.

#3

The four main characters in every story are the victim, the villain, the hero, and the guide. The hero must want something difficult and perhaps even frightening to achieve. A victim, on the other hand, does not move forward or accept challenges.

#4

We must ask ourselves what character we are playing in our story - if we are playing the victim or the villain. The two characters that will ruin our story the fastest are the victim and the villain.

#5

The second item on our checklist for fixing a bad story is to make sure the hero isn’t surfacing too much villain energy. Just like a hero that surfaces victim energy, a hero that surfaces villain energy will ruin the story too.

#6

When we begin to reduce others in our minds, we are dancing with the devil. When we dismiss other people’s comments or think of them as lesser, we are surfacing villain energy. When we reduce those who criticize us rather than seek to learn and grow, we are surfacing villain energy.

#7

The essence of heroic energy is the desire for something, and the willingness to accept challenges in order to obtain it. When we’re reading a story or watching a movie, we want the hero to rise to the occasion.

#8

The first shift we experience as we emerge heroic energy is that our lives are not in the hands of fate. We are not pre-programmed to respond to challenges. We have the ability to shape our own stories.

#9

Guides are the characters in a story who have empathy and confidence, and as such are capable of helping the hero win. They help the hero win by passing on their experience and knowledge.

#10

We have been forced into this life by the breath of God. We come out crying and gasping for air, and what we do with that air is what makes up the quality of our story. We can bemoan our unsolicited life, but when we do, we ruin our stories because we play the victim.

#11

The path to a more meaningful life is made up of stories. Good stories obey certain rules, and when storytellers ignore those rules, their stories suffer. If you have ever felt like your story is so uninteresting that you don’t even want to turn the page, there is hope.

#12

The hero’s journey is a series of events that transform them from a victim mindset to a heroic mindset. The hero takes responsibility for their life and their story, and becomes the hero when they decide to accept the facts of their life and respond with courage.

#13

The act of surrendering power to outside forces is called an external locus of control. It means that the person surrendering power believes external forces are in charge. An internal locus of control means we believe that, to a large degree, we are in control of our own destinies.

#14

We cannot control everything in our lives, but we can control our own agency. We can make our own choices, and all people have agency.

#15

The author once tho

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