Fyodor Dostoyevsky: The Complete Novels

Fyodor Dostoyevsky

Description

This book contains the complete novels of Fyodor Dostoyevsky in the chronological order of their original publication.
- Poor Folk
- The Double
- Netochka Nezvanova
- The Village of Stepanchikovo
- Uncle's Dream
- The Insulted and the Injured
- The House of the Dead
- Notes from Underground
- Crime and Punishment
- The Gambler
- The Idiot
- The Eternal Husband
- Demons
- The Adolescent
- The Brothers Karamazov

Sujets

• Démon (esprit)
• House of the Dead
• Idiot
• Crime
• Mystery
• Crime and Punishment
• The Complete Works
• Los hermanos Karamázov

Informations

• Publié par: Pandora's Box
• Date de parution: 29 mai 2020
• Nombre de lectures: 2
• EAN13: 9789897782701
• Langue: English
• Poids de l'ouvrage: 1 Mo

Extrait

Fyodor Dostoyevsky
THE COMPLETE NOVELS
Table of Contents
 
 
 
Poor Folk
The Double
The Landlady
Netochka Nezvanova
The Village of Stepanchikovo
Uncle’s Dream
The Insulted and the Injured
The House of the Dead
Notes from Underground
Crime and Punishment
The Gambler
The Idiot
The Eternal Husband
Demons
The Adolescent
The Brothers Karamazov
 
Poor Folk
First published : 1846
Translation : Charles James Hogarth (1869-1942)
 
 
 
April 8th
April 8th
April 8th
April 9th
April 12th
April 25th
May 20th
June 1st
June 11th
June 12th
June 20th
June 21st
June 22nd
June 25th
June 26th
June 27th
June 28th
June 28th
July 1st
July 1st
July 7th
July 8th
July 27th
July 28th
July 28th
July 29th
August 1st
August 2nd
August 3rd
August 4th
August 4th
August 5th
August 5th
August 11th
August 13th
August 14th
August 19th
August 21st
September 3rd
September 5th
September 9th
September 10th
September 11th
September 15th
September 18th
September 19th
September 23rd
September 23rd
September 27th
September 27th
September 28th
September 28th
September 29th
September 30th
September 30th
 
April 8 th
 
 
 
My dearest Barbara Alexievna
How happy I was last night — how immeasurably, how impossibly happy! That was because for once in your life you had relented so far as to obey my wishes. At about eight o’clock I awoke from sleep (you know, my beloved one, that I always like to sleep for a short hour after my work is done) — I awoke, I say, and, lighting a candle, prepared my paper to write, and trimmed my pen. Then suddenly, for some reason or another, I raised my eyes — and felt my very heart leap within me! For you had understood what I wanted, you had understood what my heart was craving for. Yes, I perceived that a corner of the curtain in your window had been looped up and fastened to the cornice as I had suggested should be done; and it seemed to me that your dear face was glimmering at the window, and that you were looking at me from out of the darkness of your room, and that you were thinking of me. Yet how vexed I felt that I could not distinguish your sweet face clearly! For there was a time when you and I could see one another without any difficulty at all. Ah me, but old age is not always a blessing, my beloved one! At this very moment everything is standing awry to my eyes, for a man needs only to work late overnight in his writing of something or other for, in the morning, his eyes to be red, and the tears to be gushing from them in a way that makes him ashamed to be seen before strangers. However, I was able to picture to myself your beaming smile, my angel — your kind, bright smile; and in my heart there lurked just such a feeling as on the occasion when I first kissed you, my little Barbara. Do you remember that, my darling? Yet somehow you seemed to be threatening me with your tiny finger. Was it so, little wanton? You must write and tell me about it in your next letter.
But what think you of the plan of the curtain, Barbara? It is a charming one, is it not? No matter whether I be at work, or about to retire to rest, or just awaking from sleep, it enables me to know that you are thinking of me, and remembering me — that you are both well and happy. Then when you lower the curtain, it means that it is time that I, Makar Alexievitch, should go to bed; and when again you raise the curtain, it means that you are saying to me, “Good morning,” and asking me how I am, and whether I have slept well. “As for myself,” adds the curtain, “I am altogether in good health and spirits, glory be to God!” Yes, my heart’s delight, you see how easy a plan it was to devise, and how much writing it will save us! It is a clever plan, is it not? And it was my own invention, too! Am I not cunning in such matters, Barbara Alexievna?
Well, next let me tell you, dearest, that last night I slept better and more soundly than I had ever hoped to do, and that I am the more delighted at the fact in that, as you know, I had just settled into a new lodging — a circumstance only too apt to keep one from sleeping! This morning, too, I arose (joyous and full of love) at cockcrow. How good seemed everything at that hour, my darling! When I opened my window I could see the sun shining, and hear the birds singing, and smell the air laden with scents of spring. In short, all nature was awaking to life again. Everything was in consonance with my mood; everything seemed fair and spring-like. Moreover, I had a fancy that I should fare well today. But my whole thoughts were bent upon you. “Surely,” thought I, “we mortals who dwell in pain and sorrow might with reason envy the birds of heaven which know not either!” And my other thoughts were similar to these. In short, I gave myself up to fantastic comparisons. A little book which I have says the same kind of thing in a variety of ways. For instance, it says that one may have many, many fancies, my Barbara — that as soon as the spring comes on, one’s thoughts become uniformly pleasant and sportive and witty, for the reason that, at that season, the mind inclines readily to tenderness, and the world takes on a more roseate hue. From that little book of mine I have culled the following passage, and written it down for you to see. In particular does the author express a longing similar to my own, where he writes:
“Why am I not a bird free to seek its quest?”
And he has written much else, God bless him!
But tell me, my love — where did you go for your walk this morning? Even before I had started for the office you had taken flight from your room, and passed through the courtyard — yes, looking as vernal-like as a bird in spring. What rapture it gave me to see you! Ah, little Barbara, little Barbara, you must never give way to grief, for tears are of no avail, nor sorrow. I know this well — I know it of my own experience. So do you rest quietly until you have regained your health a little. But how is our good Thedora? What a kind heart she has! You write that she is now living with you, and that you are satisfied with what she does. True, you say that she is inclined to grumble, but do not mind that, Barbara. God bless her, for she is an excellent soul!
But what sort of an abode have I lighted upon, Barbara Alexievna? What sort of a tenement, do you think, is this? Formerly, as you know, I used to live in absolute stillness — so much so that if a fly took wing it could plainly be heard buzzing. Here, however, all is turmoil and shouting and clatter. The PLAN of the tenement you know already. Imagine a long corridor, quite dark, and by no means clean. To the right a dead wall, and to the left a row of doors stretching as far as the line of rooms extends. These rooms are tenanted by different people — by one, by two, or by three lodgers as the case may be, but in this arrangement there is no sort of system, and the place is a perfect Noah’s Ark. Most of the lodgers are respectable, educated, and even bookish people. In particular they include a tchinovnik (one of the literary staff in some government department), who is so well-read that he can expound Homer or any other author — in fact, ANYTHING, such a man of talent is he! Also, there are a couple of officers (for ever playing cards), a midshipman, and an English tutor. But, to amuse you, dearest, let me describe these people more categorically in my next letter, and tell you in detail about their lives. As for our landlady, she is a dirty little old woman who always walks about in a dressing-gown and slippers, and never ceases to shout at Theresa. I myself live in the kitchen — or, rather, in a small room which forms part of the kitchen. The latter is a very large, bright, clean, cheerful apartment with three windows in it, and a partition-wall which, running outwards from the front wall, makes a sort of little den, a sort of extra room, for myself. Everything in this den is comfortable and convenient, and I have, as I say, a window to myself. So much for a description of my dwelling-place. Do not think, dearest, that in all this there is any hidden intention. The fact that I live in the kitchen merely means that I live behind the partition wall in that apartment — that I live quite alone, and spend my time in a quiet fashion compounded of trifles. For furniture I have provided myself with a bed, a table, a chest of drawers, and two small chairs. Also, I have suspended an ikon. True, better rooms MAY exist in the world than this — much better rooms; yet COMFORT is the chief thing. In fact, I have made all my arrangements for comfort’s sake alone; so do not for a moment imagine that I had any other end in view. And since your window happens to be just opposite to mine, and since the courtyard between us is narrow and I can see you as you pass — why, the result is that this miserable wretch will be able to live at once more happily and with less outlay. The dearest room in this house costs, with board, thirty-five roubles — more than my purse could well afford; whereas MY room costs only twenty-four, though formerly I used to pay thirty, and so had to deny myself many things (I could drink tea but seldom, and never could indulge in tea and sugar as I do now). But, somehow, I do not like having to go without tea, for everyone else here is respectable, and the fact makes me ashamed.