Partition Complete Book, Universal Saxophone Method, Prendiville, Harry

Harry Prendiville

Description

Pratiquez les partitions de Universal Saxophone Method Complete Book, méthodes, par Prendiville, Harry. Cette partition romantique célèbre dédiée aux instruments suivants: Saxophone
Cette partition offre plusieurs mouvements et l'on retrouve ce genre de musique classifiée dans les genres pour 1 musicien, partitions pour saxophone, pour saxophone, méthodes
Retrouvez de la même façon tout un choix de musique pour Saxophone sur YouScribe, dans la catégorie Partitions de musique romantique.
Edition: New York: Carl Fischer, n. d. [1908].

Sujets

• Romantique
• Saxophone

Informations

• Publié par: PRENDIVILLE
• Nombre de lectures: 612
• Licence : Libre de droits
• Langue: Français
• Poids de l'ouvrage: 31 Mo

Extrait

\.
1fWorld's Edition
Universal method
for tKe
vSaxophone
UNIVERSITY OF TORONTO
|
'l>4,l&. 4.
EDWARD JOHNSONPaul de Uillc. MUSIC LIBRARY
Method eoer written theand JttostThe Complete for Saxophone.largest
the celebratedBased worksupon of
H. andA. others.nAYEUR, KLOSE,
theAnd forcontaining complete fingerings
The Latest Improved Saxophones
Price Price ClothPaper
$3.50 $4.75T
502
'5V
APR 24 1964
K94759Preface.
HE Author takes ingreat pleasure stating
to the that whichStudent, everything
andresearch,patient practical experience
favoriteknowledge (of my instrument)
could has been to bear
suggest, brought
to make this the and most com-
greatest
Method for theprehensive
Saxophone
ever
attempted.
andThe of is
plan study thorough
adheredand if to,strictlyprogressive,
acannot fail to first-class perproduce
former.
Yours truly,
de VillePaulZLbe ^Universal fllktbob for Sa*opbone,
InDei
PAGE
Rudiments of Music
16
A list of the words used in Modern Music
How to make own Reedsyour 14
The Saxophone 9
Instruction for the Saxophone 9
How to hold the g
Position of the Performer
9 of the in the MouthMouthpiece 10
The Reed
..!!!. .i! .......'.'.! 10
Manner of the tone etccontrolling 10
Breathing ' ' ' ' ' ' ' '' ' ' ' ' 10
Method of Study '.'... . [ '"." [ [ i
General Remarks H
Chart of with 1 1 and 12Saxophone keys of with 15 keys
added to theImprovements Saxophone 26
ExercisesPreparatory 27
Exercises in Slurring 31 on etctime,Progressive 39
on Rests 41
ExercisesTwenty Progressive 45
inExercises ArticulationEighteen 52 on the NotesPreparatory High 55
Chromatic Scale of the Saxophone 57
and Minor Scales in allMajor Keys 58
and Chords in the most used Keys 62
Exercises of MechanismSixty 63 from low Bb to F above the staffFifty 67
Exercises on detached Notes in differentTwentyone 92Keys for execution in the differentTwenty-Seven 98gaining Keys
Three Exercises on Staccato 108
Grace-notes and Embelishments 110
The Shake 115
Table of Shakes 115
The Mordent or Shake 118Passing
onExercises Shakes 118
Fifteen Cadenzas 121
of BeethovenIntroduction Senate "Pathetic" 123Adagio
for TwoTen Duets E. 125Saxophones by Mayeur for Two H. KloseSix 144 by
on notes and notesExercises Sixteenth 144Eighth
on dotted and 158Eighth
with Sixteenth-note Rests 160
on Dotted andExercise 161Thirty-Second-note
with Rests - 161Thirty-Second-note
onExercises 162Triplets
on Slured and Detached notes 165ExercisesForty
onSeventeen Exercises 179Syncopation
Melodies 184Twenty Operatic
for the new of the B and Cff 197Exercises Bb,fingering improved keys
and Minor Scales and Exercises 201Progressive Major
Interval Exercises on the and Minor Scales 208Major
Studies on the and Minor Chords 212Major
Exercise on the Chord of the Dominant Seventh 214
. on different Diminished Sevenths 214
f
of fourExercise on the succession Diminished Sevenths 214
in different 215Ten Studies on Major KeysApeggios
216Chromatic Exercises
218FantasiasEight
226Eleven StudiesProgressive
Theme with nine Variations 236easy
Variations 240 with
A. 243StudiesTwenty by Mayeur
263Fifteen
280Four Solos
288VariationsAir with
290Four Concert Duets
303Airs Varies -sSolos,theforMethodUniversal SaxophoneThe
VILLE.DE.PAULBy
in Eb are sometimesBb and Contra-bassA Bass inaboutwas inventedHE Saxophone
a in Eb.and rarely) SopraninoAntoine (though veryused,Adolphthe 1844, byyear
see innow common to quar-of It is Saxophonethe son quiteHe wasSax.Joseph
thein Eb oneAlto used, takingtets twothe celebrated SaxophonesCharles Sax,Joseph
Bb.the inofmaker of Sopranoinstrument Paris, partmr.sieal
ismost as a solo instrumentusedThe SaxophoneFrance.
in Eb.first the Altoinstrument wasSince the
im-beenit has greatlyinvented,
FOR THE SAXOPHONE.INSTRUCTIONSthe skillthanks toand nowproved,
and Schaeffer, isof Messrs. Evette the Alto and TenorThe of Saxophonescompass
intoit has developed fifth.France, two octaves and aParis, major
itas we know to-day.the Saxophone
isa cone,theThe of Saxophone, parabolical 1.0. =body
1with a set of ^f^and keys,made of brass provided
Bk Fof the Btsimilar to that clarinet,isThe mouthpiece
reed.fitted with aand is single
is similar to thatThe of the Bass andSaxophone the Baritone,fingering The ofcompass Soprano,
master same aftercanof the a clarinetist readily and a fourth.is two octavesOboe, Contra-bass Saxophone
a little study.
is soft andtheThe tone of penetratingSaxophone
it isthe lowerand inin the registerregister,upper
rich and Ekimpressive. Btfull, profoundly BV^
inis itsmerit of the nobilityOne Saxophonegreat
farIts tone is richer and hastones.sustaining singing note was:the lowestOn the old model Saxophone
and it has an extraor-more volume than the clarinet,
from soft to loudof swell (ff).range (pp.)dinary
of a ofThe full pro-harmony quartet Saxophones
effect.duces a grand
is tothe tone of theIn peculiarbrief, Saxophone
in the trebleThe music for all is writtenthe tones of thewith Saxophonesanalogiesitself, presenting vague
clef.clarinet and oboe.'cello,
HOLD THE SAXOPHONE.instrument HOW TOThe is now an indispensableSaxophone
in or-in and also fills an man-bands, important place large in the sameis heldThe Soprano Saxophone
chestras. andBassclarinet. The Baritone,ner as a Alto, Tenor,
made in differentare theSaxophones being many sizes, lower or bell ofare with theContra-Bass partheld,
in series:and are classed two of theinstrument the per-right legresting against
thisfor inbut not too much on the side,rightformer,
Series A. isand the armthe left arm is stretched rightposition
in F alsoSopranino Saxophone andthus with execution,properbent, interfering
in CSoprano the arms.tiring
Alto in FSaxophone below theThe thumb should be support,putright
Tenor in C hold itbut not toto hold the instrument in position,
Baritone in FSaxophone theavoidthe will do that. resting; Especiallyup strap
inBass C for this tires andinstrument on the paralyzesthumb,
the fingers.
B.Series on the roundThe thumb of the left hand, supported
in EbSopranino Saxophone thebe in to usewill at the same time positionmould,
in BbSoprano thesein order to be able to usetwo octave andkeys,
Alto in EbSaxophone sameshould rest in thetwo the thumb alwayskeys,
Tenor in BbSaxophone for ofthis is fingering.very important equalityposition,
Baritone in Eb
Bass in Bb OP THE PERFORMER.POSITION
Contra-bass in EbSaxophone
the must be ERE^T,In orsitting standing, body
The first series is for orchestral and the head f.nd(A) use, up steady.
second series for the band. chest must be well which facilitates(B) Themilitary Saxophones, expanded,
toinwhen are used are the and allows thethey the action of performer bands, generally lungs
in choirs of each of a different as sounds both and well sustained.employed four, outpitch, bring long
follows : should fall the bcty-The arms naturally along
orin Alto in Tenor in contrad'onand Bari- The hands must be held withoutSoprano Bb, Eb, Bb,
betone in Eb. ir-ustthe the fingersrigidity upon instrument;