GlobalProject / Coordination des Intermittents et Précaires d'Ile de France Spectacle Inside the State and Out Social Rights and the Appropriation of Public Spaces: The Battles of the French Intermittents [2004] The strength of a political movement is found not only in its ability to reach a concrete objective. These kinds of successes depend mostly on the economy of power relations. The strength of a movement reveals itself more in its potential for raising new questions and providing new answers. And this much is certain: the battles of the precariously employed French cultural workers have raised new questions 1demanding new answers. A new regulation has been in effect in France since 1 January 2004. The agreement provides for the cancellation or reduction of the claims of hundreds of thousands of unemployed people. Those that this applies to are the so-called intermittents du spectacle, "independent" cultural workers. Prior to this there was a separate regulation for them, the so-called "cultural exception". Under this regulation, cultural workers in between two productions with no income were paid from the unemployment fund – under the condition (which was already difficult for many to fulfill) that they could prove 507 hours of working time for a total of twelve months. This resulted in a twelve-month claim to unemployment benefits. However, since businesses and three unions signed the "Protocol Unedic" on a new regulation of unemployment ...