La lecture à portée de main
Informations
Publié par | script-cinema |
Nombre de lectures | 3 |
Licence : |
En savoir + Paternité, pas d'utilisation commerciale, partage des conditions initiales à l'identique
|
Langue | English |
Extrait
B R E A K
OLIVER STONE
Copyright
1969
Anthony's trip through three moods/locations:
1.
2.
3.
The City Speed and Fear
The Forest Decreasing Speed Fading Into Dream
Prison Silence (The Death of Words)
Freedom (End ofMovie)
1. Fre nchtypeSmall, stude nt's
i n sduei etcase Antho pre o ny tod, n be hi
hurri e dly e xami ni
thro wi ngTtahkeemsoa bon theo
pho to graph o f Ge ne
i n hi s burglar's Tshi rt, hi
le tte rs at base o f pho
sui tcase , lo cks sui tcase
doA. boack ir.iwenboehrotton
po uri ng re d gaso li
flo o r, spre adi ng the
Lo o ks i t all o v
backi an nig up, nstant late r so und
andredflamesshoShoottoi
thro ugh the swe jumpi ati ng flamneg wi
watchi Ope ng. ni Sho ng the t o do f clo
fiA'srfele.e i ng o fo
troFittiForeong.cu.tts. (runnite ps
2.Vo i ce Off:
Sho
lo
the
be
So
yo
u ran away fro
(Pause )
Ye s.
t o f fathe r and so
e ng hai arly htirw,e s nhtaii er ge
pro gre ss o f the
co mi ng mo re
Yo
u qui
t.
n,
s
nai
i
(Ge
A
(Inwardly)
Ye a.
smallpockeplayitkningthfee
shol, hi f o set clo
nne r te nsi o n.)
Fathe I canr:se e yo u'r
yo u're Pro o bably o n po
pi Go lls. d kno ws what e
A (Laughi ng mse 'at hi
Danci ng. Mse xus.hr.o.
my mi nd i s blo w
ntly o ut o f te nsi
Fathe r(:Lo o ki ng a
do e s thi s)
I thi nk yo u're
kni fe away)
A
Antho I lo ny, v
. :
A. stri
Fathe
Strange
Hangi
Fathe
burns o
A; ri
whi
ki ng matchT,e watche
rpiPausecksuppho.
v o i
sssssss.
ng up.
bor,htheerTe
Fathe ut. r se
no si t lo ng,
ch o pe
o
e
ns di
e
le s i pho
ne .
ce
haaningdi
s i
ki
re
n ng
ng at
e
ps i
o
v
turni
as he
mo
re
re
ck.
A:
startle
r wi
Ele
the
v
ari
ato
.
.
di
Sho
butto
ad)
ght he
ght he
(He
Ri
Anthoro
th Si
So
Ri
Dad . . . doen't
I'm si
o tste
ftly)
(So
ato
t: fo
Ele n.
sappe
me
v
r dri
ng,
Yo
ur fi
re
hav
art)
I thi
Dad . . .
I ne
go
d, v
man . . .
(He
(Ge
hand to
so
ng aro
Lo talks.
Re
e
nk yo
i
e
ntrance
ali
e re
u re
ally are
thirry. nk
d a wo
ng o
ry di
hi
sturi
fti
e
ng wi
ngnatsoFathe
tyIghhtavhe
kiThe
Ri
s ge
ali
und at e
ny'spe
ame
ty i
naolly o
s.
i
ut and f
stant
s
f w
first, group of friendsfollowing dressed in fancy threads
ready to go.ecalpemso
lookingat in elevator, at firstunable
A.
recognize him: Anthony?
A :Yes, Mom.
How are you?
Marina:
who says this,is Russian looking, is tall with
a husky voice and long black hair. She locks down closely
at A., who is leaning up against a side of the elevator.
Mfromodistance:the r
Come with us.
Where you going?
A
Looking at who is looking at him.
Mother turning bored to her son, looking at blowing
smoke out of her mouth:
To What difference
A
does it make?
4.Elevatoropening.A Dylantype, freaky hair
and corduroys bo h e hiand kne
is leaning nstup agaiofthethe elevatorsi in samede
pose as A's as elevatoropens.Looks at the party of
people wth cold blue eyes. Goes in elevator after last
has le ft.
A. combing his hair in the reflection
of the glass doors,withalarge lightblueMarina
comb.
standing behind him. To the side.
A. (o
o
7.
do
sje
Can yo
6.
fi
No
A
.
A
ll
A
u Ki
a tall black standi
8.A. glo
but fanci e
i
ng at the
llo
.
d
Yo
i
hi
gre
the
lo
we
e
v
ki
ra fo
ye
Wante
Are
t.
s e
Came
o
an
nliToghherinkight
i s a fe A. sto nce ppi
ng i n the shado
lsksescarfabod,uthi
wn
black, at
n the A yo
lte
A be
warl,kibengttdeorwncaloc
dampniung,sclaiutight.ghtolyte
d rai nco Passe at o s
ckeans.
f party go
t:
last.
s o
why no
n the
Why no
No
nt o
rs o
ny at fro
ff i
f the
Antho
n lo
ws do
d hands i
lladsrie
e
re
f do
i
u a M
li
w whi
Antho
Face
sorst,
No .
teo
.
t?
Can Yo
Can Yo
Are A Re
You
ali
u Di
u Rape
u Ste
st.
Can Yo
co
Qui
ntbhleo
f
gue
spade
k he
s starrtistre
Russi
lo
Go
do
ke
mplace
c Bo
Go
To
Assure
t o
.
al.
e
urse
cbo
wn ano
It i
mi
o
the
Fle
ad Vo
a Glamo
9.
stre
day.
eback, as he tre
To
mi
re adi
Yo
Sho
War
East.
!
llo
ng at li Re
o ft
ALEXANDEcRe'sso
v
I fle
Came ra fo
Sto e ppi t.
urmPauglalzio
e ti
an le
Panohi
culti
ate
d mo
i
Vo
re
i
as I lo
Co
o
suchauctoy,
auty . . .
the
at Be
Be
ck fullscre
n
wuSpi
d ac
n
mag
d v o
ral co
ff (lo
athe r and Egypti
ki wnhge, ye re s to t
s casually walki ng away wi
lf
te
arie
ws spade
ghte adi
o
nfewhi.
ngfulMlscre
i
xande
uth ho
scre
Drums starti
o
Ano
Ale
Drums fade
Vo
A. walki
Vo
Vo
i
n the
ari , A.
ne
i but the ce
so ldi
w e
ugh o
e
ce
w e
i
I kno
fe
ce
hands i
ng faste
I kno
thro
n I waos a ff:...
e r . . . a
eldri. . .e
e r cri
le
wsei
wi
ll no
p man, yo
u're
rri
l, man.
se
ff:
t man, c
s
n po cke
r,
s o ff, re
xactly ho
xactly what yo
v e
ff:... h
ncdlo
heA.tarsyiingatowsi
f tthhee co ni ld ai hi gh
Clo
we se
10.
stuck i
wup:
The
o
smo
fi
Cut to
o
wi nds the ndo w stuck. It wi
Vo
ce
o
the
Se
fro
I'm hi
e
r v
s o
l i
ldaind a so
v
mo
ng a ho
so
i
Co
.
e n blo
B AK ON THROUG
REng up.H To
m a co
Shot.
Voices off:
It's a
it cool.
man, who plays
(Pause)
voice,off:
on the loneliness
they all split. Dad's face
I leave behind in the elevator.
A's voice, off:
My mother's voice dies on
the telephone.
Shot of Marina in the hall behind A. combing his hair.
A's voice, off:
splits. I split.
Shot of A. in student room at fire, his fleeing footsteps.
A. passes
A's voice, off:
camera,
We all split . . . We all
fade.
(Pause)
My mouth feels dry.
his back to it,
11.Anthony in coffee shop next to movie theatre,
standing, eating, what he's eating. Beautiful blonde girl
waiting at the counter for her change, catch each other's
eye, thevoiceon the radio saying:
Drive slowly, don't gamble
with your life, remember . . .
the stakes are too high.