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Publié par | script-cinema |
Nombre de lectures | 1 |
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En savoir + Paternité, pas d'utilisation commerciale, partage des conditions initiales à l'identique
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Langue | English |
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SWORDFISH
by
SkipWoods
January2001
FinalProductionDraft
FOREDUCATIONAL
PURPOSESONLY
1
BLACKNESS
WehearOVER...
FADEIN:
GABRIEL(V.O.)
Youknowtheproblemwith
Hollywood?Theymakeshit.
Unbelievable,unremarkableshit.
I'mnotsomegrungyfilmmaker-
wannabeesearchingfor
existentialismthroughahazeof
bong-smoke.It'seasytopick
apartbadacting,short-sighted
directing,orthepurelymoronic
stringingtogetherofwordsmany
ofthestudiostermasprose.No,
I'mtalkingthelackofrealism.
Realism.Notapervasiveelement
inthemodernAmericancinematic
vision.
INT.STARBUCKSCOFFEESHOP-MORNING
Threemensitatawindowboothdrinkingcoffeeand
talking.Twoofthemensitononesideofthetable;
STANLEYisintlyrthiisharelrae,STyGEAs,ieEROBRNT
forties.Bothwearsuits,theyounger'sisfairly
expensiveandwellcut,theother'sispolyester,enough
said.TheMANacross,however,isquitedifferent.He
iswhattheyusedtocalla"cool-cat."
GABRIEL(MAN)
TakeDogDayAfternoonfor
example.ArguablyPacino's
greatestperformance,excepting
TheGodfather,PartI,and
Scarface,ofcourse.A
masterpieceofdirecting,easily
Lumet'sbest.Theacting,the
script,cinematography,alltop
notch.But,theydidn'tpushthe
envelope.WhatifinDogDay,
Sonnyreallywantedtogetaway
withit?Whatif,andhere's
whereitgetstricky.Whatif
they'dstartedkillinghostages?
Nomercy,noquarter,meetour
demandsorthecuteblondeinthe
bellbottomsgetsoneintheback
ofthehead,bam,splatter.What?
Stillnobus?
(MORE)
(CONTINUED)
1
1
CONTINUED:
GABRIEL(CONT'D)
Howmanyinnocentvictimswould
theyletcadssorpsteyargethe
windowsbeforethecityreversed
itspolicyonhostagesituations?
And76.s19C.N.Nosawtih,.Non
C.N.B.C.,noM.T.V.NoInternet.
Fastforwardtothepresent,same
situation.Canyouimaginethe
feedingfrenzyofthemodern
media?Inhoursitwouldbethe
topstoryfromBostontoBudapest.
Allillimetein150mcuahgtozr,mo
computerenhanced,andcolor
corrected.Youwouldpractically
tastethebrainmatter.Six
hostagesdie.Ten.Twelve.
Twenty.Thirty.Relentless.One
afteranother.Alloverabus,a
plane,andacoupleofmillion
dollarsthatwerefederally
insured.
Hesits,lettingthepicturessinkin,then:
GABRIEL
Justathought.Imeanit'snot
reallywithintherealmof
conventionalcinema,butwhat
if...?
ROBERTS
Youknow,thismovieofyours,I
don'tthinkitwouldhaveworked.
GABRIEL
Really?Howcome?
ROBERTS
(shrugs)
Audienceslovehappyendings.
GABRIEL
Pacinoescapes.Withthemoney.
Boyfriendgetsthesexchange
operation.Theylivehappilyever
after.
Stanleyshakeshishead.
No?
GABRIEL
2.
(CONTINUED)
1
1
CONTINUED:(2)
No.
Homophobia?
Stanleyshakeshishead.
STANLEY
GABRIEL
STANLEY
Badguycan'twin.It'sa
moralitytale.Onewayorthe
other,he'sgottagodown.
GABRIEL
Oh,well.Lifedoestendtobe
strangerthanfiction.
(lookingatwatch)
Well,guys,gottajet.Thisplace
iskindadead.
CAMERAPANSAROUNDthecoffeeshop.Notasoulinthe
place.WeCONTINUETOPANAROUND270DEGREESTOthe
frontdoor,whichisopen.Outsidetheopendoorwayare
crouchedasquadofheavilybody-armoredSWATmembers,
packedtogether,andaimingautomaticweaponsinside.
ANGLEONGABRIEL
GABRIEL
Thanksforthecoffee.
Hegetsup.Inhislefthand,whichhasbeenhiddenby
thetableuntilnow,heisholdingastrange-looking
spring-loadedgrip.Gabrielislookingbackatthem.
Smiles.
GABRIEL
ReneDescartesissittinginsome
barinParis.Bartendersays,
'Hey,youwantanotherdrink?'
Descartessays,'Ithinknot.'
Anddisappears.
Hesmilesathisownjoke,thenturnsandwalksoverto
thefrontdoor.
Move.
Nooneeventwitches.
GABRIEL
GABRIEL
Iwon'taskagain.
3.
(CONTINUED)
1
1
2
3
CONTINUED:(3)
Heliftsupthedeviceinhislefthand.
ANGLEONROBERTS
whonodshishead.TheSWATteammovesback,letting
Gabrieloutofthecoffeeshop.
Thankyou.
GABRIEL
GabriellooksbackatStansittinginthebooth.
GABRIEL
Stanley...youcoming?
StanslidesfromtheboothasGabrielexitsthecoffee
shop--
EXT.STARBUCKSCOFFEESHOP-DAY
SILENCE--nosoundsontheSOUNDTRACK.
GabrielandStanleystopjustoutsidethedoorway.
Gabrieldonsapairofhiplittleshades,thencontinues
acrossthesidewalkandintothestreet.
Henonchalantlylooksup.SuddenlytheTHUMPof
HELICOPTERSandhtsetanimodSNEIRSofLAIWhete
soundtrack.
Pandemonium.HELICOPTER