Camenae n°8 - décembre 2010 1 Guido GIGLIONI THE MATTER OF THE IMAGINATION THE RENAISSANCE DEBATE OVER ICASTIC AND FANTASTIC IMITATION During the Renaissance, the question concerning the difference between icastic and fantastic imitation theorised by Plato in the Sophist, evolved from being a specific philosophical controversy into a broader debate regarding the limits of representation and imagination. Topics such as the contrast between reality and appearance, truth and falsehood, possibility and impossibility, likelihood and wonder, went beyond the realm of philosophical technicalities (Eleatic monism, sophistic relativism and Platonic idealism) to influence such diverse fields as literary criticism, theories of aesthetic reception, demonology and directions to religious devotion and poetic decorum. The topic concerning the nature of artistic imitation was still at the centre of the debate on icastic and fantastic representation, but the very notion of imitation underwent a momentous process of redefinition, involving not only the sphere of Aristotelian literary criticism, but also theories regarding the nature of affects and empathy, the power of rituals and the principles of magical mimesis. In the Sophist, Plato had associated the interrelated skills of imitation, persuasion and deception with the rhetorical activity of the sophist. Ficino's reaffirmation of the sophistic nature of demonic illusions in his commentary on the Sophist was a double-edged sword : it could be interpreted as a philosophical foundation for aesthetic theories that emphasised the demonic roots of artistic imagination (in which ‘demonic' had the neutral meaning of the innermost power of the soul), but it could also confirm the sophistic, that is, deceptive nature of the devil's machinations.
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