British Folk-Music Settings Nr. 4, "Shepherd s Hey"
8 pages
English

British Folk-Music Settings Nr. 4, "Shepherd's Hey"

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8 pages
English
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Description

BRITISH FOLK-MUSIC SETTINGS.
(Lovingly and reverenetly dedicated to the memory of Edvard Grieg)
Nr 4. "SHEPHERD'S HEY". MORRIS DANCE TUNE.
(By kind permission of Novello & Co Ltd.)
4 variants, collected by
from the ...

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Publié par
Publié le 08 décembre 2010
Nombre de lectures 51
Langue English

Extrait

BRITISH FOLK-MUSIC SETTINGS. (Lovingly and reverenetly dedicated to the memory of Edvard Grieg)
Nr 4. "SHEPHERDS HEY".MORRIS DANCE TUNE. (By kind permission of Novello & Co Ltd.)
4 variants, collected by Cecil J. Sharp from the playing of the fiddler of the Bidford Morris dances (1906,) J. Mason, (Stow on the Wold,) W. Hathaway (Cheltenham) & William Wells (Bampton.)
Dished up for piano by PERCY ALDRIDGE GRAINGER,
for setting for full band see BRITISH FOLK-MUSIC SETTINGS Nr 16. for setting for room-music 12-some (flute, clarinet, horn, Cnocertina, & 8 strings) see BRITISH FOLK-MUSIC SETTINGS Nr 3.
See: MORRIS DANCE TUNES [set 2, Nr 4](Novello & Co Ltd..) and THE MORRIS BOOK(Novello & Co Ltd.) both by Cecil J. Sharp & Herbert C. Macilwaine.
All held within the above square is meant to be used in full in programs, where possible.
This setting is not suitable to dance Morris dances to.
All big stretches may be played broken (harped).
FAST. (Presto) MM between 96 and 116 3     shortish  
No pedal (senza ped)
 
        
 
 
7  
 
   
      not short (non stacc.)
           
3
3
2 4
 
  
 
3
15 
11 
19   short (stacc.)  

3      
        
3
   23                     The bigger printed notes should                    merrily      27               be heard well above the others. louden                  or (ossia)
31
 
or

hold back slighty   3         (or)        
        
       
4 34     chippy        
 
 
3    
 
louden        
37  
        
43  
40
 
  louden  
 
 
533 short              (The bigger printed notes well to the fore and very clingingly) short              No pedal 56              3 smooth              
   
3  
5
short short
 
47  
 
 below a note means that the last pedal is to be raised at the moment of striking the keys and pressed down again P as fast as possible
50
3
 
short
   
hold back   
dont break these  
louden      
67
  3        
3  
top note
           louden quickly         Bumpingly
             It doesnt matter exactly what note the glissando ends on. 70       
        
  or
richly    
64  
short  
6 60
7
 
bright 74
       
  77      
83
lots
Clangingly  
    huge
 
Quicken to the end.                 
80       
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