Crucial Instances

Edith Wharton

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The Project Gutenberg EBook of Crucial Instances, by Edith WhartonCopyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloadingor redistributing this or any other Project Gutenberg eBook.This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do notchange or edit the header without written permission.Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of thisfile. Included is important information about your specific rights and restrictions in how the file may be used. You can alsofind out about how to make a donation to Project Gutenberg, and how to get involved.**Welcome To The World of Free Plain Vanilla Electronic Texts****eBooks Readable By Both Humans and By Computers, Since 1971*******These eBooks Were Prepared By Thousands of Volunteers!*****Title: Crucial InstancesAuthor: Edith WhartonRelease Date: February, 2005 [EBook #7516] [This file was first posted on May 13, 2003]Edition: 10Language: EnglishCharacter set encoding: ISO Latin-1*** START OF THE PROJECT GUTENBERG EBOOK, CRUCIAL INSTANCES ***Charles Aldarondo, Tiffany Vergon, William Flis, and the Online DistributedProofreading TeamCRUCIAL INSTANCESBYEDITH WHARTONTABLE OF CONTENTSI The Duchess at PrayerII The Angel at the GraveIII The RecoveryIV "Copy": A DialogueV The RembrandtVI The Moving FingerVII The ...

Informations

• Publié par: mafer
• Publié le: 08 décembre 2010
• Nombre de lectures: 25
• Langue: English

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CRUCIAL INSTANCES

BY

EDITH WHARTON

**Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!*****

Title: Crucial Instances Author: Edith Wharton Release Date: February, 2005 [EBook #7516] [This file was first posted on May 13, 2003] Edition: 10 Language: English Character set encoding: ISO Latin-1 *** START OF THE PROJECT GUTENBERG EBOOK, CRUCIAL INSTANCES ***

Charles Aldarondo, Tiffany Vergon, William Flis, and the Online Distributed Proofreading Team

TABLE OF CONTENTS

I

  The Duchess at Prayer

II The Angel at the Grave

III The Recovery

IV "Copy": A Dialogue

V The Rembrandt

VI The Moving Finger

VII The Confessional

E DUCHESTHEYR STAP AR hs-swodayc fserp caduesl  tos he t a dnm tuucctehnoases of ilated vn talF .etag eht ghe tony lan oouotnnof sn ,raedoes rtic, poains II From the lgoig,aw ti hti sinshnivacoesfrg ol I ,sewod deko aven anbarrnue  y adeb reo aldd wes pelo serow lehT .sllih ni delaspey cvallich ehr ott ep dtsoor d me k;us  angum saps ilgns eksratlages lihite vil niwhtw ers rtwe l deroloah nehcia e erwh-cmerocheht wot ec ,rear grotand . Bel toes log v ,dyenisdrain f la e  nami of e  ultsareda  siwhtd sheeted the ba hsorht eo  feherhroums t roouded gniyfiviv dna tspmoate thr teafo  m n  ena ihllw sa ed the sd I hugg h I b daw hghcihhe T cirn eed.le lue of btainmounae r ,lcuaezsag ey bnd aesthd on dlof ,e dlof no was lifeless, btui  s t eeem dilhg ga astinhe tky shT .uA etsugria  withhim  act theia t ertni gilknh it wtyhih icwh saw lauixif eht ed more like a msa thttah  eesmeg b in ngeiTh. one  romeht ya navil vereah d n I tamldeshe oas tHe wp eht otni kcab edcksuo  sn;ee s aptremtnehsss'a "The Duc unshine.  dlo.nam dia ehtndyo s,"ars bee  mtrapa e fo stne heuc e D th nd"A ."ss no en  o sehilevow?"re n one,"No  h gne si " :ey  roFo twndhud rearye sonhtni gah seben changed in th he tto a   ir   l  aedc s'repeek-etag t on wen. Hehildomiv terhtuo ,iw ursan iasms l aleht cop  eyedleh, as I en ket that day eidleter,dh  s  ae thndhafas nif sreg sa naelold man extended" " rPpoir ! o  "hT e s t'ha ta?nzceVi ms a ekil dnA" .eli mes d dohed flasti e ,hw snaorforg gsevoah hnignth, ugroloBemew olggai .o  fht ether endto the o devom dah I ".noasser meum she tf rooComt  oogseke, e Du. Th sir ekc mo ehtre?e " " Never. In winter b tlaP ydall".oi nd"Aoe dths Due   shtah'teks' euDn pal  tow  buiace, kil seut sdrib e fngkita Tt?ghli one witica? The wfos at hht eor tto lhe je,t usB ehlisa tfet fo palathe see You  htreev r oo o fecr wae thm ro fngdi" .su dniheb sll wn on the garden tnde I . l ooek dod tig ,"mee  hseas tnullira A" .y nol  etwes, bypreen c eob nhtdrre-xobiahldaf raerovs po nA .so ecnelu bavo ehtseh nu gafts. Beasalt shil en b ek us eihsncut tht esssha t ppdes ila dnhcse ben thes onelvesmeht dennus sdrzali; erndvelae  na eht div e alle arwaal cysselo h  eogset  ooRem." "And the palac iht sah "?neeb s  Icein"Sem ran c sAy  ?d " " eea—uos s." " lway longHow  ik ltae y hereweatemim lsinr deh looked  ember." Ie ey:st nioth si tngloa e  bstmu ovni dias I ",emitingflecs rerrorah t .T"ihgnn to lae the nutiusur ,stekcivoba dnak ru mocf a in oll s sawt ehorestoinea rrul  iinpmet ,elllaf gniintegrating air.   nht erbgithd si g su teL" .gnidnibls wae argle Th hsde nup dam elo d. Th  sai," Io in w dnhcih ,roihebavhedoy pe oa n nkfi.e

Have you ever questioned the long shuttered front of an old Italian house, that motionless mask, smooth, mute, equivocal as the face of a priest behind which buzz the secrets of the confessional? Other houses declare the activities they shelter; they are the clear expressive cuticle of a life flowing close to the surface; but the old palace in its narrow street, the villa on its cypress-hooded hill, are as impenetrable as death. The tall windows are like blind eyes, the great door is a shut mouth. Inside there may be sunshine, the scent of myrtles, and a pulse of life through all the arteries of the huge frame; or a mortal solitude, where bats lodge in the disjointed stones and the keys rust in unused doors….

l ki e ad lurked the col uohgt rh rcca t eh f thks oy bae drvE .sniserehwyrevae er wg inshnirtcaseo  fhttaf antastic horticurutlfo eihw o hc durl ule ags ha  Dowart.  thelost m iaelsy ela nhtrests ueatstd mesmra rieht dehctws of wh like roggra;sf nini gebted s rmn-aureeat ni ht ehnirg den