Old Junk
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Publié le 08 décembre 2010
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The Project Gutenberg EBook of Old Junk, by H. M. Tomlinson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Old Junk Author: H. M. Tomlinson Commentator: S. K. Ratcliffe Release Date: May 19, 2008 [EBook #25523] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK OLD JUNK ***
Produced by Mark C. Orton, Linda McKeown and the Online Distributed Proofreading Team at http://www.pgdp.net
O L D
BY H. M. TOMLINSON
FOREWORD BY S. K. RATCLIFFE
NEW YORK ALFRED ·A · KNOPF 1920 COPYRIGHT, 1920, BY ALFRED A. KNOPF, INC. Second Printing August, 1920
J
U
N
PRINTED IN THE UNITED STATES OF AMERICA
To C. H. G. H. Who saw with me so much of what is in this book (Killed in action in Artois, August 27th, 1918)
These stories of travel and chance have been selected from writings published in various periodicals between January 1907 and April 1918, and are arranged in order of time.
 
Foreword
The author ofOLD JUNK has been called a legend. A colleague who during the later stages of the war visited the western front assured me that this was the right word by which to describe the memory left among officers and men, not so much by his work as a war correspondent, as by his original and fascinating character. A legend, too, he appears to be in the newspaper world of London: but there in a different sense, by reason of the singular contradiction between the human creature beloved of all his fellows and the remarkable productions of his pen. The first thing to say about H. M. Tomlinson, the thing of which you become acutely aware on making his acquaintance, is that he is a Londoner. "Nearly a pure-blooded London Saxon" is his characterization of himself. And so it is. He could have sprung from no other stock. In person and speech, in the indefinable quality of the man, in the humour which continually tempers his tremendous seriousness, he belongs to London. Among the men of our time who have done creative writing I can think of no other about whom this can be so precisely stated. It was in the opening years of the century that I first began to notice his work. His name was appearing in the columns of a London morning newspaper, since absorbed by theDaily News,over articles which, if my memory is not at fault, were mainly concerned with the life of Thames side. They were written with extraordinary care. The man who did them had, clearly, no competitor in Fleet Street. And he furnishes a striking illustration of the chances and misfits of the ournalistic life. When after
           some years of absence in the Far East, I was able to fit a person to the writing which had so long attracted me, I found H. M. Tomlinson on the regular reporting staff of a great London newspaper. A man born for the creation of beauty in words was doing daily turn along with the humble chronicler of metropolitan trivialities. A year or two before the war the quality of his mind and of his style was revealed inTHESEA AND THEJUNGLE--of the voyage of the trampa "narrative steamerCapella,to Para in the Brazils, and thence twofrom Swansea thousand miles along the forests of the Amazon and Madeira Rivers to the San Antonio Falls," returning by Barbados, Jamaica, and Tampa. Its author called it merely "an honest book of travel." It is that no doubt; but in a degree so eminent, one is tempted to say that an honest book of travel, when so conceived and executed, must surely count among the noblest works of the literary artist. The great war provided almost unlimited work for men of letters, and not seldom work that was almost as far from their ordinary business as fighting itself. It carried Tomlinson into the guild of war correspondents. In the early months he represented the paper to which for some years he had been attached, the LondonDaily News.Later, under the co-operative scheme which emerged from the restrictive policy adopted by all the belligerent governments, his dispatches came to be shared among a partnership which included the LondonTimes--as odd an arrangement for a man like Tomlinson as could well be imagined. It would be foolish to attempt an estimate of his correspondence from France. It was beautiful copy, but it was not war reporting. To those of us who knew him it remained a marvel how he could do it at all. But there was no marvel in the fact, attested by a notable variety of witnesses, of Tomlinson as an influence and a memory, persisting until the dispersal of the armies, as of one who was the friend of all, a sweet and fine spirit moving untouched amid the ruin and terror, expressing itself everywhere with perfect simplicity, and at times with a shattering candor. From France he returned, midway in the war, to join the men who, under the Command of H. W. Massingham, make the editorial staff of the LondonNationcompany of journalists in the world. Histhe most brilliant hand may be traced week by week in many columns and especially, in alternate issues, on the page given up to the literarycauserie. To the readers of books Tomlinson is known at present byTHESEA AND THE JUNGLE alone. The war, it may be, did something to retard its fame. But the time is coming when none will dispute its right to a place of exceptional honour among records of travel--alongside the very few which, during the two or three decades preceding the general overturn, had been added to the books of the great wayfaring companions. It is remarkably unlike all others, in its union of accurate chronicle with intimate self-revelation; and, although it is the sustained expression of a mood, it is extremely quotable. I choose as a single example this scene, from the description of the Capella'sfirst day on the Para River.
There was seldom a sign of life but the infrequent snowy herons, and those curious brown fowl, the ciganas. The sun was flaming on the majestic assembly of the storm. The warm air, broken b our steamer, coiled over us in a laz flux....
t, just as likel yehm yan to . Iceen tofseheas lif ty evsraeuB . boovingnshrks e ghtniniepir exehe, edusri way mo eno etil eht fehm new gna llt n Englanriting if a olleerevyb datthmo aorwwr kegdem aujt  oto,edelitly ecennt rdneni ,ebircsbus nghou risthg in.eagimatine ivosprhtheraominseo  fitable sense of om a slabudni er wseho wverek orkeonn no osunwt day d toe isther
CONTENTS
New York, Christmas, 1919.
S. K. RATCLIFFE.
 g aas, wie ncla ,wohslldiw a foverse diof tity  .hTehemev r eols hedeanayssofs ihw i hcsi tmoc posed are of difefertny aesra dn llew sa ,senud obtwe thh it wasnortylc aitnirlls; wyaged voastetaeroob t fog ehate mehowik  bll eepfrcew ti hhte of thet pictur shteiecyab tam uty  beahe pof t sA.thguilmoT ot hsslee roywhlig neflet eht uohchile none who caw re llissimeht f  oeitherntetprory  memme abecoah sor rh rot ehsfantrnd athwid evil eb nac tahtt venturwould noturu e Isnnos'f y,blenwhncCovaeiitci .no a ederpiaol fleabtrnepe fothguoht I .egus tarioprecthe hto e ra enoneruowbrfon thf e esemosndasw kl htiecially ess, espyaw sag sat ehd ej eht nas a yttn mawod vesed ankadearnldlerc ihuld n wod, wstan htis on wohe fotimo, on wtochatsug  oyb .eBihdn them was the imt eh nybd wocrdee fo weravesm-le ot ,meht gnuhreovh icwht,esor facon eowlist . Afrail stwade on a ,yo dn yotttej teda o d ultibetimeSo   pwes me        itations on the saes disgnelh baalerut hofs al petawis rE.edmehpn thrn ise oe ba eof fht ,saertsonnoerftmecae  wal a ot evac egrnew by their scasr .aLeti  nhtae areew fbbru terseerhw , hcik ewrip t ehisedolgns we huttiverimiuoires,su dehcta An.orrlfod ans enev rhcejttei s. They weered usesohworbeot T .sn  oe thban esbieht fo os'tnaig be, rewetwn eetwirgnocewi  t ,sa greof aree,at tqa euoeuor s storeecd teonamthg  silttelhscasks y upon one of hinldeud smecae  wnehw nialp edam ,wasg itstinresifi efol es lm rolielntge'sannt ia ,sm dnedlisenrof the wominance eaeysd iogn .hT.Ong JLDK UN nis ,tot nis eh emaorganic sense, ab oo.kT ehs ekctowknl ilgit ha wm fo stf dna,dni toiwhatave l, ht  oogenamikti sti--ipsssap egasliua, tyturi qalmh ,ti sti shrtyAnd he wimages. a si redaer eht he, eritwra o lsehc let  lefw lithat of engehallgetaoi,na dnt eh folk from congrtsalmmocoinufI.nom crtfof  oe tholdognf  dht sna Thelow.deri sunk syawlaesehtpeestrefoe t noo  dcrosses  wooden  filttelunbmreo thn olehlo f iorevobeht peepa dee dist wt lare aw ehalecywp ahodA k.ol fhe tofg nirehtag a ees d
 
CHAPTER   FOREWORD BYS. K. RATCLIFFE I. THEAFRICANCOAST II. THECALL III. OLDJUNK IV. BED-BOOKS ANDNIGHT-LIGHTS V. TRANSFIGURATION VI. THEPITMOUTH VII. INITIATION VIII. THEART OFWRITING IX. A FIRSTIMPRESSION X. THEDERELICT XI. THEVOYAGE OF THE Mona XII. THELASCAR'SWALKING-STICK XIII. THEEXTRAHAND XIV. THESOU'-WESTER XV. ONLEAVE XVI. THEDUNES XVII. BINDING ASPELL XVIII. A DIVISION ON THEMARCH XIX. HOLLY-HO! XX. THERUINS XXI. LENT, 1918
OLD JUNK
I. The African Coast
I
PAGE 11 21 47 58 65 75 80 86 92 100 107 118 136 144 152 157 165 174 179 185 195 201
She is the steamshipCelestine, and she is but a little lady. The barometer has fallen, and the wind has risen to hunt the rain. I do not know where Celestineis going, and, what is better, do not care. This is December and this is Al iers, and I am tired of white lare and dust. The trees have sle t
d there ollo; anc laelCda onhtreerthise , eed anahs s llllejew i Jidllede caplacno ei  sehertaT.thr hed leal cnda reh ta dekoolsw ohesg doapertnre I go with one od  toneracehw il wtal  mke Ie.reCe whwitenleseI doand  kno notf si ret ,gnillatho  sndmerobae ob m dnu.yraa I i,olit wr foipTr yaw yotI f nimd of Barb Tripoliever lliw yehT .ass veelmshe tallAigee nebwtes ahageCartand ers lsilhe w trey heemocwod ot neht the folds of theN rohtA rfcinah ev nllharnea lerdekcut , ni yawamanyare ers, othesn w ohI s masew sara,s yepcilkce bicen ret not tuB .ytiucav tu at,ghnitol aiIs eotnw ,stdi ehte dry rowhere thewteh neg dabseori aprd geedofs All af. the day aw sks yuo tiwht,aawfla  she tndis remmuuo ecnel              a lld . ayeyThav hhae yldrrut  denel ae skt those.y loaelldnr  dog yahugho taswie thh a evlove su tuobhe stars then sp dof rht ees.aT ur tngnier hea hehT eleCnitssi eofmr s asri gleiys.Ay dafortthe  sa ymrotsdna krdas  aist  iseaugeniotr s atsrb ly those present,sradna ewolts rerstf  osslelu ces ehs , tub sme lorpoa boe tlitac.letirgithA nt a h, inwindigh  ilooceb semeromem re otanth t Iydt  oebo tua olne, withme. Tripnegos  istlae thiglA ,eyb-dooG .sts urmaby oeed li llet ufnnna dt ascobed an lattahwsyh  sememosstine beers!Celeuctrys ,igsnt  ohe wI n baem. rks ,msmee ot wonkwent aboard the tIf laslW.eh n Ighouhr thi she tsaw dniwgnilwoh of Aour rs. lgie gnippniahbrt ehI takil pecxht tea rnesouthony aeltsni,emdri eeCme and ae the nayenruojeht fo trpag ingos  iho wI a verehwrere ,omet bar the.Butertaanitno.sA c able is clankingols ,ylwdna ias rsloun rnd aho s nrgtui cxtiaeett, demen thioingac I sgnon ees nn soea rec br,fon, CelesAnd agairFnehc ,iteni  scae don d an wso eronahttil meltch ot eale a smiv siamekt  ohtredsenri fhe tleibg owt ruo fo pihs us giddy with tfus sihhg ,utnranl ded ensc at;us aneddteb ayarbeamort  goe. Iton wi  srup noo legae orlid an, erofeb shsni na s verelaaeerb tuwas therrobably eht rad awa ni yrstaar fra f silfAirni .a aga dnain,itagoes nd dp sreiglA erehW d.heisan vas hca .tiah Ibo dvres tedt haantrilqus aea;dni  nlpcaes, as at Oran, ot sliaNirp eht d gelevi padohwh aefia dnasc wrfsee  to  do themtwben eetmant eniliea gnlb ac euor of mand a flohTtas aealhcti.ee thn  iensed haecarret ecnatsiddrocoure cols ofnehci  nside kopnd as,erir tas woccoroM iglA ot aveld trfromled arentire Iahna .ee sis hru tedeMcirfs naerohot ,to show me his Aiten .eHw naet d-deluO eht fo ecan dhe tngcian drisldng ,ea owsr andardsostcre-pp gnutcis sbilles,elra As,inot hotir curni,sh sirist traed oftoumotenasks  oihgncentinnoink ly p ot dekl a ni emhi wfécadre  hlenroo,nw eh nht eFrench sailor taguohi thot t eb  tin ehelyarteafe toed mwant He lesehtC epiwe olp hidsenri fenop.neila yhs a rof hisvivather fors dued nicyta dnulconod attht  ila tegotca tnuocah taht draeb fo ferdaa e ik lnsrnuedih sor mas wui be?avhe Sdluoh I W .swtahs not hike, it iehm siat.sB tut tiesqu, ckui qthiw ,nam krad elt litis a!He oilà.dV lgna nnEtli a trtreliah h ,rbresh.usis Hho sahril ki ecaolhtoning eyes, and na ,sehc tib a dausthi, tausmot uo sreluorswyebeaiseis rd qud ani tn ohtocllpaesnd are de deep a raoa niht ks tad anenthur h, ryenden  o esihTre to rse, cou, ofi ereh tuB.desuo. neaiitap Cles master is not a asliro ,htnea ll abeionx fusCeortsel.eni fI  rehrogu me y. Aishlsis !hH orllih pig she t wre anseH .gnorta skool
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