Outlines of English and American Literature : an Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived

William Joseph Long

Informations

• Publié par: ansio
• Publié le: 01 décembre 2010
• Nombre de lectures: 58
• Langue: English

Extrait

The Project Gutenberg EBook of Outlines of English and American Literature by William J. Long

Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.

Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.

**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****

Title: Outlines of English and American Literature An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived

Author: William J. Long

Release Date: March, 2005 [EBook #7800] [Yes, we are more than one year ahead of schedule] [This file was first posted on May 18, 2003] Edition: 10 Language: English

*** START OF THE PROJECT GUTENBERG EBOOK OUTLINES OF ENGLISH LIT. ***

Produced by Charles Franks, Bill Keir and the Online Distributed Proofreading Team

OUTLINES OF ENGLISH AND AMERICAN LITERATURE

AN INTRODUCTION TO THECHIEFWRITERS OFENGLAND AND AMERICA, TO THEBOOKS THEYWROTE, AND TO THETIMES IN WHICH THEYLIVED

BY

WILLIAM J. LONG

This is the wey to al good aventure.—CHAUCER

TO MY SISTER "MILLIE" IN GRATEFUL REMEMBRANCE OF A LIFELONG SYMPATHY

[Illustration: WILLIAM SHAKESPEARE

After the Chandos Portrait in the National Portrait Gallery, London, which is attributed to Richard Burbage or John Taylor. In the catalogue of the National Portrait Gallery the following description is given:

 "The Chandos Shakespeare was the property of John Taylor,  the player, by whom or by Richard Burbage it was painted.  The picture was left by the former in his will to Sir  William Davenant. After his death it was bought by

 Betterton, the actor, upon whose decease Mr. Keck of the  Temple purchased it for 40 guineas, from whom it was  inherited by Mr. Nicoll of Michenden House, Southgate,  Middlesex, whose only daughter married James, Marquess of  Caernarvon, afterwards Duke of Chandos, father to Ann  Eliza, Duchess of Buckingham."

 The above is written on paper attached to the back of the canvas.  Its authenticity, however, has been doubted in some quarters.

 Purchased at the Stowe Sale, September 1848, by the Earl of  Ellesmere, and presented by him to the nation, March 1856.

Dimensions: 22 in. by 16-3/4 in.

This reproduction of the portrait was made from a miniature copy on ivory by Caroline King Phillips.]

PREFACE

The last thing we find in making a book is to know what to put first.—Pascal

When an author has finished his history, after months or years of happy work, there comes a dismal hour when he must explain its purpose and apologize for its shortcomings.

The explanation in this case is very simple and goes back to a personal experience. When the author first studied the history of our literature there was put into his hands as a textbook a most dreary catalogue of dead authors, dead masterpieces, dead criticisms, dead ages; and a boy who knew chiefly that he was alive was supposed to become interested in this literary sepulchre or else have it said that there was something hopeless about him. Later he learned that the great writers of England and America were concerned with life alone, as the most familiar, the most mysterious, the most fascinating thing in the world, and that the only valuable or interesting feature of any work of literature is its vitality.

To introduce these writers not as dead worthies but as companionable men and women, and to present their living subject as a living thing, winsome as a smile on a human face,—such was the author's purpose in writing this book.

The apology is harder to frame, as anyone knows who has attempted to gather the writers of a thousand years into a single volume that shall have the three virtues of brevity, readableness and accuracy. That this record is brief in view of the immensity of the subject is plainly apparent. That it may prove pleasantly readable is a hope inspired chiefly by the fact that it was a pleasure to write it, and that pleasure is contagious. As for accuracy, every historian who fears God or regards man strives hard enough for that virtue; but after all his striving, remembering the difficulty of criticism and the perversity of names and dates that tend to error as the sparks fly upward, he must still trust heaven and send forth his work with something of Chaucer's feeling when he wrote:

 O littel bookë, thou art so unconning,  How darst thou put thy-self in prees for drede?

Whichmaymean, to one who appreciates Chaucer's wisdom and humor, that having written a little book in what seemed to him an unskilled or "unconning" way, he hesitated to give it to the world for dread of the "prees" or crowd of critics who, even in that early day, were wont to look upon each new book as a camel that must be put through the needle's eye of their tender mercies.

In the selection and arrangement of his material the author has aimed to make a usable book that may appeal to pupils and teachers alike. Because history and literature are closely related (one being the record of man's deed, the other of his thought and feeling) there is a brief historical introduction to every literary period. There is also a review of the general literary tendencies of each age, of the fashions, humors and ideals that influenced writers in forming their style or selecting their subject. Then there is a biography of every important author, written not to offer another subject for hero- worship but to present the man exactly as he was; a review of his chief works, which is intended chiefly as a guide to the best reading; and a critical estimate or appreciation of his writings based partly upon first-hand impressions, partly upon the assumption that an author must deal honestly with life as he finds it and that the business of criticism is, as Emerson said, "not to legislate but to raise the dead." This detailed study of the greater writers of a period is followed by an examination of some of the minor writers and their memorable works. Finally, each chapter concludes with a concise summary of the period under consideration, a list of selections for reading and a bibliography of works that will be found most useful in acquiring a larger knowledge of the subject.

In its general plan this little volume is modeled on the author's more advancedEnglish LiteratureandAmerican Literaturethe material, the viewpoint, the presentation of individual writers,—all the details of the work are entirely; but new. Such a book is like a second journey through ample and beautiful regions filled with historic associations, a journey that one undertakes with new companions, with renewed pleasure and, it is to be hoped, with increased wisdom. It is hardly necessary to add that our subject has still its unvoiced charms, that it cannot be exhausted or even adequately presented in any number of histories. For literature deals with life; and life, with its endlessly surprising variety in unity,

has happily some suggestion of infinity.

WILLIAM J. LONG

STAMFORD, CONNECTICUT

CONTENTS

ENGLISH LITERATURE

CHAPTER I. INTRODUCTION: AN ESSAY OF LITERATURE

What is Literature? The Tree and the Book. Books of Knowledge and Books of Power. The Art of Literature. A Definition and Some Objections.

CHAPTER II. BEGINNINGS OF ENGLISH LITERATURE

Tributaries of Early Literature. The Anglo-Saxon or Old-English Period. Specimens of the Language. The Epic of Beowulf. Anglo-Saxon Songs. Types of Earliest Poetry. Christian Literature of the Anglo-Saxon Period. The Northumbrian School. Bede. Cædmon. Cynewulf. The West-Saxon School. Alfred the Great.The Anglo-Saxon Chronicle.

The Anglo-Norman or Early Middle-English Period. Specimens of the Language. The Norman Conquest. Typical Norman Literature. Geoffrey of Monmouth. First Appearance of the Legends of Arthur. Types of Middle-English Literature. Metrical Romances. Some Old Songs. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER III. THE AGE OF CHAUCER AND THE REVIVAL OF LEARNING

Specimens of the Language. History of the Period. Geoffrey Chaucer. Contemporaries and Successors of Chaucer. Langland and hisPiers Plowman. Malory and hisMorte d' Arthur. Caxton and the First Printing Press. The King's English as the Language of England. Popular Ballads. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER IV. THE ELIZABETHAN AGE

Historical Background. Literary Characteristics of the Period. Foreign Influence. Outburst of Lyric Poetry. Lyrics of Love. Music and Poetry. Edmund Spenser. The Rise of the Drama. The Religious Drama. Miracle Plays, Moralities and Interludes. The Secular Drama. Pageants and Masques. Popular Comedies. Classical and English Drama. Predecessors of Shakespeare. Marlowe. Shakespeare. Elizabethan Dramatists after Shakespeare. Ben Jonson. The Prose Writers. The Fashion of Euphuism. The Authorized Version of the Scriptures. Francis Bacon. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER V. THE PURITAN AGE AND THE RESTORATION

Historical Outline. Three Typical Writers. Milton. Bunyan. Dryden. Puritan and Cavalier Poets. George Herbert. Butler'sHudibras. The Prose Writers. Thomas Browne. Isaac Walton. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER VI. EIGHTEENTH-CENTURY LITERATURE

History of the Period. Eighteenth-Century Classicism. The Meaning of Classicism in Literature. Alexander Pope. Swift. Addison. Steele. Johnson. Boswell. Burke. Historical Writing in the Eighteenth Century. Gibbon.

The Revival of Romantic Poetry. Collins and Gray. Goldsmith. Burns. Minor Poets of Romanticism. Cowper. Macpherson and the Ossian Poems. Chatterton. Percy'sReliques of Ancient English Poetry. William Blake.

The Early English Novel. The Old Romance and the New Novel. Defoe. Richardson. Fielding. Influence of the Early Novelists. Summary of the

Period. Selections for Reading. Bibliography.

CHAPTER VII. THE EARLY NINETEENTH CENTURY

Historical Outline. The French Revolution and English Literature. Wordsworth. Coleridge. Southey. The Revolutionary Poets. Byron and Shelley. Keats. The Minor Poets. Campbell, Moore, Keble, Hood, Felicia Hemans, Leigh Hunt and Thomas Beddoes. The Fiction Writers. Walter Scott. Jane Austen. The Critics and Essayists. Charles Lamb. De Quincey. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER VIII. THE VICTORIAN AGE

Historical Outline. The Victorian Poets. Tennyson. Browning. Elizabeth Barrett Browning. Matthew Arnold. The Pre-Raphaelites. Rossetti. Morris. Swinburne. Minor Poets and Songs in Many Keys.

The Greater Victorian Novelists. Dickens. Thackeray. George Eliot. Other Writers of Notable Novels. The Brontë Sisters. Mrs. Gaskell. Charles Reade. Anthony Trollope. Blackmore. Kingsley. Later Victorian Novelists. Meredith. Hardy. Stevenson.

Victorian Essayists and Historians. Typical Writers. Macaulay. Carlyle. Ruskin. Variety of Victorian Literature. Summary of the Period. Selections for Reading. Bibliography.

GENERAL BIBLIOGRAPHY

AMERICAN LITERATURE

CHAPTER I. THE PIONEERS AND NATION-BUILDERS

Unique Quality of Early American Literature. Two Views of the Pioneers. The Colonial Period. Annalists and Historians. Bradford and Byrd. Puritan and Cavalier Influences. Colonial Poetry. Wiggles-worth. Anne Bradstreet. Godfrey. Nature and Human Nature in Colonial Records. The Indian in Literature. Religious Writers. Cotton Mather and Edwards.

The Revolutionary Period. Party Literature. Benjamin Franklin. Revolutionary Poetry. The Hartford Wits. Trumbull'sM'Fingal. Freneau. Orators and Statesmen of the Revolution. Citizen Literature. James Otis and Patrick Henry. Hamilton and Jefferson. Miscellaneous Writers. Thomas Paine. Crèvecoeur. Woolman. Beginning of American Fiction. Charles Brockden Brown. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER II. LITERATURE OF THE NEW NATION

Historical Background. Literary Environment. The National Spirit in Prose and Verse. The Knickerbocker School. Halleck, Drake, Willis and Paulding. Southern Writers. Simms, Kennedy, Wilde and Wirt. Various New England Writers. First Literature of the West. Major Writers of the Period. Irving. Bryant. Cooper. Poe. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER III. THE PERIOD OF CONFLICT

Political History. Social and Intellectual Changes. Brook Farm and Other Reform Societies. The Transcendental Movement. Literary Characteristics of the Period. The Elder Poets. Longfellow. Whittier. Lowell. Holmes, Lanier. Whitman. The Greater Prose Writers. Emerson. Hawthorne. Some Minor Poets. Timrod, Hayne, Ryan, Stoddard and Bayard Taylor. Secondary Writers of Fiction. Mrs. Stowe, Dana, Herman Melville, Cooke, Eggleston and Winthrop. Juvenile Literature. Louisa M. Alcott. Trowbridge. Miscellaneous Prose. Thoreau. The Historians. Motley, Prescott and Parkman. Summary of the Period. Selections for Reading. Bibliography.

CHAPTER IV. THE ALL-AMERICA PERIOD

The New Spirit of Nationality. Contemporary History. The Short Story and its Development. Bret Harte. The Local-Color Story and Some Typical Writers. The Novel since 1876. Realism in Recent Fiction. Howells. Mark Twain. Various Types of Realism. Dialect Stories. Joel Chandler Harris. Recent Romances. Historical Novels. Poetry since 1876. Stedman and Aldrich. The New Spirit in Poetry. Joaquin Miller. Dialect Poems. The Poetry of Common Life. Carleton and Riley. Other Typical Poets. Miscellaneous Prose. The Nature Writers. History and Biography. John Fiske. Literary History and Reminiscence. Bibliography.

GENERAL BIBLIOGRAPHY

LIST OF ILLUSTRATIONS

William Shakespeare

Stonehenge, on Salisbury Plain

Cædmon Cross at Whitby Abbey

Domesday Book

The Norman Stair, Canterbury Cathedral Chaucer Pilgrims setting out from the "Tabard"

A Street in Caerleon on Usk

The Almonry, Westminster

Michael Drayton

Edmund Spenser

Raleigh's Birthplace, Budleigh Salterton

The Library, Stratford Grammar School, attended by Shakespeare

Anne Hathaway's Cottage

The Main Room, Anne Hathaway's Cottage

Cawdor Castle, Scotland, associated with Macbeth

Francis Beaumont

John Fletcher Ben Jonson Sir Philip Sidney

Francis Bacon John Milton Cottage at Chalfont St. Giles, Buckinghamshire

Ludlow Castle John Bunyan Bunyan Meetinghouse, Southwark John Dryden George Herbert

Sir Thomas Browne

Isaac Walton

Old Fishing House, on River Dove, used by Walton

Alexander Pope

Twickenham Parish Church, where Pope was buried

Jonathan Swift

Trinity College, Dublin

Joseph Addison

Magdalen College, Oxford

Sir Richard Steele

Dr. Samuel Johnson

Dr. Johnson's House (Bolt Court, Fleet St.)

James Boswell

Edmund Burke

Edward Gibbon Thomas Gray Stoke Poges Churchyard, showing Part of the Church and Gray's Tomb

Oliver Goldsmith

"The Cheshire Cheese," London, showing Dr. Johnson's Favorite Seat

Canonbury Tower (London)

Robert Burns

"Ellisland," the Burns Farm, Dumfries

The Village of Tarbolton, near which Burns Lived

Auld Alloway Kirk

Burns's Mausoleum

William Cowper

Daniel Defoe

Cupola House

William Wordsworth

Wordsworth's Desk in Hawkshead School

St. Oswald's Church, Grasmere

Samuel Taylor Coleridge

The Coleridge Cottage, Nether Stowey, Somersetshire

Robert Southey

Greta Hall, in the Lake Region Lord Byron Newstead Abbey and Byron Oak

The Castle of Chillon

Percy Bysshe Shelley John Keats Leigh Hunt

Walter Scott Abbotsford The Great Window, Melrose Abbey

Scott's Tomb in Dryburgh Abbey

Mrs. Hannah More

Charles Lamb

East India House, London Mary Lamb The Lamb Building, Inner Temple, London

Thomas De Quincey

Dove Cottage, Grasmere

Tennyson's Birthplace, Somersby Rectory, Lincolnshire

Alfred Tennyson

Summerhouse at Farringford

Robert Browning

Mrs. Browning's Tomb, at Florence

The Palazzo Rezzonico, Browning's Home in Venice

Piazza of San Lorenzo, Florence

Elizabeth Barrett Browning

Matthew Arnold

The Manor House of William Morris

William Morris

Charles Dickens

Gadshill Place, near Rochester

Dickens's Birthplace, Landport, Portsea

Yard of Reindeer Inn, Danbury

The Gatehouse at Rochester, near Dickens's Home

William Makepeace Thackeray

Charterhouse School

George Eliot

Griff House, George Eliot's Early Home in Warwickshire

Charlotte Brontë

Mrs. Elizabeth Gaskell

Richard Doddridge Blackmore

Robert Louis Stevenson

Thomas Babington Macaulay

Thomas Carlyle

Carlyle's House, Cheyne Row, Chelsea, London

Arch Home, Ecclefechan John Ruskin Entrance to "Westover," Home of William Byrd

Plymouth in 1662. Bradford's House on Right

William Byrd

New Amsterdam (New York) in 1663

Cotton Mather

Jonathan Edwards

Benjamin Franklin

Franklin's Shop

Philip Freneau

Thomas Jefferson

Alexander Hamilton

Monticello, the Home of Jefferson in Virginia

Charles Brockden Brown

William Gilmore Simms

John Pendleton Kennedy

Washington Irving

"Sunnyside," Home of Irving

Rip Van Winkle

Old Dutch Church, Sleepy Hollow

William Cullen Bryant

Bryant's Home, at Cummington

James Fenimore Cooper

Otsego Hall, Home of Cooper

Cooper's Cave

Edgar Allan Poe

West Range, University of Virginia

The Building of theSouthern Literary Messenger

"The Man" (Abraham Lincoln)

Birthplace of Longfellow at Falmouth (now Portland) Maine

Henry Wadsworth Longfellow

The Taproom, Wayside Inn, Sudbury

Longfellow's Library in Craigie House, Cambridge

John Greenleaf Whittier

Oak Knoll, Whittier's Home, Danvers, Massachusetts

Street in Old Marblehead

James Russell Lowell

Lowell's House, Cambridge, in Winter

Oliver Wendell Holmes

Old Colonial Doorway

Sidney Lanier