Contemporary artists such as Ghada Amer and Clare Twomey have gained international reputations for work that transforms ordinary craft media and processes into extraordinary conceptual art, from Amer's monumental stitched paintings to Twomey's large, ceramics-based installations. Despite the amount of attention that curators and gallery owners have paid to these and many other conceptual artists who incorporate craft into their work, few art critics or scholars have explored the historical or conceptual significance of craft in contemporary art. Extra/Ordinary takes up that task. Reflecting on what craft has come to mean in recent decades, artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine-art institutions understand and exhibit craft media, and offer accounts of activist crafting, or craftivism. Some contributors describe generational and institutional changes under way, while others signal new directions for scholarship, considering craft in relation to queer theory, masculinity, and science. Encompassing quilts, ceramics, letterpress books, wallpaper, and textiles, and moving from well-known museums to home workshops and political protests, Extra/Ordinary is an eclectic introduction to the "craft culture" referenced and celebrated by artists promoting new ways of thinking about the role of craft in contemporary art.Contributors. Elissa Auther, Anthea Black, Betty Bright, Nicole Burisch, Maria Elena Buszek, Jo Dahn, M. Anna Fariello, Betsy Greer, Andrew Jackson, Janis Jefferies, Louise Mazanti, Paula Owen, Karin E. Peterson, Lacey Jane Roberts, Kirsty Robertson, Dennis Stevens, Margaret Wertheim
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Extrait
E X T R A/O R D I N A RY
E X T R A/O R D I NA RY Craft and Contemporary Art
yeŝeT in WarnOcK prO y ŝengïnfOraTiOnSyŝTeŝ,ïnc.
irary Of COngreŝŝ CaTalOging-in-pUlicaTiOn aTa aear On THe laŝT rinTeD age Of THiŝ OOK.
UKe ÛniverŝiTy preŝŝ graTefUlly acKnOwleDgeŝ THe ŝUOrT Of THe CenTer fOr CrafT CreaTiviTy anD eŝign, wHicH rOviDeD fUnDŝ TOwarD THe rODUcTiOn Of THiŝ OOK.
C O N T E N T S
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iŝT Of ïllUŝTraTiOnŝ
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ïnTrODUcTiOn: e ÔrDinary MaDe ExTra/ÔrDinary Maria Elena Buszek
R E D E F I N I N G C R A F T : N E W T H E O RY 23MaKing anD aing: e exicOn Of STUDiO CrafT M. Anna Fariello
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aliDiTy ïŝ in THe Eye Of THe beHOlDer: MaingCrafTCOUniTieŝOfpracTice Dennis Stevens
SUer-ÔjecTŝ: CrafT aŝ an AeŝTHeTic pOŝiTiOn Louise Mazanti
FaricaTiOn anD EncOUnTer: WHen COnTenT ïŝ a er Paula Owen
C R A F T S H O W: I N T H E R E A L M O F “ F I N E A RT S ” 99Ow THe ÔrDinary becOeŝ ExTraOrDinary: e MODern Eye anD THe QUilT aŝ ArT FOr Karin E. Peterson
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Wallaer, THe ecOraTive, anD COnTeOrary ïnŝTallaTiOn ArT Elissa Auter
anDwOrK anD yriDŝ: ecaŝTing THe CrafT Of eTTerreŝŝ prinTing Betty Brigt
ElaŝTic/ExanDing: COnTeOrary COnceTUal Ceraicŝ Jo Dan
C R A F T I V I S M 175CrafTiviŝT iŝTOry Betsy Greer
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eelliOUŝ Oilieŝ anD SUverŝive STiTcHeŝ: WriTing a CrafTiviŝT iŝTOry Kirsty Robertson
CrafT arD ie Free: aDical CUraTOrial STraTegieŝ fOr CrafTiviŝ Antea Black and Nicole Burisc
Oving ATTenTiOn: An ÔUTUrŝT Of CrafT in COnTeOrary ArT Janis Jeeries
N E W F U N C T I O N S , N E W F R O N T I E R S 243pUT OUr ing Own, Fli ïT, anD everŝe ïT: eiagining CrafT ïDenTiTieŝ Ûŝing acTicŝ Of QUeer eOry Lacey Jane Roberts
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Men WHO MaKe: e “FlOw” Of THe AaTeUr eŝigner/MaKer Andrew Jackson
CrOcHeT anD THe COŝOŝ: An ïnTerview wiTH MargareT WerTHei Maria Elena Buszek
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I L LU S T R AT I O N S
INtRoduçtIoN
1Gael García bernal anD CHarlOTTe GainŝOUrg inhe Science of Sleep•2 2JOyce ScOTT,Out To Dry, 1991•6 3GHaDa Aer,Anoter Spring, 2005•7 4inKa SHOniare,hree Graces, 20• 01 9 5.1, 5.2, and 5.3Janine AnTOni,Slumber, 1993•10 6SOnya . S. ClarK,Afro Abe II, 2007•12
àRIéLLo 1Oriŝ Ûlann, OrTraiT Of ETHel May STileŝ, 1930ŝ•25 2ïrOn ŝKeTcH y SaUel ellin MeTalwOrKerŝ•29 3OUng African Aerican wOen in wOODwOrKing ŝTUDiO, aTOn ïnŝTiTUTe, irginia•31 4FireŝiDe ïnDUŝTrieŝ ŝTUDenTŝ aT berea COllege, efOre 1904•33 5CHerOKee aŝKeT weaver Eva WOlfe wiTH river cane aŝKeTŝ•37 6CaTalOgUe cOver fOr Oŝe SlivKa’ŝhe Object as Poet, 1976•38
màZ àNtI 1Alev Sieŝye, UnTiTleD Owlŝ, 2004•63 2JUŝTin OvaK,MotelHaus Objects, 2003•63 3EDUnD De Waal,he Long View, 2007•64 4EDUnD De Waal,Predella II, DeTail frOhe Long View, 2007•64 5Jeŝ brincH anD enriK plenge JaKOŝen,Smased Parking, 1994•66 62005ifeSTraw , •69 ® 7Anne OHøj,Cultured Primitiveness—Exclusively Folksy, 2005•76 8Anne OHøj, DeTail frOCultured Primitiveness—Exclusively Folksy, 2005•76 9Anne OHøj, DeTail frOCultured Primitiveness—Exclusively Folksy, 2005•77
BRIht 1Oin price in cOllaOraTiOn wiTH Eily . arneD eT al.,Slurring at bottom: a printer¹s book of errors, 2001•141 2Oin price in cOllaOraTiOn wiTH Eily . arneD eT al.,Slurring at bottom: a printer¹s book of errors, 2001•142 3en Caell,Firedogs, 1991•144 4en Caell,Firedogs, 1991•146
RoBéRtsoN 1GreenHa WOen’ŝ lOcKaDe Of brawDy AirîelD perOKeŝHire, 1982•185 2Marianne Jørgenŝen wiTH THe CaŝT Ô niTTerŝ,Pink M.24 Caee, 2006•197 3iŝa Anne AUeracH,Warm Sweaters for te New Cold War, STeal iŝ SweaTer rOjecT, 2006•198 4ï niT Û, One OrTiOn Of THe niT a iver (fOr WaTer AiD) rOjecT, May 2007•199
BLàçk àNd BuRIsçh
1peace niTŝ anner, 2005•207 2 and 3Marianne Jørgenŝen wiTH THe CaŝT Ô niTTerŝ,Pink M.24 Caee(in rOgreŝŝ), 2006•208 4bar UnT,antipersonnel, egUn in 1998•209 5.1 and 5.2bar UnT,antipersonnel(DeTailŝ)•211 6 and 7WeDneŝDay Uyciw’ŝ anDi CrafTŝ, anDy CaTŝ wOrKŝHO, 2006•213 8evOlUTiOnary niTTing Circle Of Calgary, peace niTŝ anner; riŝ inDŝKOOg,I want to do someting nice for te planet, 2006•216 9“CrafTiviŝ” anel DiŝcUŝŝiOn aT STriDe Gallery, AUgUŝT 5, 2006•217
ééRIés 1parTicianTŝ in SHane WalTener’ŝSweet Notings: An Intimate History of Cake Making, 2005•233 2SHane WalTener,Sweet Notings: An Intimate History of Cake Making(DeTail), 2005•234 3.1SOnya ScHOnerger aT wOrK, 2007•236 3.2“ExTree CrafTŝ,” COnTeOrary ArT CenTer, ilniUŝ, iTHUania, 2007•236
RoBéRts 1ia COOK’ŝ JacqUarD lOO, icTUreD wiTHResting Digits, 2005•250 2ia COOK,Big Baby, 2001•250 3iz COllinŝ anD niTTing aTiOn erfOring On GOvernOr’ŝ ïŝlanD, 2005•252 4iz COllinŝ wiTH Her KniTTing acHine•252 5JOŝH FaUgHT,Nobody Knows I’m a Lesbian, 2006•256 6JOŝH FaUgHT,Nobody Knows I’m a Lesbian(DeTail), 2006•256