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Stalin's Final Films , livre ebook

276

pages

English

Ebooks

2024

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276

pages

English

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2024

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Stalin''s Final Films explores a neglected period in the history of Soviet cinema, breathing new life into a body of films long considered moribund as the pinnacle of Stalinism. While film censorship reached its apogee in this period and fewer films were made, film attendance also peaked as Soviet audiences voted with their seats and distinguished a clearly popular postwar cinema. Claire Knight examines the tensions between official ideology and audience engagement, and between education and entertainment, inherent in these popular films, as well as the financial considerations that shaped and constrained them. She explores how the Soviet regime used films to address the major challenges faced by the USSR after the Great Patriotic War (World War II), showing how war dramas, spy thrillers, Stalin epics, and rural comedies alike were mobilized to consolidate an official narrative of the war, reestablish Stalinist orthodoxy, and dramatize the rebuilding of socialist society. Yet, Knight also highlights how these same films were used by filmmakers more experimentally, exploring a diverse range of responses to the ideological crisis that lay at the heart of Soviet postwar culture, as a victorious people were denied the fruits of their sacrificial labor. After the war, new heroes were demanded by both the regime and Soviet audiences, and filmmakers sought to provide them, with at times surprising results. Stalin''s Final Films mines Soviet cinema as an invaluable resource for understanding the unique character of postwar Stalinism and the cinema of the most repressive era in Soviet history.
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Date de parution

15 juillet 2024

EAN13

9781501776182

Langue

English

Poids de l'ouvrage

6 Mo

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STALIN’S FINAL FILMS
STALIN’S FINALFILMS Cînema, Socîaîs Reaîsm, and Sovîe Poswar Reaîy, 1945–1953
CLaIre KNIGht
CORNELL UNIVERSITY PRESSAACTHINDLODANNO
Copyrîg©2024byCaîreKnîg
Caîre Knîg assers er mora rîg o be îdenîIed as e auor o e work.
A rîgs reserved. Excep or brîe quoaîons în a revîew, îs book, or pars ereo, mus no be reproduced în any orm wîou permîssîon în wrîîng rom e pubîser. For înormaîon, address Corne Unîversîy Press, Sage ouse,512EasSaeSree,ïaca,NewYork14850.Vîsîourwebsîeacornepress.corne.edu.
Fîrs pubîsed 2024 by Corne Unîversîy Press
îbrary o Congress Caaogîng-în-Pubîcaîon Daa
Names: Knîg, Caîre, 1980– auor. Tîe: Saîn’s Ina Ims : cînema, socîaîs reaîsm, and Sovîe poswar reaîy, 1945–1953 / Caîre Knîg. Descrîpîon: ïaca : Corne Unîversîy Press, 2024. | ïncudes bîbîograpîca reerences and îndex. ïdenîIers: CCN 2023042164 (prîn) | CCN 2023042165 (ebook) | ïSBN 9781501776175 (ardcover) | ïSBN 9781501776199 (epub) | ïSBN 9781501776182 (pd) Subjecs: CS: Saîn, Josep, 1878-1953—ïnLuence. | Moîon pîcures— Poîîca aspecs—Sovîe Unîon. | Moîon pîcures—Censorsîp—Sovîe Unîon. | Moîon pîcure îndusry—Governmen poîcy—Sovîe Unîon. | Moîon pîcure îndusry—Sovîe Unîon. | Communîsm and moîon pîcures— Sovîe Unîon. | Socîaîs reaîsm în moîon pîcures. CassîIcaîon: CC PN1993.5.S65 K57 2024 (prîn) | CC PN1993.5.S65 (ebook) | DDC 791.430947—dc23/eng/20231031 C record avaîabe a ps://ccn.oc.gov/2023042164 C ebook record avaîabe a ps://ccn.oc.gov/2023042165
Jacke îmages:On screen: Deaî rom e poser “Beoved Saîn—e peope’s appîness” (1949) by Vîkor Borîsovîc Koreskîî. Poser îmage provîded by Poser Paka.com.Audience photo: Unîversîy o Saskacewan, Unîversîy Arcîves and Specîa Coecîons, ïsandora Coecîon; deaî romUSSRîn Construction1 (January 1938). NB: ïmage was aered o repace e îmage on e screen wî e above deaî.
Tomydad,Graam
Contents
îs o Fîgures Acknowedgmens Noe on Transîeraîon, Fîm Tîes, and Arcîva Reerences
ïnroducîon 1.He Poswar Cînema ïndusry, 1945–1953 2.He Grea Parîoîc War on Screen 3.îsenîng ohe Young Guard 4.He Saîn Cu on Screen 5.Respondîng ohe Fa o Berîn 6.Rura îe on Screen 7.ookîng aCossacks o e Kuban Concusîon
Appendîx: Box Oice Resus, 1945–Marc 1953 Fîmograpy Bîbîograpy ïndex
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231 235 239 251
Fîgures
Fîgure 2.1. Aekseî Meres'ev, man o e ores.Sory o a Rea Man. 70 Fîgure 2.2. Vanîa’s ores, auned by war.Son o e Regîmen. 71 Fîgure 2.3. Vanîa, son o e ores.Son o e Regîmen. 72 Fîgure 2.4. Aekseî Meres'ev, Sovîe pîo.Sory o a Rea Man. 74 Fîgure 2.5. Vanîa, Sovîe and rue son o e regîmen (noe e bus o Saîn on e pedesa în e background). 76 Fîgure 2.6. Masa as Mara, spy în acîon.Secre Mîssîon. 90 Fîgure 2.7. Masa smîes! A rare momen as er Sovîe se, sared wî eow spy Nîkoaî.Secre Mîssîon. 91 Fîgure 3.1. A wa o sound: e German învasîon o Krasnodon.he Young Guard. 103 Fîgure 3.2. Dea comes on îpoe.he Young Guard. 105 Fîgure 3.3. îuba dancîng Sovîe.he Young Guard. 109 Fîgure 3.4. îuba dancîng Nazî.he Young Guard. 113 Fîgure 3.5. Wî eîr Ina breas, ey sîng as one.he Young Guard. 117 Fîgure 4.1. Varvara Mîkaîovna commîssîons Saîn as e new enîn. he Vow. 125 Fîgure 4.2. enîn rîses agaîn, o back îs eîr.he Vow. 126 Fîgure 4.3. Saîn’s ougs are ony o enîn.he Vow. 135 Fîgure 4.4. Saîn sares enîn’s vîsîon.he Vow. 135 Fîgure 4.5. Saîn’s desk în e Kremîn.he Fa o Berîn. 146 Fîgure 4.6. A good eader’s desk (Regîona Secreary Boîcenko).Cavaîer o e Goden Sar. 147 Fîgure 6.1. Per Sereda’s reurn o e and.Bounîu Summer. 179 Fîgure 6.2. Varvara Vasî'evna’s graduaîon ba în S. Peersburg, 1914.he Vîage Teacer. 190 Fîgure 6.3. He graduaîon (and vîcory) ba or Varvara’s scoo în Sary, 1945.he Vîage Teacer. 191 Fîgure 7.1. He maerîa abundance oCossacks o e Kuban. 209
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