Music of Azerbaijan
298 pages
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298 pages
English

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Description

View accompanying audiovisual materials for the book at Ethnomusicology Multimedia


This book traces the development of Azerbaijani art music from its origins in the Eastern, modal, improvisational tradition known as mugham through its fusion with Western classical, jazz, and world art music. Aida Huseynova places the fascinating and little-known history of music in Azerbaijan against the vivid backdrop of cultural life under Soviet influence, which paradoxically both encouraged and repressed the evolution of national musics and post-Soviet independence. Inspired by their neighbors to the East and West, Azerbaijani musicians enjoyed a period of remarkable creativity, composing and performing the first opera and the first ballet in the Muslim East, establishing the region's first Opera and Ballet Theater and Conservatory of Music, and discovering ways to merge the modal lyricism of mugham with the rhythmic dynamics of jazz. Drawing on previously unstudied archives, letters, and documents as well as her experience as an Azerbaijani musician and educator, Huseynova shows how Azerbaijani musical development was not a product of Soviet cultural policies but rather grew from and reflected deep and complex cultural processes.


Ethnomusicology Multimedia Series Preface
Acknowledgments
Note on Language and Transliteration
Introduction
Chapter 1: Azerbaijani Musical Nationalism during the Pre-Soviet and Soviet Eras
Chapter 2: Pioneers of the New Azerbaijani Musical Identity
Chapter 3: The Russian-Soviet Factor: Facilitating or Disrupting Synthesis?
Chapter 4: The Beginning of the National Style: 1900-The 1930s
Chapter 5: Growing Maturity: 1940-The Early 1960s
Chapter 6: The Spirit of Experimentalism: Since the 1960s
Chapter 7: Songwriters
Chapter 8: Jazz Mugham
Chapter 9: Leaving the Post-Soviet Era Behind
Chapter 10: "Mugham Opera" of the Silk Road
Epilogue
Glossary
Notes
Bibliography
Index

Sujets

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Publié par
Date de parution 21 mars 2016
Nombre de lectures 0
EAN13 9780253019493
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0500€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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Music of Azerbaijan
Ethnomusicology Multimedia
Ethnomusicology Multimedia ( EM ) is a collaborative publishing program, developed with funding from the Andrew W. Mellon Foundation, to identify and publish first books in ethnomusicology, accompanied by supplemental audiovisual materials online at www.ethnomultimedia.org .
A collaboration of the presses at Indiana and Temple universities, EM is an innovative, entrepreneurial, and cooperative effort to expand publishing opportunities for emerging scholars in ethnomusicology and to increase audience reach by using common resources available to the presses through support from the Andrew W. Mellon Foundation. Each press acquires and develops EM books according to its own profile and editorial criteria.
EM s most innovative features are its web-based components, which include a password-protected Annotation Management System ( AMS ) where authors can upload peer-reviewed audio, video, and static image content for editing and annotation and key the selections to corresponding references in their texts; a public site for viewing the web content, www.ethnomultimedia.org , with links to publishers websites for information about the accompanying books; and the Avalon Media System, which hosts video and audio content for the website. The AMS and website were designed and built by the Institute for Digital Arts and Humanities at Indiana University. Avalon was designed and built by the libraries at Indiana University and Northwestern University with support from the Institute of Museum and Library Services. The Indiana University Libraries hosts the website, and the Indiana University Archives of Traditional Music ( ATM ) provides archiving and preservation services for the EM online content.
Music of Azerbaijan
FROM MUGHAM TO OPERA
Aida Huseynova
This book is a publication of
INDIANA UNIVERSITY PRESS
Office of Scholarly Publishing
Herman B Wells Library 350
1320 East 10th Street
Bloomington, Indiana 47405 USA
iupress.indiana.edu
2016 by Aida Huseynova
All rights reserved
No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses Resolution on Permissions constitutes the only exception to this prohibition.
The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1992.
Manufactured in the United States of America
Library of Congress Cataloging-in-Publication Data
Huseynova, Aida, author.
Music of Azerbaijan : from mugham to opera / Aida Huseynova.
pages cm - (Ethnomusicology multimedia)
Includes bibliographical references and index.
ISBN 978-0-253-01937-0 (cloth : alkaline paper) - ISBN 978-0-253-01945-5 (paperback : alkaline paper) - ISBN 978-0-253-01949-3 (ebook) 1. Music - Azerbaijan - History and criticism. 2. Folk music - Azerbaijan - History and criticism. 3. Azerbaijanis - Music. I. Title. II. Series: Ethnomusicology multimedia.
ML 3758. A 98 H 87 2016
780.947 54 - dc23
2015034849
1 2 3 4 5 21 20 19 18 17 16
To my family
CONTENTS
Ethnomusicology Multimedia Series Preface
Acknowledgments
Note on Language and Transliteration
Introduction
1 Azerbaijani Musical Nationalism during the Pre-Soviet and Soviet Eras
2 Pioneers of the New Azerbaijani Musical Identity
3 The Russian-Soviet Factor: Facilitating or Disrupting Synthesis?
4 The Beginning of the National Style: 1900-the 1930s
5 Growing Maturity: 1940-the Early 1960s
6 The Spirit of Experimentalism: Since the 1960s
7 Songwriters
8 Jazz Mugham
9 Leaving the Post-Soviet Era Behind
10 Mugham Opera of the Silk Road
Epilogue
Glossary
Notes
Bibliography
Index
ETHNOMUSICOLOGY MULTIMEDIA SERIES PREFACE
GUIDE TO ONLINE MEDIA EXAMPLES
Each of the audio, video, or still image media examples listed herein is associated with specific passages in this book, and each example has been assigned a unique persistent uniform resource locator, or PURL . The PURL identifies a specific audio, video, or still image media example on the Ethnomusicology Multimedia website, www.ethnomultimedia.org . Within the text of the book, a PURL number in parentheses functions like a citation and immediately follows the text to which it refers, for example ( PURL 3.1 ). The numbers following the word PURL relate to the chapter in which the media example is found, and the number of PURL s contained in that chapter. For example, PURL 3.1 refers to the first media example found in chapter 3 ; PURL 3.2 refers to the second media example found in chapter 3 , and so on.
To access all media associated with this book, readers must first create a free account by going to the Ethnomusicology Multimedia Project website www.ethnomultimedia.org and clicking the sign in link. Readers will be required to read and electronically sign an end users license agreement the first time they access a media example on the website. After logging in to the site, there are two ways to access and play back audio, video, or still image media examples. In the search field enter the name of the author to be taken to a webpage with information about the book and the author as well as a playlist of all media examples associated with the book. To access a specific media example, in the search field enter the six-digit PURL identifier of the example (the six digits located at the end of the full PURL address). The reader will be taken to the web page containing that media example as well as a playlist of all the other media examples related to the book. Readers of the electronic edition of this book will simply click on the PURL address for each media example; once they have logged in to www.ethnomultimedia.org , this live link will take them directly to the media example on the Ethnomusicology Multimedia website.
LIST OF PURLS
CHAPTER 1
PURL 1.1 | Uzeyir Hajibeyli, Koroghlu s aria from the opera Koroghlu . Performed by Bulbul. Excerpt from the documentary To My Dear People . Baku Studio, 1954. Video. Courtesy: Polad Bulbuloghlu.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910342
PURL 1.2 | Nazim Aliverdibeyov, Bayati Shiraz for organ. Performed by Rena Ismayilova. Colon, St. Joseph Church, 2008. Audio. Courtesy: Samir Aliverdibeyov and Rena Ismayilova.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910343
PURL 1.3 | Duo Quis Est Homo, Qui Non Fleret, from Stabat Mater , by Gioachino Rossini. Performed by Fidan Gasimova, Khuraman Gasimova, and the Azerbaijan State Symphony Orchestra named after Uzeyir Hajibeyli. Rauf Abdullayev, conductor. Baku, the Heydar Aliyev Palace, April 21, 2000. Video. Courtesy: Khuraman Gasimova.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910344
PURL 1.4 | Azerbaijani folk song She Has Got a House with Tiny Rooms, arranged by Fikrat Amirov. Performed by Fidan Gasimova, Khuraman Gasimova, and the Azerbaijan State Symphony Orchestra named after Uzeyir Hajibeyli. Rauf Abdullayev, conductor. Baku, the Heydar Aliyev Palace, April 21, 2000. Video. Courtesy: Khuraman Gasimova.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910345
PURL 1.5 | Haji Khanmammadov. Concerto for the Kemancha and Symphony Orchestra (second movement). Performed by The Youth Music Monterrey County symphony orchestra from California. Farkhad Khudyev, conductor. Imamyar Hasanov, kemancha soloist. Sunset Center, Carmel-by-the-Sea, November 9, 2013. Video. Courtesy: Youth Music Monterey County.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910346
CHAPTER 3
PURL 3.1 | Elmira Nazirova, Sonata for Cello and Piano, movements 2, 3, and 4. Performed by Isaak Turich and Elmira Nazirova. Baku, 1954. Audio. Courtesy: Elmar Fel and Mikhail Turich.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910347
PURL 3.2 | Fikrat Amirov and Elmira Nazirova, Concerto on Arab Themes for the Piano and Symphony Orchestra, excerpt from the first movement. Performed by the Royal Philharmonic Concert Orchestra at Caspian Corridor Gala. Yalchin Adigozalov, conductor. Yegana Akhundova, soloist. London, Westminster, Central Hall, March 7, 2014. Video. Courtesy: Royal Philharmonic Concert Orchestra.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910348
CHAPTER 4
PURL 4.1 | Uzeyir Hajibeyli, Chorus Night of Separation from the opera Leyli and Majnun . Performed by the International Vocal Ensemble of Indiana University. Artistic Director Katherine Domingo. Aida Huseynova, pianist. Auer Hall, April 20, 2008. Audio. Courtesy: Indiana University Jacobs School of Music.
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910349
PURL 4.2 | Uzeyir Hajibeyli, Arazbari from the opera Leyli and Majnun . Performed by the Azerbaijan State Chamber Orchestra named after Gara Garayev. Yashar Imanov, conductor. Audio. Source: Classical Music of Azerbaijan, 6 vols. Vol. 1: Chamber Music. Track 1. Azerbaijan International, AICD1206, 1997, compact disc. Produced jointly by Amoco and Azerbaijan International. http://azer.com/aiweb/categories/music/AudioPages/CMA/cma_contents.html .
http://purl.dlib.indiana.edu/iudl/em/Huseynova/910350
PURL 4.3 | Uzeyir Hajibeyli, Overture to the opera Koroghlu . Performed by the Azerbaijani State Symphony Orchestra named after Uzeyir Hajibeyli. Niyazi, conductor. Baku, the Azerbaijan State Philharmonic Hall named after Muslim Magomayev, 1975. Video. Courtesy: The

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