Proust and the Visual

Description

This collection of essays is aiming at capturing the rich and complex category of the 'visual' both in Proust's novel itself (in its philosophical and stylistic implications) and beyond it, in other visual practices (cinema, painting, dance) inspired by the novel.
Introduction 1 'The secret blackness of milk' Proust, Merleau-Ponty, literature. Nathalie Aubert 'Un assemblage composite': perception and grafting in Du cote de chez Swann Adam Watt Proust and the Analysis of Gesture Patrick Ffrench Disentangling Modernism: A Common Drive Towards Aesthetics Hughes Azerad Proust and Handwriting Akane Kawakami Images come alive (or how to make images with words) Karen Haddad Proust's Picture Plane Thomas Baldwin The Art Market in Proust A comparative study of the treatment of Rembrandt and the salon painter Gleyre in Proust Sarah Tribout-Joseph 'Avid Eyes and Ears: Photographic Practice, Perception, and Memory in A la recherche du temps perdu' Aine Larkin 'Mais dans les beaux livres, tous les contresens qu'on fait sont beaux': Marcel Proust, Raoul Ruiz, Volker Schlondorff et Harold Pinter Vincent Ferre In praise of iconoclasm. Reflections on the improbable 'illustration' of La Recherche Florence Godeau Intermedial Proust: Harold Pinter and Di Trevis's Stage Adaptation of A la recherche du temps perdu Marion Schmid

Sujets

• Literary Criticism
• French

Informations

• Publié par: University of Wales Press
• Date de parution: 15 janvier 2013
• Nombre de lectures: 1
• EAN13: 9780708325490
• Langue: English
• Poids de l'ouvrage: 2 Mo

Extrait

Studies in Visual Culture

PROUST AND THE VISUAL

edited by Nathalie Aubert

University of Wales Press

PROUST AND THE VïSUA

S TUDIESIN V ISUAL C ULTURE

SerieS editorS

MaRgaRET tOppIng Queen’s Unîversîty, Beast

rachaEl LangORD Cardîf Unîversîty

GIulIana PIERI Roya Hooway, Unîversîty o ondon

editoriAL BoArd

MIEkE Bal Unîversîty o Amsterdam

Paul COOkE Unîversîty o eeds

AnnE FREaDman The Unîversîty o Mebourne

AnDREa NOblE Unîversîty o Durham

MaRía PIlaR rODRíguEz Unîversîdad de Deusto

eRIc thau Unîversîty o Hawaî’î at Manoa

S TUDIESIN V ISUAL C ULTURE

PROUST AND THE VISUAL

edîted by

Nathaîe Aubert

Cardîf Unîversîty o Waes Press 2013

© The Contrîbutors, 2012

A rîghts reserved. No part o thîs book may be reproduced în any materîa orm (încudîng photocopyîng or storîng ît în any medîum by eectronîc means and whether or not transîenty or încîdentay to some other use o thîs pubîcatîon) wîthout the wrîtten permîssîon o the copyrîght owner. Appîcatîons or the copyrîght owner’s wrîtten permîssîon to reproduce any part o thîs pubîcatîon shoud be addressed to the Unîversîty o Waes Press, 10 Coumbus Wak, Brîgantîne Pace, Cardîf CF10 4UP.

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Brîtîsh Lîbrary CIP Data A cataogue record or thîs book îs avaîabe rom the Brîtîsh îbrary

ïSBN e-ïSBN

978-0-7083-2548-3

978-0-7083-2549-0

The rîghts o the Contrîbutors to be îdentîIed as authors o thîs work have been asserted în accordance wîth sectîons 77 and 79 o the Copyrîght, Desîgns and Patents Act 1988.

Typeset în Waes by Eîra Fenn Gaunt, Cardîf

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Contents

Serîes edîtors’ preace Note on abbrevîatîons and quotatîons Fîgures Contrîbutors ïntroductîon

ï The phîosophîca împîcatîons o the quest or truth

1 ‘The secret backness o mîk’: Proust, Mereau-Ponty, îterature Nathaîe Aubert 2 ‘Un assembage composîte’: Perceptîon and Gratîng în Du côté de chez Swann Adam Watt 3 Proust and the Anaysîs o Gesture Patrîck french 4 Dîsentangîng Modernîsm: A Common Drîve Towards Aesthetîcs Hugues Azérad

ïï Proust’s response to the vîsua word: the verba semîotîcs o transatîon rom the seen to the unseen

5 Proust and Handwrîtîng Akane Kawakamî 6 ïmages Come Aîve (or how to make îmages wîth words) Karen Haddad

vîî îx xî xîîî 1

7

27

47

69

95

115

7

8

9

Contents

Proust’s Pîcture Pane Thomas Badwîn The Art Market în Proust: A Comparatîve Study o the Treatment o Rembrandt and the Saon Paînter Geyre în Proust Sarah Trîbout-Joseph ‘Avîd Eyes and Ears: Photographîc Practîce, Perceptîon and Memory înÀ la recherche du temps perdu’ Áîne arkîn

ïïï Other artîsts’ înterpretatîons oÀ la recherche du tempsperdu

10 ‘Maîs dans es beaux îvres, tous es contresens qu’on aît  sont beaux’: Marce Proust, Raou Ruîz, Voker Schöndorf  and Harod Pînter Vîncent Ferré 11 ïn praîse o îconocasm: ReLectîons on the ïmprobabe  ‘ïustratîon’ oÀ la Recherche Forence Godeau 12 ïntermedîa Proust: Harod Pînter and Dî Trevîs’s Stage  Adaptatîon oÀ la recherche du temps perdu Marîon Schmîd

ïndex

v

i

131

149

167

183

203

219

239

Serîes edîtors’ preace

Studîes în Vîsua Cuture provîdes a orum or ground-breakîng enquîry înto vîsua-cutura productîon în îts socîa, hîstorîca and cutura contexts. The serîes paces partîcuar emphasîs on the exchanges, transactîons and dîs- pacements that înk Europe to wîder goba contexts across the vîsua-cutura Ied. The serîes seeks to promote crîtîca engagement wîth vîsua medîa as îdeoogîca and cutura as we as aesthetîc constructs, and oregrounds the reatîonshîp o vîsua cutures to other Ieds and dîscourses, încudîng cutura hîstory, îterary productîon and crîtîcîsm, phîosophy, gender and sexuaîty research, journaîsm and medîa studîes, mîgratîon and mobîîty studîes, socîa scîences, and poîtîcs. The Studîes în Vîsua Cuture serîes thus ocuses on exporîng synergîes and key debates between dîscîpînes, concepts and theoretîca approaches, and ofers an excîtîng new arena or testîng and extendîng dîscîpînary, theoretîca and conceptua boundarîes.