New Blood , livre ebook

322

pages

English

Ebooks

2021

Écrit par
Jonathan Wroot , Edited by Eddie Falvey , Joe Hickinbottom

Publié par
University of Wales Press

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322

pages

English

Ebook

2021

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Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

Publié par

University of Wales Press

Date de parution

15 janvier 2021

Nombre de lectures

EAN13

9781786836359

Langue

English

Poids de l'ouvrage

17 Mo

The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolving fears. New Blood builds upon preceding horror scholarship to offer a series of critical perspectives on the genre since the year 2000, presenting a collection of case studies on topics as diverse as the emergence of new critical categories (such as the contentiously named ‘prestige horror’), new subgenres (including ‘digital folk horror’ and ‘desktop horror’) and horror on-demand (‘Netflix horror’), and including analyses of key films such as The Witch and Raw and TV shows like Stranger Things and Channel Zero. Never losing sight of the horror genre’s ongoing political economy, New Blood is an exciting contribution to film and horror scholarship that will prove to be an essential addition to the shelves of researchers, students and fans alike.

Acknowledgements
Figures and Tables
Notes on Contributors
Horror 2020: Introducing New Blood - Eddie Falvey, Joe Hickinbottom, Jonathan Wroot
Part One: Framing Horror
1. Apprehension Engines: The New Independent ‘Prestige Horror’ - David Church
2. Hardcore Horror: Challenging the Discourses of ‘Extremity’ - Steve Jones
3. From Midnight Movies to Mainstream Excess: Cult Horror Festivals and the Academy - Xavier Mendik
Part Two: Horror Reception
4. A Master of Horror? The Making and Marketing of Takashi Miike’s Horror Reputation - Joe Hickinbottom
5. Bloody Muscles on VHS: When Asia Extreme Met the Video Nasties - Jonathan Wroot
6. Streaming Netflix Original Horror: Black Mirror,
Stranger Things and Datafied TV Horror - Matt Hills
Part Three: Emerging Subgenres
7. The digital gothic and the Mainstream Horror Genre: Uncanny Vernacular Creativity and Adaptation - Jessica Balanzategui
8. Nazi Horror, Reanimated: Rethinking Subgenres and Cycles - Abigail Whittall
9. Digital Witness: Found Footage and Desktop Horror as Post-cinematic Experience - Lindsay Hallam
Part Four: Horror in the World
10. Revisiting the Female Monster: Sex and Monstrosity in Contemporary Body Horror - Eddie Falvey
11. The Kids are Alt-right: Hardcore Punk, Subcultural Violence and Contemporary American Politics in Jeremy Saulnier’s Green Room - Thomas Joseph Watson
12. Twenty-first-century Euro-snuff: A Serbian Film for the Family - Neil Jackson
Bibliography
Index

Voir

Publié par

University of Wales Press

Date de parution

15 janvier 2021

Nombre de lectures

EAN13

9781786836359

Langue

English

Poids de l'ouvrage

17 Mo

Film Blood Hurlements 2 History of film Critical New Contemporary history Contemporary Horror

New Blood CRITICAL APPROACHES TO CONTEMPORARY HORROR

HORROR STUDIES

Series Editor Xavier Aldana Reyes, Mancester Metropolitan University

Editorial Board Stacey Abbott, Roeampton University Linnie Blake, Mancester Metropolitan University Harry M. Bensoﬀ, University of Nort Texas Fred Botting, Kingston University Steven Brum, Western University Steﬀen Hantke, Sogang University Joan Hawkins, Indiana University Agnieszka Soltysik Monnet, University of Lausanne Bernice M. Murpy, Trinity College Dublin Jonny Walker, Nortumbria University

Preface Horror Studies is te ﬁrst book series exclusively dedicated to te study of te genre in its various manifestations – from ﬁction to cinema and television, magazines to comics, and extending to oter forms of narrative texts suc as video games and music. Horror Studies aims to raise te proﬁle of Horror and to furter its academic institutionalisation by providing a pubising ome for cutting-edge researc. As an exciting new venture witin te estab-lised Cultural Studies and Literary Criticism programme, Horror Studies will expand te ﬁeld in innovative and student-friendly ways.

New Blood CRITICAL APPROACHES TO CONTEMPORARY HORROR

EDITED BY EDDIE FALVEY, JOE HICKINBOTTOM AND JONATHAN WROOT

UNIVERSITY OF WALES PRESS 2020

All rigts reserved. No part of tis book may be reproduced in any material form (including potocopying or storing it in any medium by electronic means and weter or not transiently or incidentally to some oter use of tis publication) witout te written permission of te copyrigt owner except in accordance wit te provisions of te Copyrigt, Designs and Patents Act. Applications for te copyrigt owner’s written permission to reproduce any part of tis publication sould be addressed to te University of Wales Press, University Registry, King Edward VII Avenue, Cardiﬀ, CF10 3NS.

www.uwp.co.uk

Britis Library Cataloguing-in-Publication Data

A catalogue record for tis book is available from te Britis Library.

ISBN 978-1-78683-634-2 eISBN 978-1-78683-635-9

he rigts of he Contributors to be identiﬁed as autors of tis work ave been asserted in accordance wit sections 77 and 79 of te Copyrigt, Designs and Patents Act 1988.

Cover image © EyeEm / Alamy Stock Photo

The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Contents

Acknowledgements

Figures and Tables

Notes on Contributors

Horror 2020:Introducing New Blood Eddie Falvey, Joe Hickinbottom, Jonatan Wroot

Part One: Framing Horror

Apprehension Engines: The New Independent ‘Prestige Horror’ David Curc Hardcore Horror: Challenging the Discourses of ‘Extremity’Steve Jones From Midnight Movies to Mainstream Excess: Cult Horror Festivals and the Academy Xavier Mendik

Part Two: Horror Reception

A Master of Horror? The Making and Marketingof Takashi Miike’s Horror Reputation Joe Hickinbottom

Bloody Muscles on VHS: When Asia Extreme Metthe Video Nasties Jonatan Wroot

vii

107

Streaming Netflix Original Horror:Black Mirror, Stranger hingsand Datafied TV HorrorMatt Hills

Part Tree: Emerging Subgenres

The digital gothic and the Mainstream Horror Genre: Uncanny Vernacular Creativity and AdaptationJessica Balanzategui

Nazi Horror, Reanimated: Rethinking Subgenres and CyclesAbigail Wittall Digital Witness: Found Footage and Desktop Horror as Postcinematic ExperienceLindsay Hallam

Part Four: Horror in te World

10.Revisiting the Female Monster: Sex and Monstrosityin Contemporary Body Horror Eddie Falvey 11.The Kids are Altright: Hardcore Punk, SubculturalViolence and Contemporary American Politics in Jeremy Saulnier’sGreen Room Tomas Josep Watson 12.Twentyfirstcentury Eurosnuff:A Serbian Filmforthe Family Neil Jackson

Bibliograpy

Index

125

145

147

167

183

201

203

225

247

265

295

Acknowledgements

he editors wis to tank te series editor, Xavier Aldana Reyes, for is entusiasm and support for tis book. hey also wis to tank Sara Lewis and er colleagues at te University of Wales Press for teir support, advice and professionalism.

Eddie Falveytanks is co-editors, Joe and Jon, for teir elp along te way. He wises to dedicate is part in tis volume to is fater, Martin, wo would watc all of tese ﬁlms, and to is moter, Jane, wo would watc none of tem.

Joe Hickinbottomtanks is fellow editors, Eddie and Jon, for working wit im on tis project, and oﬀers is gratitude to Eddie for is unwaver-ing support wile writing is capter. His contribution to tis volume is dedicated to four people wo, collectively, ave inspired im and listened to im talk about Takasi Miike for more years tan any of tem would like to be reminded of: Riannon, Mum and Dad, and Song.

Jonatan Wrootwises to tank Eddie and Joe for allowing im to assist in te publication of tis volume. He also oﬀers is tanks to te Cult Film Researc Group at King’s College London for some very useful feed-back on is capter.

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Figures and Tables

Figures

Figure 1.1. Mark Korven’s ‘Appreension Engine’. Potograp, Kai Korven. 17 Figure 3.1. he image from te Nouveaux-PicturesCine-Excess DVD release ofSuspiriareproduced in tis volume is courtesy of its present distributor CultFilms.co.uk. We wis to tank te company for providing te permission to reproduce te image in tis volume. 56 Figure 3.2. Roger Corman receives isCine-ExcessLifetime Acievement Award from actress Jane Aser at te festival in 2008. 66 Figure 3.3. Cult performer Franco Nero receives isCine-ExcessLifetime Acievement Award at te festival in 2011. 68 Figure 3.4. Autor Victoria Price receives a postumousCine-ExcessLifetime Acievement Award for er fater, actor Vincent Price, in 2018. 69 Figure 5.1. Graam Humpreys’s artwork forBloody Muscle Body Builder in Hell114© Stand Entertainment.

Tables

Table 9.1. A table of feature-lengt post-cinematic orror ﬁlms.

185

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