Culture Gap

Judith Plant

Description

The pervasive, and intriguing, stories surrounding the mysterious Camelsfoot Commune in the Yalakom valley, BC, Canada.

• Previously untold story of a mysterious commune in the remote Yalakom Valley, north of Lillooet, BC, Canada
• Centered around a brilliant and charismatic Simon FraserUniversity professor manqué, Fred Brown
• A candid account of one family's experience of going back-to-the-land
• Author is acting Publisher of well-known activist book publishers, New Society Publishers
• An absorbing account of a lifestyle emblematic of a time, Culture Gap depicts a young mother's struggle to reconcile her social ideals of personal and environmental responsibility with the practicalities of loving and caring for those closest to her
• As a new generation searches for meaning, this story of lived experience provides intrigue and valuable lessons learned

The pervasive, and intriguing, stories surrounding the mysterious Camelsfoot Commune in the Yalakom valley, BC, Canada.

Culture Gap: Towards a New World in the Yalakom Valley tells the story of a two year sojourn at the Camelsfoot Commume in a remote valley in BC, Canada. The challenges and privations, the joys and adventures of rural communal living, form the backdrop to the human drama the author recounts. Judith and Kip Plant's family includes her children; Willie takes to the new life, but his sisters feel the strong pull of the life they left behind. Meanwhile Fred, the inspiration for the commune, stricken with cancer, is dying.

An absorbing account of a lifestyle emblematic of a time, Culture Gap also shows, from her own older perspective, a young mother's struggles to reconcile her social ideals of personal and environmental responsibility, and loving and caring for those closest to her.

Prologue: The Trail
Chapter One: We Take the Plunge (and the Trail)
Chapter Two: Our Courage Did Not Quail
Chapter Three: How Do We Decide What to Do?
Chapter Four: Camelsfoot Meets Eaglestarr
Chapter Five: Big Food, Big Issues
Chapter Six: The First Winter
Chapter Seven: Work Hard, Play Hard, Learn Lots
Chapter Eight: A Hard Lesson, and Real Love
Chapter Nine: Power Outside and In...
Chapter Ten: We Lose Fred...Forever
Epilogue: Another World is Possible

Acknowledgements
Rights Page

Sujets

• POLITICAL SCIENCE
• Utopías
• Adventures
• Canadá
• Sociology
• Social theory
• Samuel Adams (beer)
• Memoir
• Social sciences
• British Columbia
• Children
• Parent
• Challenges
• Cancer

Informations

• Publié par: New Society Publishers
• Date de parution: 03 avril 2018
• Nombre de lectures: 1
• EAN13: 9781771422772
• Langue: English
• Poids de l'ouvrage: 3 Mo

Extrait

Other books in the Transmontanus series
1 A Ghost in the Water Terry Glavin
2 Chiwid Sage Birchwater
3 The Green Shadow Andrew Struthers
4 High Slack Judith Williams
5 All Possible Worlds Justine Brown
6 Red Laredo Boots Theresa Kishkan
7 A Voice Great Within Us Charles Lillard with Terry Glavin
8 Guilty of Everything John Armstrong
9 Kokanee: The Redfish and the Kootenay Bioregion Don Gayton
10 The Cedar Surf Grant Shilling
11 Dynamite Stories Judith Williams
12 The Old Red Shirt Yvonne Mearns Klan
13 Maria Mahoi of the Islands Jean Barman
14 Basking Sharks Scott Wallace and Brian Gisborne
15 Clam Gardens Judith Williams
16 Wreck Beach Carellin Brooks
17 Stranger Wycott’s Place John Schreiber
18 Off the Highway Mette Bach
19 Stranger on a Strange Island Grant Buday
20 Sturgeon Reach Terry Glavin & Ben Parfitt
21 Gardens Aflame Maleea Acker

Culture Gap
TOWARDS A NEW WORLD IN THE YALAKOM VALLEY
Judith Plant Transmontanus 22
NEW STAR BOOKS VANCOUVER 2017

For all nine of my grandchildren and my new great-granddaughter, and for all children everywhere; may these stories help you to find real love.
Guardian of the trail to Camelsfoot, a rock art painting by Juan Coyote. PHOTOGRAPH: JOANNE KIMMEL

PROLOGUE
The Trail
Summer 2013
I t is a hot, late-July day. Many people are making the trek up to Camelsfoot, our Shangri-La, to say goodbye to Susan, our dear friend and communard who passed away in the spring. Susan was Fred Brown’s perfect partner. Fred was our mentor.
Camelsfoot is northwest of Lillooet in the interior mountains of British Columbia. During the gold rush someone had the crazy idea that camels would do well here as pack animals, and actually brought them into this dry landscape more aptly suited to the resident mountain goats. Today, some will travel in 4x4 trucks up the steep mountain pass — a seven-mile journey that takes an hour to drive it’s so treacherous.
While I have travelled that pass many times, I drove it myself only once, during a storm. It was dark and rain pounded the deeply rutted road; rocks seemed to be falling all around us. We were returning too late from a trip to town. Eleanor, a fellow communard, with three year-old Robin on her lap, guided me through every inch of the many switchbacks as I carefully backed up and went forward, again and again, to avoid the sloughing sides that would have sent us end-for-end hundreds of feet down the slope. Decades later, on this sunny day in July, I avoid the pass and take the trail instead, an hour-and-a half walk uphill across scree slopes and gorges, alongside the fast-moving creek.
Susan’s celebration of life will bring together many of the original communards, and friends both young and old, to honour and celebrate her remarkable life. Robin, the now-grown daughter of Eleanor and Van, organized the event — a sign of how important a figure Susan was to her, and to many young people. Van Andruss, who wrote Fred’s biography * and who was Fred’s closest friend on the commune besides Susan, will no doubt take a leadership role as we gather together to share our memories. It’s not easy to get to “the Foot” and not all of the old group have been able to make the trek, but about half the original members are here: Alice, Kelly, Glen, Kip and me, some of our children, also now grown. Many others who Fred and Susan influenced have also made the journey to join in this celebration of Susan’s well-lived life. * A Compass and a Chart: The Life of Fred Brown, Philosopher and Mountaineer. Lillooet: Lived Experience Press, 2012.
I am hiking the trail with my eldest daughter Julie, her husband Sandy, and their two teenage sons, Ben and Thomas. Kip, my husband of thirty-four years, my son Will and his young family, and Julie’s youngest child, Hannah, make the journey over the pass in Will’s 4x4. Kip has been dealing with a degenerative neurological disease for seven years and sadly he is now mostly in a wheelchair. It’s a show of both his fortitude and his love for these people that he has made the great effort to leave the comforts of home and make the long trip from Gabriola Island, where we have lived for over twenty-four years. I know he wouldn’t have missed this event for anything.
Hiking the trail is a moving experience for me in the bright morning sun. Julie and I have walked it many times before, decades ago. Then we carried heavy packs loaded with oranges, mail, and other delights from town. We’ve even carried plywood, but that’s another story. In the winter our steps were secured by ice creepers or even crampons buckled over our felt pac boots. There’s little snow in these mountains but lots of ice and frozen ground from cold, dry winters. The trail is impossible to travel safely in these conditions without this ice climbing gear on your feet. In the summer, of course, it’s hiking boots. Judith hiking the trail into Camelsfoot with Willie and Shannon, 1983.
The boys can hardly contain themselves. There’s something thrilling about walking a trail with a destination, an end-in-view, with every step bringing a fresh experience along the way. Fred taught us to set the right pace by putting the slowest person in a group of hikers in the lead. I take the lead with the boys, who often charge ahead and run back to us, doing double time without a care. Returning to Camelsfoot almost thirty years later with my grandchildren and Julie and Sandy, to a place and time in my life of such enormous significance, makes every step precious.
When we get to “Culture Gap” I try to explain the significance of the place and its name. Early on Fred named many of the hills and mountains around Camelsfoot, melding into the landscape our endless conversations about who we were and what we were doing here. Culture Gap is a steep gorge, with soft scree that has taken a few loose-footed walkers down its free-falling slope. Crossing the Gap moves the traveller from the old world to the new world — at least that’s how we communards thought of it. It took courage to reach the other side, the new world. And it’s dangerous. You know as soon as you see it that it could take your life if you’re not completely paying attention. Julie rode a horse up this trail once, through the Gap, along the scree slope. Now that’s bravery for you. Most people navigate the soft, vanishing trail with well-placed boots, hanging on to a rope tied to a tree high up the slope — absolutely thrilling for the boys. Bird’s-eye view of the trail. PHOTOGRAPHER UNKNOWN
Is it really different on the other side? I think so. In the valley below, Ponderosa pines dominate the landscape; as we gain altitude and cross the Gap, majestic Douglas firs stand like welcoming giants, so far avoiding the dreaded logging that increasingly threatens much of this territory. The mill in town, after all, is only twenty-­nine kilometres away. Everywhere the scent of juniper lingers.
Once across we head straight for the cold rushing water of the creek. In the “old days” we always kept a cup hooked on a branch. This hot July day we all splash our faces and drink our fill of the most pristine, delicious water in the world. Crossing the makeshift bridge we are now on the other side of the creek, in the “parklands.” It is different. The roar of the creek subsides, the bunch grasses whisper in the wind and tickle our bare legs, the massive firs offer stability and calmness. The slope is gentler. We’re getting close. Bird’s-eye view of the meadow. PHOTOGRAPHER UNKNOWN
The five of us are quiet as we walk the last third of the trail. We bathe in the atmosphere of the place. By now we have shed a lot of our nervousness and excitement and are just putting one foot in front of the other, enjoying every minute. Soon we come to the meadow, the sloping several acres that have made hay for horses and goats over the years but now lie fallow, to the delight of the mule deer. Up we go. Others have already arrived; we can see their vehicles parked in the birch grove up ahead. It’s not an easy journey to make, by truck or foot. But we are her e... now.
I’m looking out the window of the large kitchen addition built several years ago with Susan’s inheritance. Across the alleyway is the old kitchen, the cookshack. People are milling about. I see Sandy, my son Will, old friends, children. Robin and others have made a great effort to open up the buildings for this event. The place is alive today, but deeply empty at the same time. I have to shake my head to keep it real. No one lives here any more.
As I walk through the building to the original cabin, memories come in big emotional gulps. The cabin was the heart of the commune in many ways. We had two pianos, shelves of music, oriental carpets, all remnants from our respective lives elsewhere. The walls were lined from floor to ceiling with an amazing library. Rare books, encyclopedias (at least two sets), any and every book by John Dewey and George Herbert Mead. All the classics in both literature and social change theory. Even the children’s corner was rich in books.
Big ideas were had in this cabin. Decades ago inside these rough-hewn walls, we worked and re-worked our story of a new world that would nurture people and place, a new culture that would be resilient in the face of the crumbling old world. We talked a lot about evolution, about human beings as social creatures who need culture to make sense of the world, and how this has been lost to us. And just in case we should ever get carried away with our own self-importance and think ourselves the centre of the universe, we had replicated the solar system in iridescent papers on the ceiling, placing us and the Earth in context.
I