William Faulkner

André Bleikasten, Miriam Watchorn

Description

Writing to American poet Malcolm Cowley in 1949, William Faulkner expressed his wish to be known only through his books. He would go on to win the Nobel Prize for literature several months later, and when he died famous in 1962, his biographers immediately began to unveil and dissect the unhappy life of "the little man from Mississippi." Despite the many works published about Faulkner, his life and career, it still remains a mystery how a poet of minor symbolist poems rooted in the history of the Deep South became one of the greatest novelists of the twentieth century. Here, renowned critic André Bleikasten revisits Faulkner's biography through the author's literary imagination. Weaving together correspondence and archival research with the graceful literary analysis for which he is known, Bleikasten presents a multi-strand account of Faulkner's life in writing. By carefully keeping both the biographical and imaginative lives in hand, Bleikasten teases out threads that carry the reader through the major events in Faulkner's life, emphasizing those circumstances that mattered most to his writing: the weight of his multi-generational family history in the South; the formation of his oppositional temperament provoked by a resistance to Southern bourgeois propriety; his creative and sexual restlessness and uncertainty; his lifelong struggle with finances and alcohol; his paradoxical escape to the bondages of Hollywood; and his final bent toward self-destruction. This is the story of the man who wrote timeless works and lived in and through his novels.

Foreword / Philip Weinstein
Testimony and Acknowledgements / Aimée Bleikasten
Introduction / André Bleikasten
List of Abbreviations

1. F(a)ulkner, Mississippi
A little history, a little geography
Three fathers, two mothers
Childhood
The attitudes of adolescence

2. Apprenticeships
Pan and Pierrot: the first masks
(Self)criticism
In New Orleans
The switch to prose

3. Birth of a Novelist
The first novel: Soldiers' Pay
An American in Paris
Incomplete portrait of the artist as an artist: Elmer
A diversion: Mosquitoes

4. The First Flowering
The invention of Yoknapatawpha: Flags in the Dust
The most splendid failure: The Sound and the Fury
The most horrific story: Sanctuary
Mourning becomes the Bundrens: As I Lay Dying
Versions of the sun: Light in August

5. Mid-way
Scenes from married life
The Master of Rowan Oak
The first shadows
Back and forth to Hollywood
Meta

6. From Pylon to Go Down, Moses
The hell of fascination: Pylon
The novel as research: Absalom, Absalom!
Southern Tales: The Unvanquished
Fault lines, flux and floods: If I Forget Thee, Jerusalem
A comical pastoral: The Hamlet 
Legacies: Go Down, Moses

7. The Dark Years
Under siege
Hollywood, again
Lucas' lesson: Intruder in the Dust
A conventional detective story: Knight's Gambit
Joan

8. Fame—At Last
The Nobel Prize
The public man
Setbacks, distress and other miseries
Requiem for a Nun: the education of Temple Drake
The Gospel according to Faulkner: A Fable

9. The End
The Virginia years
The Snopes, second and final instalment: The Town and The Mansion
The farewell smile: The Reivers
The rider unseated

Chronology
Selected Bibliography
Index of Names
Index of Works

Sujets

• Literary Criticism
• Literary Figures
• América
• Literature
• Biography
• General officer
• General
• American
• United States
• Cultural Studies

Informations

• Publié par: Indiana University Press
• Date de parution: 01 mars 2017
• Nombre de lectures: 3
• EAN13: 9780253023322
• Langue: English
• Poids de l'ouvrage: 3 Mo

Extrait

William Faulkner

Translated byMiriam Watchorn With the collaboration ofRoger Little

Foreword byPhilip Weinstein

André Bleikasten

William Faulkner A Life through Novels

INDIANA UNIVERSITY PRESS Bloomington and Indianapolis

his book is a publicaion o

ndana Unversy Press OIce o Scoary Pubsng Herman B Wes brary   Eas  Sree Boomngon, ndana  USA

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he paper used n s pubcaon mees e mnmum requremens o e Amercan Naona Sandard or normaon Scences—Permanence o Paper or Prned brary Maeras, ANS Z.–.

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Manuacued in e Unied Saes o Ameica

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     

CONTENTS

Foreword by Pp Wensen x esmony and Acnowedgmens by Amée Beasen nroducon by André Beasen xx s o Abbrevaons xxx

1 Fa(u)lkner, Mississippi 1  A Te Hsory, a Te Geograpy   hree Faers, wo Moers   Cdood   he ATudes o Adoescence 

2 Apprenticeships 66  Pan and Perro: he Frs Mass   (Se )crcsm   n New Oreans   he Swc o Prose 

3 Birth of a Novelist 94  he Frs Nove:Soldies’ Pay   An Amercan n Pars   ncompee Porra o e Ars as an Ars:Elme  A Dverson:Mosquioes 



xv

vi

4 The First Flowering 127  he nvenon o Yonapaawpa:Flags in e Dus   he Mos Spendd Faure:he Sound and e Fuy   he Mos Horric Sory:Sancuay   Mournng Becomes e Bundrens:As I Lay Dying   Versons o e Sun:Lig in Augus 

5 Midway 199  Scenes rom Marred e   he Maser o Rowan Oa   he Frs Sadows   Bac and For o Hoywood   Mea 

6 From Pylon to Go Down, Moses  244 he He o Fascnaon:Pylon   he Nove as Researc:Absalom, Absalom!   Souern aes:he Unvanquised   Fau nes, Fux, and Foods:I I Foge hee, Jeusalem  A Comca Pasora:he Hamle  egaces:Go Down, Moses 

7 The Dark Years 324  Dre Sras   Hoywood Agan   ucass esson:Inude in e Dus   A Convenona Deecve Sory:Knig’s Gambi  Joan 



Contents



Contents

8 Fame—At Last 368  he Nobe Prze   he Pubc Man   Sebacs, Dsress, and Oer Mseres  Requiem o a Nun: he Educaon o empe Drae  he Gospe Accordng o Fauner:A Fable 

9 The End 437  he Vrgna Years   he Snopes, Second and Fna nsamen: he Townandhe Mansion   he Farewe Sme:he Reives   he Rder Unseaed 

Cronoogy  Seeced Bbograpy  ndex o Names  ndex o Wors 



vii

FOREWORD

The great nineteenth-centuryFrenc romanc Caeaubrand ed s as worMémoies d’oue ombe.n Engs s s rendered as Memois rom Beyond e Gave, bu e es deeper resonance suggess memores caried, sted, accessed by way o some umae g. André BeasensWilliam Faulkne: A Lie oug Novelsrecas Caeaubrands wor n a coupe o ways.  s appearng n Engs seven years ater Beas- ens dea. More perneny,  bears (page ater page) e overwemng mpress o Beasens auory. Over e course o s ry-ive years o pubcaon devoed o Fauner, Beasen, oug Frenc, became e mos dsngused nerpreer o Amercas greaes wene-cenury noves. HsWilliamFaulkne: une vie en omans—wc was andsome- y recognzed by e Académe rançase wen  irs appeared n France ()—s Beasens magnum opus. he word “overwemng” s no an adjecve normay besowed on commenary on icon. W respec o Fauner, we are ey o ind  ony n a ew o s crcs, and  urns ou a ese are many Frenc. Maraux, Camus, and especay Sarre were e posopca ners wo recognzed—as eary as e s—e exraordnary provocaons wroug no Fauners ar. hey saw n m no a Souern wrer, and even ess a race wrer, bu raer a meapysca noves, a supremeymod- enwrer. Fauners Amercan crcs (rom George Maron ODonne n e s roug Cean Broos n e s) were many concerned w nerpreng m as a regona igure. No un Jon rwnsDoubling and Inces / Repeiion and Revenge () and Jon MaTewsshe Play o Faulkne’s Language() dd Fauners nvesmen n e posopca conundrums o s cenury begn o receve e aTenon ey deserved. ix