Capital Is Dead

Mckenzie Wark

Description

It's not capitalism, it's not neoliberalism-what if it's something worse?
In this radical and visionary new book, McKenzie Wark argues that the all-pervasive presence of data in our networked society has given rise to a new mode of production, one not ruled over by capitalists and their factories but by those who own and control the flow of information. Yet, if this is not capitalism anymore, could it be something worse? What if the world we're living in is more dystopian than the techno utopias of the Silicon Valley imagination? And, if this is the case, how do we find a way out? Capital Is Dead offers not only the theoretical tools to analyse this new world of information, but the ones to change it, too.

Drawing on the writings of the Situationists and a range of contemporary theorists, Wark offers a vast panorama of the contemporary condition and the classes that control it.

Sujets

• Philosophie
• Philosophie politique
• Political
• POLITICAL SCIENCE
• PHILOSOPHY
• Philosophie et théologie
• Politics

Informations

• Publié par: Verso
• Date de parution: 08 octobre 2019
• Nombre de lectures: 0
• EAN13: 9781788735315
• Langue: English

Extrait

CAPITAL IS DEAD
CAPITAL IS DEAD
MCKENZIE WARK
First published by Verso 2019
This paperback edition published by Verso 2021
© McKenzie Wark 2019, 2021
All rights reserved
The moral rights of the author have been asserted
1 3 5 7 9 10 8 6 4 2
Verso
UK: 6 Meard Street, London W1F 0EG
US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201
versobooks.com
Verso is the imprint of New Left Books
ISBN-13: 978-1-78873-533-9
ISBN-13: 978-1-78873-531-5 (UK EBK)
ISBN-13: 978-1-78873-532-2 (US EBK)
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
The Library of Congress Has Cataloged the Hardback Edition As Follows:
Names: Wark, McKenzie, 1961- author.
Title: Capital is dead / McKenzie Wark.
Description: London ; New York : Verso, 2019. | Includes bibliographical references.
Identifiers: LCCN 2018059614| ISBN 9781788735308 (hardcover) | ISBN 9781788735315 (United Kingdom ebook)
Subjects: LCSH: Capitalism.
Classification: LCC HB501 .W4395 2019 | DDC 332/.041—dc23
LC record available at https://lccn.loc.gov/2018059614
Typeset in Fournier by MJ & N Gavan, Truro, Cornwall Printed in the UK by CPI Mackays, UK
Contents
Introduction
1. The Sublime Language of My Century
2. Capitalism—or Worse?
3. The Forces of Production
4. The Class Location Blues
5. A Time Machine Theory of History
6. Nature as Extrapolation and Inertia
7. Four Cheers for Vulgarity!!!!
Conclusion: A Night at the Movies
Acknowledgments
Notes
Introduction
Post-capitalists’ general strategy right now is to render language (all that which signifies) abstract therefore easily manipulable.
—Kathy Acker
Which punk rock goddess are you? I’m Kim Gordon. Or I was. Not happy with that answer, I took the online quiz a few more times, until I got Patti Smith. I don’t know what company made that quiz, but I agreed to give them access to a whole bunch of information in exchange for the privilege of playing it, in order to learn what I already know, that I’m more of a Patti Smith type than a Kim Gordon type.
The quiz held my attention for long enough to escape boredom, and it gave me something to post on social media, presumably to snag other people’s attention. Some people get rather freaked out about algorithms that seem to know so much about us, although I always thought of privacy as a bourgeois concept. 1 What is dystopian here may be less the sharing of information than the asymmetry of the sharing.
If you are getting your media for free, this usually means that you are the product. If the information is not being sold to you, then it is you who are being sold. This is something that those of us in media studies have been teaching our students and telling the public since the broadcast era. 2 Back in the broadcast era, it was pretty simple. You listened to free radio or watched free television. In between the shows or the songs would be advertising. You were the product that was being sold, by the broadcaster, to advertisers. Or rather, what they sold was your attention. 3 In a time in which the quantity of information was rising and its cost plummeting, what was still rare and valuable was (and is) your attention.
In the broadcast era it was hard to even know whose attention a show gathered and whether any particular advertising worked. The ad industry guru David Ogilvy reported one of his clients claiming that half of his advertising worked and half of it failed, but he did not know which half was which. 4 A good deal of snake oil still goes into persuading ad buyers that advertisers have magical means of persuasion that will galvanize people’s attention, lodge the brand in memory, and mobilize people’s desire toward actually buying the product or—same thing really—voting for the candidate.
The evil genius of the postbroadcast-era media is that it not only holds our attention, it also records it. A lot more information can be extracted as to who we are, what we like, and which punk rock goddess we want to be. A lot of media consumers end up being quite shocked at just how much information about themselves they are giving away, and for free. 5 They had been gulled into treating postbroadcast media as if it were some sort of free public service, an illusion certain companies are quite happy to perpetuate to their users but certainly not to their investors. To their investors they tell a different story: that by giving away what looks like a free service, they can extract more information than they give and that they can monetize this asymmetry of information. 6
The old culture industries had figured out how to commodify leisure. 7 The organized labor movement had struggled hard for free time for working people. Capital was forced to compromise, but it found a way to commodify leisure time as well as work time. The old culture industries at least had to make products that held our attention. In the postbroadcast era, the culture industries are superseded by the vulture industries. They don’t even bother to provide any entertainment. We have to entertain each other, while they collect the rent, and they collect it on all social media time, public or private, work or leisure, and (if you keep your FitBit on) even when you sleep. 8 Which gives new meaning to a slogan invented by the Belgian surrealists: “Remember, you are sleeping for the boss!” 9
Not just our labor, not just our leisure—something else is being commodified here: our sociability, our common and ordinary life together, what you might even call our communism. 10 Sure, it’s not a utopian version of communism. It’s a very banal and everyday one, it’s our love of sharing our thoughts and feelings with each other and having connections to other people. But still, most people seem rather alarmed that their desire to share and be with each other, to reach out to friends, to pass on cat pictures, even their desire to have ferocious arguments with strangers, is making someone else very, very rich.
That people who use the Internet are tracked and monitored and turned into information is not even the half of it. If you think your social media is spying on you, just imagine what kind of information your bank has on you. There’s a whole political economy that runs on asymmetries of information as a form of control. 11 It may even amount to a new kind of class relation. Sure, there is still a landlord class that owns the land under our feet and a capitalist class that owns the factories, but maybe now there’s another kind of ruling class as well—one that owns neither of those things but instead owns the vector along which information is gathered and used. 12
These days, not just everyone but everything is tracked and monitored and turned into information. If you order a package from an online website, you can follow the delivery of the item through its stages on its way to you. It’s a consumer grade version of tracking the movement of everything: animal, mineral, and vegetable. For these purposes, even though you think you fall in the animal category, you are also being tracked as if you were a rock. The mineral sandwich in your pocket, your cellphone, is generating information about all of its movements.
Out of all of this information about the habits and movements of people and things, you can generate predictions about future movements. Well, you can’t do that: while you produce this information, it all ends up privately owned by some information-centric company. You make the information, but like some kind of info-prole, you don’t own the information you produce or the means of realizing its value. You don’t get to benefit from its predictive power, although you will likely suffer the downside when those predictions prove spurious.
Because this vast, wonky information commons that we are all producing is privatized, it can be very hard to know how accurate or useful any of that information actually is. 13 Bullshit in = bullshit out. It becomes depressingly familiar to learn that algorithms have been primed with racist and sexist assumptions about the people it is supposed to neutrally observe. 14 This is annoying at the level of consumer profiling, but another thing entirely in the form of algorithmic policing. 15 However, it’s a conversation frequently sidetracked into the demand for a fairer algorithm, as if there could still be a neutral third party above our differences, from which to pray for not much more than an equal right to be exploited by asymmetries of information. These discriminatory aspects of the information political economy need to be criticized and struggled over, but let’s not lose sight of the bigger picture. That bigger picture is the information political economy as a whole.
Before focusing on what the corporations who own and control information are doing to us, let’s pause to look at the peculiarities of the information itself. 16 Information is a rather strange thing. Contrary to the popular understanding, there’s nothing ideal or immaterial about it. 17 Information only exists when there’s a material substrate of matter and energy to store, transmit, and process it. Information is part of a material world. But it’s a strange part. The word information is hardly new, but the science of information is very new; it is a postwar creation. 18
Information is now such a pervasive organizing force that it has seeped into our worldview. 19 What we think of as “technology” these days very often means technologies that instrumentalize information. These are specific kinds of apparatus that gather, sort, manage, and process information so that it can then be used to control other things in the world. Information technology is a sort of meta-technology, designed to observe, measure, record, control, and predict what things, people, or indeed other information can or will or should do.
These technologies made information very, very cheap and very, very abundant. They gave rise