Partition Information about original typesetting et optimal performance, en honorem Sancti Xaverij canticum

Marc-Antoine Charpentier

Description

Retrouvez les partitions de en honorem Sancti Xaverij canticum Information about original typesetting et optimal performance, Motets, de Charpentier, Marc-Antoine , H. 355 , B♭. Cette partition baroque célèbre écrite pour les instruments comme:

• Solo: 2 sopranos
• ténor (St. Xaverij)
• basse + SATB chorusOrchestra: 2 flûtes
• 2 violons
• 2 altos
• violoncelle
• continuo

Cette partition aborde 1 mouvement et l'on retrouve ce genre de musique répertoriée dans les genres langue latine, Motets, partitions chœur mixte, partitions pour ténor voix, pour 4 voix, chœur mixte, orchestre, partitions pour basse voix, partitions pour soprano voix, pour voix et chœur avec orchestre, partitions pour orchestre, partitions pour voix
Retrouvez de la même façon tout un choix de musique pour basse + SATB chorusOrchestra: 2 flûtes, continuo, violoncelle, ténor (St. Xaverij), Solo: 2 sopranos, 2 violons, 2 altos sur YouScribe, dans la catégorie Partitions de musique baroque.
Rédacteur: Thomas G. Merrill
Edition: Thomas G. Merrill
Libbretiste: Unknown (based upon Bible)
Dédicace: St. Francis Xavier (Sancti Xaverij)

Sujets

• Baroque
• Basse continue
• Violoncelle
• Altos
• Violon
• Flute
• Ch?ur (musique)
• Basse Santa Su
• Tenor
• Soprano (disambiguation)
• Charpentier

Informations

• Publié par: CHARPENTIER0
• Nombre de lectures: 28
• Licence : En savoir +
  Paternité, pas de modification
• Langue: Latin

Extrait

M.-A. Charpentier,In Honorem Sancti Xaverij canticum(H. 355), ed. Thomas G. MerrillIntroduction, p. i    INTRODUCTION   Marc-Antoine Charpentier (1643-1704) composedIn honorem Sancti Xaverij canticum (H.355), and, subsequently,Canticum de Sancti Xaverio(H.355a), an abbreviated version 1 of the former,while in the employ of the Jesuits at the Church of St. Louis in Paris. Catherine Cessac assigns both Saint Xavier motets to her category of “Motets in Honor of 2 Saints.” Included in this category are thegrand motetsin honor of Saints Louis, Borgia, Xavier, and Joseph. The only extant source for H. 355 is in the Bibliothèque national de 3 France.   Performance Suggestions  This performing edition is scored for two flutes, violin, two violas, basso continuo, chorus and vocal soloists (two sopranos, tenor and bass). The tenor soloist sings the role of St. Xavier. The original instrumentation is as follows:   2 flûtes seules  haut-dessus  bas-dessus  haute-contre  basse  violon  haute-contre de violon  taille de violon  basses de violon  orgue  I chose to designate the strings in the modern orchestration as violin I, viola I, viola 4 II, and violoncello. The work begins and ends in B-flat major. Various sections of the  1 C. Jane Gosine and Erik Oakland, “Docere, delectare, movere: Marc-Antoine Charpentier and Jesuit spirituality,”Early Music, 32 (2004): 511.  2 Catherine Cessac,Marc-Antoine Charpentier, trans. E. Thomas Glasgow, ed. Reinhard G. Pauly, (Portland: Amadeus Press, 1988), p. 253. Of the later version, Cessac notes, “It is distinguished from the previous work by its length (150 bars shorter), its instrumentation (additions of oboes and bassoon), and a different arrangement of the text.”  3 1 Fr-Pn259, Vol. 9 – fols. 44r – 51r, digital image. The work is also published in the MinkoffRés. Vm facsimile edition of Charpentiers autographs, vol. 9. 4 For the performance of this motet at Xavier University in June of 2006, I used the following forces: string quartet, two flutes, organ, soloists and a chamber chorus of twenty.     WEB LIBRARY OF SEVENTEENTH-CENTURY MUSIC (www.sscm-wlscm.org), WLSCM No. 13    