Partition complète, A New et Complete Tutor pour pour violoncelle

Various

Description

Jouez les partitions de la musique A New et Complete Tutor pour pour violoncelle partition complète, méthodes, par Various. La partition classique écrite pour les instruments comme: violoncelle, 2 violoncelles
Cette partition se constitue de plusieurs mouvements et l'on retrouve ce genre de musique répertoriée dans les genres pour 2 violoncelles, pour 1 musicien, méthodes, pour violoncelle, pour 2 musiciens, partitions pour violoncelle
Obtenez en même temps tout un choix de musique pour violoncelle, 2 violoncelles sur YouScribe, dans la rubrique Partitions de musique classique.
Edition: London: Preston & Son, n. d. (1785)

Sujets

• Classique
• Violoncelle
• Various

Informations

• Publié par: VARIOUS
• Nombre de lectures: 20
• Licence : Libre de droits
• Langue: English
• Poids de l'ouvrage: 2 Mo

Extrait

or
- -lill _ nil ifl
And alsoibvPeniiilsion of tiie 1 atcuter
• ' —J?(^Ahy^^lkT rwV4^J ^L^ A-^V
lifer-firft place to illuftrate theStudents in TVfufic, it proper in theAS Time is indHpcniibly necefsary to all is
ent Murks and Characters by which it is exprefscd.
On Time.
grner;.l,Mf one Seinihre\r.conMs,inThere arc two forts Common & Triple. Common Time
. ofTime,viz.
.i'i DenufcmirjUavcrs..2 Minims,4 Crotchets, 8 Quavers, 16 Scrniqi'.avers,6r
SoiTiibreve DemiffTi'qir.iversNtaiins Cr'otchcts' Quavers ScTniqn;^vers
tMM^an^g^rww4ff]TnaDuewwvsxx^tM»M0i^^
ifi 322
O is equal toOne Semibrcve
^Tinims,
I orTwo . d
Crotchets, orFour I «l .1 j
Qu-ivers, crUjj^fjr^rV,;g-ht
Sixteen. ' P ^ Senuqunversor^bET •ffi^ ^^S i i
CTni^(Tni(^u;l^ers,Thirty-+wo
Mood of CoiniiKm Time Crotchets in a Bar, ^Vhen ftrwrk,4bi"*>''t-hus.C which denotes there hcing four
figi;;iVsit that the Movement is to he played a little faftcr than ufual.Y
S I mihreve orBar Minim or l.' Qiiaver Semiqitaver r)emifemiqua\erT5ar Crol'-het
xr
)"Bar l-'olt 1 ir ! minunvrrHalf Bar Crolrhct Quaver SoniiqiKror "iTriple Time
.? .'-f 6"<7 9 !2
"^^*-' *''^^^Is knowji by the following Characters • *^" "^ which arc generally called.> > ^> ,4> x s 4 e «f
the firft contains"VUniict Time; three Crotchets, and the fccond three Quavers in a Har; they, are played in the
-ihroeManner, only the three Quavers are generally played a litUt faAeiT than hIich ''tis vrote with Crol.ia,me
»1 v & ^£- plaviMlchets. The Vi , -, are gene ally called ,/ig-Ti.r«,and more qnii k ;md fMiight'y.
a l)()*t added to any Note makes it half .is long again ;'.^ it O •Ohferve that
.would otherwife be.
O
111J J J^. .33: , ,
^
V
4
On holdinp* tlie Inftrirment.t"he Pofition and manner of
o
leftKdge ba(k l':ir' mi the
. Thelowet part of the Body is tohe hctdbetv.ccnthcraJVes 'of the Lr^s.thtf of the
*"
r I'owmj;.Leg, and the Edge of the Belly on that of tiic right,wlinh w\\\ bring it t<» t convenient Portion
On tlie Bow.holdin;**
tbe Nvt, fiipportedby tlic o-be held with the Thumb in Incl; ;.. ^1 li.ilf fromIt is fo and fore-fi^iger about
the ftririgs fmgfly.a-rngers fpr<'ad a little Diftance from c;n dravii (ino'itli and leveil acrofs>r h other _, then
* Manner hff.'re youat-.' + Tnrhs fv.,111 Biidgc cle: r i ,(..,lh Tone in thist) wn the _ it will b«- prop<r to got a
I iii.ners on.pui the.
N-tiTralsand^liaTpsFlats,On
• Natu^^ean. ^.^ESaSha.p ^ ,,,,,,,b.A Fl.t ^^^^^^^^,^^^^Sy Sav^ ^Tonethe acute ay gof Icng^.benPart youcertain Cafelakes a.\b which-^i'i^EE inNuttheneaxerlineoneFix.g..^theremove ^^J^y^uthe flatadding>,,
thatmuch and Viyfot»ie String Proportion,in, a, ftr.ngftrng^x. „^+^ti vouryourShortenthenSharp_is^d,youwhen acafeis thecontraryThe
acute. ZmoicTonethemakeMciiHS
m^MnaturaVState
oriffinal,orto itsthe Notebringis toNaturalThe
twice.playedto beofthePieceisapartfuchthatunifiesand stnusthus tii "^or. d thus .3.-S-markedtcpeatisV
or
thusDo,abkBHp;^a_ReEcat,AEar;LA_Double ^[^:=^R-rs
-returned\
=:^~Shako
m;irkcdtmis\ Snake
^"— -^—rrpi-iJt- Apogia-ft^
itBA — tnra412 4 1 213 12 4.0134 4
^ff-f-.r f
Th-e Gamut r*f^ H«ri~~^^
G A R C D E F (.;C D E F G A B C I) E F
lustring5^ 2^ Siring
. 4^^ String String I
dcn?>te Fingers tobc. ufcd. is the,Thumb.N5.Thc Figur<?s over the Notes
Directions "how to play off tlie fereTal T^otes in tlie 0amirt.
There ar'^ fonr Notos appertaining to the fourth ftring) Vi?^. douWo C, and F; ihcD, '\ Double Cor
lowcft Notf,is open; dou'ile 1) muft be ftoped firilwith the finger, about three Inches from the Nu+:d(iu-
ble E with the. third finger, nearly the facme. dii>ance from the firft; double .F with the fourth finger,pbmf
an Inch and the Second.—quarter From The third ftring hath alfo four notes, G,A,E ^C (1 is played
open,A is ftoptd with the firft finger, B with the third,and C with the fourth finger,; at +he "nme di'htmts.
as on the fourth ftrir.g._ The fecont^ i\ring has four Notes,D,E,F and G. 1) is played op':r,E is Stnticd,
with firlt Nut; fccondthe finger, about three Inches from the F with the finger, about an Tnrh and hvT
from the lirft;G with the fourth about two Inches and quarter from the fecond, _ firfi firi'The hi*g
-^ fevcn notes. played «•"Viz. A, B, C, D, ?.., F atvd G, A is open;B with the firft finger; C with the nf '.;
hand, and placing firft finger about two from 'teD with the fourth; E by fhifting the the Tnch.?s
latter; F with tlie fccond finger, about an Inch and quarter from the firft;and G with the fourth, i?out
and.an Inch three quarters from the fecond.very,Scales whi-h will he foundwith afsiftance of theand thethe^c directions,attending toBy
Tune.the Notes inattain to ftopingwill foonLearnerfcrviccahlcthc
therefore, of thechan^o^. Scalesvaries as th? Keyof finsferinsfthe mdhodbe obfervcdIt is to
to a-.grounded in one Key, proceedthroughlyftiould not untillThe Studentmofi in ufe follow.keys
.no'vher.
Of Cliffs.
oare t^o -.Ini^rument; hut thereufcd for thisf^-orO: is molHyBafs diitlr.guiihU thusThe Cliff
.T-nor tranfhere rxplain. Theufeful,wc ihdlwhi.h beingCounter-Tenor,thcrs,^iz.theTcnor and
fourthever ufcd in theare Scarcelyfcventh ;theyCounter Tenor anfth higher, thepofesthe Notes a
Tenor i^^^^^^^fe
COFFGARCDEFGA
P
TenT^^^^^^^u nterCo ^ta.
CBOEFGAEF GA BC.
I
Of Keys
Tune always ends. Flats&r. and on which therro-iiit the fundamental Note of any Air,By a Key is
when fot at the betfinMinqj of a Tuti>- or Lefson affect e-Sharps which have heon already explained,and 1
by a Natural.fp.-ire throughout the whole, unlefs contradicted.very nott on that line or
Keys.^§Flat lWJ^^SS^^^^^^^^f^^'^W^
-SharpKeys:^^ |||J^3^^ |
G Cb3 B D
Of Crares.
~r\\melody yr\ryrc fmoothin Order to make theadded to thofc fet in the tune,Graces arc Notes
greatly to its Beauty.of Mufic, addingnf.ay oropcrly be called the ornamentpleafinj; to the ear. They
Vx-half note abovt feeand is made from the Note or ;T thefe thdhnke, marked thus, \rThe rhw of is
Grace fo thf length of the Note.Tf it is ; V :be taken to fuit eachPag- 4. Care, however, muftampV,
half the length of the Miiiiir!,:,!!,^proportion,if on a Crotchetaccording to itscontinii.- the Grace-M,t(>
isApoggi.)ti:r(t r-k r- ,,of the Crotchc'.Theas being but half the leng-hlittle on a Ouaver,but very
.-that helo%v m\\ fake? ha]'' \^r. rme of the<^ and fometimes fromfound above,''onu times from the
Example Pagelids before. So •i'*