Partition Volume 3 (M - P), Dictionary of Music et Musicians, Grove, George

George Grove

Description

Retrouvez les partitions de morceau Dictionary of Music et Musicians Volume 3 (M - P), Dictionaries, de Grove, George. Partition de style romantique.
La partition est constituée de plusieurs mouvements et l'on retrouve ce genre de musique classifiée dans les genres langue anglaise, écrits, Biographies, Dictionaries
Visionnez encore tout une collection de musique sur YouScribe, dans la catégorie Partitions de musique romantique.
Rédacteur: John Alexander Fuller-Maitland (1856–1936)
Edition: London: Macmillan, 1910.

Sujets

• Romantique
• Grove

Informations

• Publié par: GROVE
• Nombre de lectures: 41
• Licence : Libre de droits
• Langue: English
• Poids de l'ouvrage: 40 Mo

Extrait

GROVE'S
DICTIONAEY OF MUSIC
AND MUSICIANS
EDITED
By
J. A. FULLEK MAITLAND, M.A., F.SA.
FIVE VOLUMESIN
VOL. Ill
Ncto gorft
THE MACMILLAN COMPANY
LONDON : & CO., Ltd.
1907
All rights reservedCopyright, 1907,
By the MACMIIiLAK COMPANY.
Set up and electrotyped. Published February, 1907.
Norbjootr ^resfl
Cushing Co.—Berwick SmithJ. S. & & Co.
Norwood, Mass., U.S.A.
keLIST OF CONTEIBUTOES
The names deceased writers are printed in italicsof
E. Aldrich, Esq., 'New York Times'
Hbron-Allex,E. Esq.
E. P. Abkwright,G. Esq.
Abmbrdster,Cabl Esq.
Granville Baxtock, Esq., Principal of the Birmingliam and Midland
Institute School of Music
J. R Sterndalb-Bennett, Esq.
D. J. Blaiklet, Esq. .
Joseph C. Bridgb, Esq., M.A., Mus.D., F.S.A.
William Chappell, Esq., F.S.A.
Alexis Chittt, Esq. .
M. GnsTAVE Chocquet.
W. W. COBBETT, Esq. .
Frederick Coiwer, Esq.
Major G. A. Crawford
William H. Cumicdigs, Esq., Mus.D., r.S.A., Principal of the Guild
hall School of Music
K Dannbeuther, Esq.
Herr Paul David
E. J. Dent, Esq.
F. G. Edwards, Esq. .
Thomas Elliston, Esq.
Gdstave Ferrari, Esq.
W. H. Grattak Flood, Esq.
Rev. W. FrereH. .
H. Frederick Frost, Esq.
C. Alan Fyffb, Esq. .
Rev. F. W. GALprs- .
Nicholas Gatty, Esq., Mus.B.
Rex^ Gatty, Esq., Lector in English, Prague University
Dr. Franz Gehring
Sir Grove,George C.B., D.G.L.
W. H. Hadow, Esq. .
H. V. Hamilton, Esq.LIST OF CONTRIBUTORS
F. H.A.Arthue F. Hill, Esq.
J. H.A.A. J. HiPKiNS, Esq., F.S.A.
J. H.E.Edward- John Hopkins, Esq., Mus.D.
A. H-H.A. H0GHBS-HUGHES, Esq.
J. H.John Hullah, Esq., LL.D.
D. H.Duncan Hume, Esq. .
H^W.Hume,W. Esq.
W. H. H.William H. Husk, Esq.
B. H. J.F. H. Jenks, Esq., Boston, U.S.A.
A. J.M. Adolphe Jullibn .
r. K.Frank Kidson, Esq. .
H. K.Hermann Klein, Esq.
H. E.H. E. Krehbibl, York K.Esq., New
M.M. Maurice Kufperath K.
James Leckt, Esq. J. L.
Robin H. Legge, R. H.Esq. L.
H. J. Lincoln, H. J. L.Esq.
Stanley 8. L.Lucas, Esq. .
Sir G. G. A. M.A. Maofarsxn, Mus.D.
Rev. Charles C. M.Mackeson, F.B.S.
Herr A. Maczewski, Kaiserslautern A. M.
Julian Marshall, Esq. J. M.
Mrs. Julian Marshall P. A. M.
=^-Bussell Mabtineau, Esq. M.
Miss Louisa M. Middleton . L. M. M.
Rev. J. R. Milne J. R. M.
Mrs. Newmaech B. N.
Sir Herbert S. Oakeley, Mus.D. H. S. O.
Sidney H. Pardon, Esq. S. H. P.
p*-Sir Walter Parratt, Mus.D., M.V.O., Master of the King's Music W.
Sir 0. Hubert H. Parry, Bart, Mus.D., Professsor of Music in the
Oxford,University of Director of the Royal College of Music C. H. H. V.
E. J. Esq., Barrister-at-lawPayne, .... E. J. P.
Rev. Canon Hugh Pearson H. P.
Edward H. Pbmbbr, Esq., K.C. E. H. P.
Rev. Canon T. Percy Pemberton T. P. P.
Miss Phillimore C. M. P.
Herr C. Ferdinand Pohl
C. P. P.
William Pole, Esq., F.R.S., Mus.D. W. P.
Victor de Pontigny, Esq. V. DE P.
Ebenbzbr Prout, Esq., Mus.D., Professor of Music in the University of
Dublin ....
E. P.
Charles H. Purday, Esq.
C. H. P.
Miss Olqa Racster .
O. R.
LuiGi Ricci, Esq.
L. H.
SiGNOR F. RlZZELI
P. E^
W. BOCKSTRO, Esq.S. . w. s. aCONTEIBUTORSLIST OF
T. L. SouTHGATE, Esq. T.
W. Barclay Squire, Esq.
Miss C. Stainer
Sir John Staineb, Mus.D.
J. F. R. Stainer, Esq.
Sir Robert P. Stewart, Mus.D.
William R. Stone, Esq., M.D.
A. Streatfeild, Esq.E.
Arthur Seymour Sullivan, Mus.D.Sir
Franklin Taylor, Esq.
Esq.A. W. Thayer, .
Bertha ThomasMiss .
Walker, Mus.D.Ersest Esq.,
S. H. "Walrond, Esq. .
Henry Watson, Esq., Mus.D.
H. A. Whitehead, Esq.
F. Abdy Williams, Esq. .C.
Slade Professor of Fine Art in theH. E. WooLDRiDGE, Esq., M.A-,
University of Oxford
•The Editor . . .LIST OF ILLUSTRATIONS
Wolfgang Amadeus Mozakt Frontispiece
facing page
Edward Alexander MacDowell 4
GusTAv Mahler 28
Gertrude Elizabeth Mara 44
CavaliereMario, di Candia 58
Helnrich August Marschner 62
Jules Frederic Emile Massenet 88
Etienne Henri Mehul 100
Madame Melba 104
Mendelssohn-BartholdyJakob Ludwig Felix 110
GiACOMO Meyerbeer 192
Claudio Monteverde 252
The Mozart Family 286
Christine Nilsson 380
•
. . . . . . 468The Metropolitan Opera House (New York)
590NiccoLO Paganini
John Knowles Paine 596
Pierluigi Da Palestrina 604Giovanni
620Euphrosyne Parb^a-Rosa
622Horatio William Parker
648GiuDiTTA Pasta
654Adelina Maria) Patti(Adele Juana
718Cristofori Pianoforte
848GiACOMO Puccini
850Henry Purcell'
DICTIONARY
OF
MUSIC AND MUSICIANS
M
TU'AAS, Joseph, born Jan. 30, 1847, at Dart- August and27, Stanford's 'ThreeHoly Children,^ ford began his career as a; chorister at 28, on the production of those works.
Bochester Cathedral, and was taught singingby At theNorwich Festival of the previous year he
J. L. Hopkins, the organist, and later by Mme. had introduced 'Apollo's Invocation,' a scena
Bodda-Pyne. He was for some time a clerk in writtenforhimbyMassenet. He diedinLondon,
Chatham dockyard, butwent Milanto in 1869, Jan. 16, 1886, from a complication of disorders,
and studied under San Griovanni. He made his rheumatic fever, bronchitis,and congestion ofthe
d^but atone of Leslie's concerts, Feb. 26, 1871, lungs,broughton froma cold takenwhile fishing.
'and sang Annabel! Lee ' in the place of Sims He was buried in West Hampstead Cemetery.
' wasEeeves, with great success, inasmuch as he Maas's 'greatest triumphs were gained in the
notonlycompelledbyunanimous desireto rppeat concert-room rather than on the stage. For
it, but there was a strongattempt to induce him several years he has stood in the very first rahk
a however, he hadto sing it third time, which, of tenor singers, not only by reason of his
magthe good sense to resist.' He played the hero nificent voice, but ofhis thoroughly finished and
'
'in BabUand Bijou at Covent Garden, August artistic style. . . . By his amiable personal
1872 he then went to America, and played character the deceased artist29, ; won the esteem and
Hein Miss Kellogg's English Opera Company. affection of all who had the privilege of liis
• 'reappeared in England attheAdelphiunder Carl friendship.' A Maas Memorial Prize ' wsis
Eosa, as Gontran on the production of Briill's established at theRoyalAcademy ofMusic. A. c.
' andwasengagedGolden Cross,' March 2, 1878, MAATSCHAPFIJ TOT BEVORDERING
tenorby Rosa for three years as his principal DER TOONKUNST. See Vbkeeniging Voor
both atHerMajesty'sand in the provinces. His Nookd-Nederlands Muziekgeschiedenis.
principal parts were Kienzi on its production at MABELLXNI, Teodulo, bom at Pistoia,
Raoul, Feb.Her Majesty's, Jan. 27, 1879 ; 12, April 2, 1817, was a pupil of the Istituto
in1879 ; Wilhelm Meister on the Reale Musioale in Florence, and when he was
'English of 'Mignon,' Jan. 12, 1880 Radames only nineteen years of age, his opera, Matilda
;
'production in English of Aida,' Feb. 19, di Toledo,' was given at Florence withonthe (1836),
etc.1880 also Faust, Thaddeus, Don C^r, the result that the Grand Duke Leopold II.;
He played at Her Majesty's in Italian in 1880, gave the composer funds to study under
MerCovent Garden (as Lohengrin) in 1883. cadante at Kovara. His second opera, 'RoUa,'and at
Lane in 1883- Turin In 1840He played under Rosa at Drury was given at with .great success.
Ravenswood,1885, hisnew parts being Edgar of Mabellini settled in Florence in 1843, becoming
and the Chevalier des Grieux conductor of the Society FilarinoTiica, andApril 19, 1884,
London ofMassenet's 'Manon,' eventually court maestro di cappella and con-on production in
the stage,May 1885. He was very popularon ductor at the Pergola (from 1848) ; from 18597,
on account of his very fine voice, which was to 1887 he was professor in his old school, and
Giuglini's in character, rather his death took place in Florence, Marchsaid to resemble 10,
'sinee he was a very 1897. His other operas were : Ginevra deglithan for his dramatic gift,
indifferent actor. He was equally popular in Almieri' (Turin, 1841), 'IlCdntedi Savagna'
concert-room, where he appeared first at the (Florence, 'I Veneziani a Constantiho-the 1843),
'Messiah,' April poli' (Rome, 'Maria di Francia'SacredHarmonic, inthe 4, 1879, 1844),
(Flor'He Giprdani,and at the Philharmonic, May 21, 1879. ence, 1846), II Ventuiiero ' (with L.
'principal concerts, and at the Leghorn, 1851V Baldassare ' (Florence, 1852),sang at all the
provincial festivals. He 'Fiammetta' (Florence, Two oratorios,various Handel and 1857).
'Aprilsang also in Paris at Pasdeloup's. concerts, Eudossia e Paolo ' and- ' L' Ultimo Giorno di
andatBrusselsattheBach aiidHandel Gerusalemine,' the cantatas, 'La Caccia,' 'll6, 1884,
1885. His last important engage- Ritomo,' 'Elegiaca,' 'Rafaele Sanzio,' 'LoFestival of
Festival of areamong importantment was at the Birmingham 1885, Spirito di Dante,' his more
IBride,' Athmaum, Jan. 23, 1886.wher