Partition Volume 4 (Q - S), Dictionary of Music et Musicians, Grove, George

George Grove

Description

Consultez les partitions de morceau Dictionary of Music et Musicians Volume 4 (Q - S), Dictionaries, composition de Grove, George. Partition de style romantique.
La partition se constitue de plusieurs mouvements et l'on retrouve ce genre de musique classée dans les genres écrits, Biographies, Dictionaries, langue anglaise
Obtenez de la même façon tout une collection de musique sur YouScribe, dans la rubrique Partitions de musique romantique.
Rédacteur: John Alexander Fuller-Maitland (1856–1936)
Edition: London: Macmillan, 1910.

Sujets

• Romantique
• Grove

Informations

• Publié par: GROVE
• Nombre de lectures: 31
• Licence : Libre de droits
• Langue: English
• Poids de l'ouvrage: 40 Mo

Extrait

FEANZ PETER SCHUBERTGROVE'S
DICTIONAEY OF MUSIC
AND MUSICIANS
EDITED
BY
MAITLAND,J. A. FULLER M,A., FSA.
IN FIVE VOLUMES
IVVOL.
Wefa gorfe
THE MACMILLAN COMPANY
1908
All rights reserved/\ aas~'^'^q
MACMILLAN COMPANY.By the
Set up and electrotyped. Published June, 1908.
Nottaiaiili $teM
S. Cashing& Co.—Berwick& SmithJ. Co.
Norwood, Mass., U.S.A.LIST OF CONTEIBUTOES
The names deceased writers are printed in italicsof
W. A. AlKIN, Esq. .......
LIST OF CONTRIBUTORS
G.
Sir George Grove, O.B., D.G.L.
W. H. H"-W. H. Hadow, Esq. .
H. v. H.
H. V. Hamilton, Esq.
W. H.William Henderson, Esq.
H.G.Georob Heubebt, Esq.
H.A. F.Arthub F. Hill, Esq.
A. J. H.A. J. HiPKiNS, Esq., F.SA.
E. J. H.Miss E. J. HiPKiNS
.
A. H-H.A. Hughes-Hughes, Esq.
D. H.Duncan Hume, Esq. .
W. H. H.William H. Husk, Esq.
P. H. J.F. H. Jenks, Esq., Boston, U.S.A.
J.A.M. Adolphe Jullien
.
F. K.Frank Kidson, Esq. .
H. B. K.H. E. Krehbiel, Esq., New York
J. L.James Lecky, Esq.
R. H. L.Robin H. Lbggb, Esq.
H. M'C. D.Hercules MacDonnell, Esq.
R. F. M'E.R. F. M'EWEN, Esq. .
C. M.Eev. Ghakles Mackeson, F.B.S.
A. M.Herr A. Maczewski, Kaiserslautern
M.Julian Marshall, Esq. J.
M.Mrs. Julian Marshall F. A.
BussBLL Martinbau, Esq. R. M.
Signor Giannandeea Mazzucato G. M.
Rev. J. H. Mee J. H. M.
Miss Louisa M. Middlbton . L. M. M.
Rev. J. R. Milne J. R. M.
Mrs. Newmaroh R. N.
J. Weston Nicholl, Esq. J. W. K.
E. M. Oakbley, Esq. . B. M. O.
Mus.D.Sir Herbert S. Oakbley, H. S. O.
Sidney H. Pardon, Esq. S. H. P.
Sir 0. Hubert H. Parry, Bart., Mus.D., Director of the Royal College
of Music . C. H. H. P.
Barrister-at-lawE. J. Payne, Esq., E. J. P.
PembehtonRev. Canon T. Percy T. P. P.
Herr G. Fbrdinanb Pohl C. F. P.
William Pole, Esq., F.B.S., Mm.D. V. P.
Victor be Pontigny, Esq.
V. DE P.
Reginald Lane Poole, Esq.
E. L. P
Miss OiGA Racster .
O. R.
LuiGi Ricci, Esq.
L. R,
W. ROCKSTRO, Esq. .S. W. S. R.
Lumlby Byan, Esq.Desmond P. L. R.
Siewbrs, Esq.Carl
c.
s'Dr. Philipp Spitta
P. S.LIST OF CONTRIBUTOES
S. J. Spobling, Esq. .LIST OF ILLUSTRATIONS
Peter SchubertFranz Frontispiece
FACING PAGE
Joseph Joachim Raff 12
Jean Philippe Kameau 18
HeinrichCarl Carsten Reinecke 56
Ernest Reyer 80
Hans Richter 92
Nicholas Andreievich Rimsey-Korsakov 102
Gioacchino Antonio Rossini ... 150
Giovanni Battista Rubini 176
Anton Gregor Rubinstein 178
Charles Camille Saint-Saens . . 206
Antonio Salieri 210
Pablo Martin Meliton de Sarasate t Navascues Sarasate . ... 224
Alessandro Scarlatti 240
Wilhblmine Schroder-Devrient 276
Fac-simile page of the manuscript of Schubert's great Symphony in C 328
Clara Josephine Schumann 344
Robert Alexander 368
408Anton Seidl
410Marzella Sembrich
Friedrich Smetana 486
Countess Rossi 620Henriette Sontag,
638Louis Spohr
646Luigi Pacifico SpontiniGasparo
718Richard Strauss'
DICTIONARY
OF
MUSIC AND MUSICIANS
Q
Le pantalonQUADRILLE (German Contretans), a dance
De Madelon
executed by an equal number of couples N'a pas de fond,
drawn up in a square. The name (which is
and was adapted to the dance. The music
fromderived the Italian sqimdra)was originally
consists of 32 bars in 6-8 time. No. 2 is
not solely applied to dances, but was used to
' L'Ete,' the name of a very diflioult and
gracedenote a small company or squadron of
horse' itful contredanse ' popular in the year 1800 ;
from three to fifteen magnifi-men, in number,
'consists of 32 bars in 2-4 time. No. 3 is La
cently mounted and caparisoned to take part
Poule ' bars in 6-8 time) which dates from(32
tournament or carousal. The name wasin a
theyear 4 bars in 2-4 time)1802. ForNo. (32
nextgiven to four, six, eight, or twelve dancers,
two figures are danced, 'La Tr6nise,' named
dressed alike, who danced in one or more
com'after the celebrated dancer Trenitz, and La
panies in the elaborate French ballets ' of the
Pastourelle,' perhaps a survival of the old
'18th century. The introduction of oontre- —5'Pastorale.' No. 'Finale'—consists ofthree
danses ' Into the ballet, which first took place
parts repeated four times. In all these figures
'the fifth actofEousseau's FStes dePolymniein
(except the Finale, which sometimes ends with
(1745), and the consequent popularity of these
a coda) the dance begins at the ninth bar of the
dances, are the origin of the dance which, at
music, the first eight bars being repeated at the
'known as the Quadrille de Contredarises,'first
endbywayofconclusion. Themusic ofquadrilles
' quadrille.' usewas soon abbreviated into [The
scarcely original operaticis ever ; and popular
of the Spanish equivalent, cuadrilla, for the
tunes are strung together, and even the works
party of four banderilleros associated with each
of the great composers are sometimes made use
familiar name oftorero in a bull-fight, and the
of.^ The quadrilles of Musard are almost the
a card-game once very popular, may be
menonly exception ; they may lay claim to some
tioned.] The quadrille was settled in its
prerecognition as graceful original musical
comof 19th century,sent shape at the beginning the
mons, w. B. s.
and it has undergone but little change, save
QUAGLIATI, Paolo, born about 1560, was
in the simplification of its steps. It was very
a musician living In Rome, who in 1608 is
indithe Consulate and thepopular in Paris during
cated as holding the position of organist at the
first Empire, and after the fall of Napoleonwas
Basilica of Santa Maria Maggiore.Liberian In
England by Lady Jersey, who inbrought to
1585he edited acoUection ofSpiritual Canzonets
1815 danced it for the first time at Almaek's"
for three voices, containing, besides sixteen
with Lady Harriet Butler, Lady Susan Ryde,
contributionsnumbers by himself, some by
CountMiss Montgomery, St. Aldegonde, Mr.
Marenzio, Nanino, and Giovanelli. His other Mr. Montague, and Mr. Standish.
publications before 1600 consist of two books
The up with the same eagernessEnglish took it
of Secular Canzonets a 3. Two Canzonets a 4
' which they displayed with regard to the polka
with cembalo and lute accompaniment appear
in and the caricatures of the period1845, Verovio's collection of which has beenin 1591,
abound with amusing illustrations of the
quadrecently republished complete by Alfred
Wotrille mania. It became popular in Berlin in
quenne. After 1600heappears tohave followed
1821. inwith interest the twofold direction music
The quadrille consists of five distinct parts,
emanatingfromFlorenceandVenicerespectively,
'which the name of the contredanses ' tobear the Florentine Stile rappresentativo for solo
' they owe their origin. No. 1 is Le
voices, and the Venetian concerted style with
Pantalon,' the name ofwhich is derived from a
a Some readers may recollect the clever 'Bologna QuadriUes'song which began as follows :
publishedon themes from Bossini's 'Stabat Mater,' which were
appearance of work. plates theseshortly after the that The of
t qnadriUes were destroyed on the publishers learning the sourceThe Balleta weredivided into fire acts, each act into three, six,
' ' was performed oneor from which the author (popularly supposed to be J. W. Davison)nine, ortwelve entr^,*and each entree ' by
dancers, had obtained the melodies. [Hans von BUlow wrote a set of quad-more 'quadriUes' of
'3 Captain Oronow's Sfftnintxc&ncet (1861). riUes on airs from Berlioz's Benvenuto OeUinl,']See
BVOL. IV IEQUALITY -QUANTZ
with Weiss tobasso eontinuo. In 1606 he an opera Buffardin. he wentcomposed In 1723
Fux's operawith libretto played inby his pupil Pietro della Valle, Prague, and the two
honour ofentitled ' inCarro di fedeltJi d' amore,' which was 'Costanza e Fortezza,' performed
heHere alsoperformed on a Carnival Charles VI.car in the streets of the coronation of
accompaniedRome, It has 1724 Quantzfive solo voices,andwaspublished heard Tartini. In
Rome onin arriving in1611, with the addition ofseveral Arie a 1-3. Count Lagnasco to Italy,
inlessonsHis other works are a book of Concerted Madri- July going at once for11, and
he describesgals It 4 for Gasparini, whomvoices and instruments, with a counterpoint to
' Inhonourable man.'separate book for Basso Continuo, some other as a good-natured and
madeand therebooks of Spiritual Madrigals and 1725 went on to Naples,a 1-3, two he
Mancini, of Sacred Scarlatti, Hasse,Motets and Dialogues for two the acquaintance of
similarand three musicians of achoirs in the concerted style with Leo, Feo, and other
him in ReggioBasso Continuo (Rome, 1612-27). In Diruta's stamp. In May 1726 we find
' Milan,II Transilvano there appears Parma, whence he travelled by
' a toccata by and
arriving onQuagliati for Lyons to Paris,organ or clavier, which has been Turin, Geneva, and
his name wasrepublished by L.