Partition complète, Hadra, Bitensky, Laurence Scott

Laurence Scott Bitensky

Description

Visualisez les partitions de la musique Hadra partition complète, pièces, fruit du travail de Bitensky, Laurence Scott. La partition moderne célèbre dédiée aux instruments tels que:

• orchestre: piccolo
• 2 flûtes/alto flûte
• 2 hautbois
• anglais cor
• 3 clarinettes
• basse clarinette/clarinette E♭
• 2 bassons
• 2 alto saxophone/soprano saxophone
• ténor saxophone
• baryton saxophone + 4 cornes
• 3 trompettes
• 2 trombones
• basse trombone
• euphonium
• tuba + 6 percussion + electric basse guitare + celesta

Cette partition compte 1 mouvement et l'on retrouve ce genre de musique classée dans les genres

• pièces
• pour militaire bande
• partitions militaire bande
• pour orchestre (without cordes)

Visionnez encore une sélection de musique pour 3 trompettes, 3 clarinettes, basse clarinette/clarinette E♭, 2 bassons, ténor saxophone, orchestre: piccolo, 2 alto saxophone/soprano saxophone, baryton saxophone + 4 cornes, tuba + 6 percussion + electric basse guitare + celesta, anglais cor, 2 flûtes/alto flûte, 2 trombones, 2 hautbois, basse trombone, euphonium sur YouScribe, dans la rubrique Partitions de musique variée.
Date composition: 2004
Edition: Silly Black Dog Music
Durée / duration: 20 minutes

Sujets

• Modernité
• Celesta
• Guitare
• Basse Santa Su
• Electricity
• Percussion instrument
• Tuba (disambiguation)
• Euphonium
• Trombone
• Trompette
• Corne
• Saxophone
• Baryton
• Tenor
• Alto
• Bassons
• Clarinette
• Anglais
• Oboe
• Flute
• Piccolo (desambiguación)

Informations

• Publié par: BITENSKY
• Nombre de lectures: 88
• Licence : En savoir +
  Paternité
• Langue: Français
• Poids de l'ouvrage: 52 Mo

Extrait

Hadra
for wind ensemble
Laurence Bitensky


Hadra
for wind ensemble


Laurence Bitensky




For Dennis Johnson and Tim Reynish


Notes:

Hadra is inspired by my recent stay in Fez, Morocco where I had the privilege of participating in several trance-dancing rituals
unique to Sufi brotherhoods in Morocco. These rituals, which extend to the early hours of the morning, involve chanting,
dancing, and highly percussive instrumental performances. Each session usually involves a slowly increasing tempo leading
to an enormous climax of dense percussion and repeated syllables. The goal is to reach to an ecstatic state in which the
individual members of the group are subsumed into the collective energy known as hadra or “presence.”

My wind ensemble piece is in one sense part of a tradition of musical travelogues (Debussy, Ravel, Stravinsky, Ellington, etc.)
in which a composer paints a musical portrait of foreign culture by lovingly and respectfully appropriating musical elements
from that culture and blending it into his or her own style in a unique way. In another and perhaps deeper sense, the piece is
an attempt to capture and in some ways reenact the ritual power of this transforming ceremony.


























©
sillyblackdogmusic/2004
Instrumentation (one player per part)
Hadra Piccolo
Flute 1-2 (Flute 2 doubling Alto Flute)
for wind ensemble Oboe 1-2
English Horn
Bb Clarinet 1 (doubling Eb Clarinet)
Bb Clarinet 2-3
Bb Bass Clarinet Laurence Bitensky
Bassoons 1-2


Eb Alto Saxophone 1-2 (A. Sax. 1 doubling Soprano Sax)
Bb Tenor Saxophone
Eb Baritone Saxophone

Horns 1-2
Horns 3-4

Bb Trumpet 1
Bb Trumpet 2-3
Trombones 1-2
Bass Trombone
Euphonium 1-2
Tuba

Electric Bass

Percussion 1
Small Suspended Cymbal, Large Suspended Cymbal, Tom-
Toms

Percussion 2
Bongos, Triangle

Percussion 3
Conga Drum, Temple Blocks

Percussion 4
Marimba, Snare Drum, Tambourine, Triangle

Percussion 5
Anvil, Large Tam-Tam, Timpani

Percussion 6
Bass Drum, Maracas, Sleigh Bells, Tenor Drum


Celesta (doubling triangle)



Score in C (All instruments sound as written except usual
octave transpositions)
HADRA
Laurence BitenskyAd lib; Very slowq = 54 
Piccolo 
2. Alto flutesolo; freely and improvisatory
3  3  Flutes 1-2          
mf 
Oboes 1-2 
solo; freely and improvisatory 35   3  3 3          English Horn                          
mf espr.
Bb Clarinet 1 

Bb Clarinets 2-3 
Bb Bass Clarinet 
stagger breathing  
Bassoons 1-2  pp  1+2 stagger breathing 
Eb Alto Saxophones 1-2  
pp
Bb Tenor Saxophone 

Eb Baritone Saxophone 
1+2 stagger breathing 
Horns 1-2  
pp 3+4 stagger breathing
Horns 3-4  
pp
q = 54 Ad lib; Very slow 
Bb Trumpet 1 

Bb Trumpets 2-3 
 
Trombones 1-2 
 
Bass Trombone 
 
Euphoniums 1-2 
 
Tuba 
 
Electric Bass 
Ad lib; Very slowq = 54 
Percussion 1  

Percussion 2  

Percussion 3  

Percussion 4  

Percussion 5  

Percussion 6  

Celesta  
© sillyblackdogmusic/2004hold fermata
until sound
2 dies away Driving; with ever growing intensity1 q = 112  G.P.         Picc.      
2. Take flute
3            Fl. 1-2          
fade out ad lib.          Ob. 1-2      
off3              Eng. Hn.                         Bb Cl. 1      
         Bb Cl. 2-3      
         B. Cl.      
1. off           Bsn. 1-2        2. off
Saxes off           A. Sax. 1-2      
         T. Sax.      
         Bar. Sax.      
Hns. off           Hn. 1-2       Hns. off           Hn. 3-4       
Driving; with ever growing intensityq = 112G.P. 1         Bb Tpt. 1      
         Bb Tpt. 2-3      
         Tbn. 1-2     
         B. Tbn.     
         Euph. 1-2     
         Tba.     
         E. Bass     
1 Driving; with ever growing intensityq = 112G.P.
Tom-Toms (sticks) 3 3 3 3                         Perc. 1               
mf         Perc. 2      
Conga (high sound)                   Perc. 3      
mf         Perc. 4      
Large Tam-Tam l.v.           Perc. 5      
p
         Perc. 6      
              
Cel.              3poco accel.              Picc.        
             Fl. 1-2        
              Ob. 1-2        
             Eng. Hn.        
             Bb Cl. 1        
             Bb Cl. 2-3        
             B. Cl.        
              Bsn. 1-2        
              A. Sax. 1-2        
             T. Sax.        
             Bar. Sax.        
              Hn. 1-2        
             Hn. 3-4        
poco accel.              Bb Tpt. 1        
             Bb Tpt. 2-3        
              Tbn. 1-2        
              B. Tbn.        
              Euph. 1-2        
              Tba.        
              E. Bass        
poco accel.
Tom-Toms
3 3 3 3 3 3 3                                            Perc. 1                          
             Perc. 2         
Conga                                
Perc. 3         
             Perc. 4         
             Perc. 5         
             Perc. 6         
                    
Cel.                      4 poco accel.2 q = 116            Picc.       
           Fl. 1-2       
            Ob. 1-2       
           Eng. Hn.       
           Bb Cl. 1       
           Bb Cl. 2-3       
           B. Cl.       
            Bsn. 1-2       
            A. Sax. 1-2       
           T. Sax.       
           Bar. Sax.       
            Hn. 1-2       
           Hn. 3-4       
2 poco accel.q = 116            Bb Tpt. 1       
           Bb Tpt. 2-3       
            Tbn. 1-2       
            B. Tbn.       
            Euph. 1-2       
            Tba.       
            E. Bass       
q = 116 poco accel.2Tom-Toms
3 3 3 3 3 3                                     Perc. 1                      
           Perc. 2        
Conga                           
Perc. 3        
           Perc. 4        
           Perc. 5        
           Perc. 6        
Trngl.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                           
mf
Cel.                   53 q = 118         Picc.    
        Fl. 1-2    
         Ob. 1-2    
        Eng. Hn.    
        Bb Cl. 1    
        Bb Cl. 2-3    
        B. Cl.    
         Bsn. 1-2    
         A. Sax. 1-2    
        T. Sax.    
        Ba