CATALOGUE FGL 2005 NEWok.QXD

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CATALOGUE FGL 2005 NEWok.QXD

Sujets

• Arts

Informations

• Publié par: iqejilax
• Nombre de lectures: 99
• Langue: Français
• Poids de l'ouvrage: 10 Mo

Extrait

FGL PRODUCTIONS SINCE 1981 Your french partner !

FGL is not only the french indie with thelargest catalog for synchronization

FGL is not only the owner of some ofthe best collections of DVD’s in classical music(Bolshoï, Marinski…),variety and pop(Iggy Pop, Francis Lalanne, Petula Clark, Red Army Choir) andTV, Video programsfor broadcasting

FGL is not only the owner of one ofthe biggest european third-party catalogfor compilations.

FGL is also the company happy to welcome new friends in the video and music business from around the world !

SUMMARY 8 ➘ DVD’S

10 ➘ ELECTRO-WORLD / J POP / ELECTRO-POP

12 ➘ FRENCH POP

17 ➘ ROCK

20 ➘ SOUL

21 ➘ FRENCH PUNK

24 ➘ HARD ROCK - HEAVY METAL

28 ➘ SOUNDTRACKS

38 ➘ MUSICALS

39 ➘ WORLD MUSIC

42 ➘ RELAXATION

43 ➘ AMBIENCE

46 ➘ PROGRESSIVE MUSIC

47 ➘ CLASSICAL MUSIC

49 ➘ RARITIES & LIMITED EDITION

53 ➘ FOCUS ON : THE BOLSHOI THEATER, FRANCIS LALANNE, THE RED ARMY CHOIR, CIMA CIMA, IGGY POP, KENZO SAEKI, NASHVILLE PUSSY, PETULA CLARK

58 ➘ HALL OF FAME   60 ➘ INDEX

1981 to 1988: Creation of the company by three friends who are, above all, music collectors (hence the company name “F.G.L.” - the initials of the last names of each of the creators). Foundation of the labels “Eva (Mouse on the Traps)” and “Lolita,” then the re- edition of the most memorable hours of underground rock in the US and England in the 50’s and 60’s. These labels offered, among others, sumptuous editions of discs (on Lolita) “Dr. Feelgood,” “The Plimsouls,” “The Inmates,” and the famous collection of “Sound of Sixties,” “Other Half,” “Texas Punk,” “Sixties Archives (on Eva).” At the same time, the label “Axe Killer,” was born, offering incredible productions of hard rock, most of which are today researched by specialized collectors. 1988 to 1990: At the urging of the biggest French specialist of Detroit rock, the Stooges and of Iggy Pop (Bernard Cosmic Masanes), we saw the creation of the label “Revenge.” This label contributed, in no small part, to the grand return of the godfather of punk (Iggy Pop), and re- edited the most rare documents of the best gangs of the “MotorCity,” such as "MC5,” “Flamin’ Groovies,” “The Stooges,” “New Race,” “Destroy All Monsters.” The same year, the label Mantra” was born, and soon aft er “ offered a rich catalog dedicated to progressive music, considering the best recordings of Gong, Amon Duul, Dashiell Hedayat, and Tim Blake, to name a few. They were concurrently interested with contemporary music and artist including Pierre Henry and Art Zoyd, followed by the re-edition of the best titles of the catalogs of Saravah (Jacques Higelin, Carole Laure, Brigitte Fontaine). With the arrival of the 90's (having already attained an important success with 2 the second “concept album” from the

CHRONOLOGY: “Rolling Bidochons,” which garnered the Korgis, etc. FGL acquired, as well, the gold album award), the company turned rights to one of the most prestigious toward the re-edition and production of catalogs of classical music, “La Guilde the best French rock groups, such as International du Disque (The Cyclope, Les Têtes Raides, Le Cri de la International Guild of Records).” Hence, Mouche, Parabellum, etc. During this FGL became one of the most important period, the company would also re-edit independent sources which attracted the the best recordings from the catalogs of biggest collectors and compilers of the Madrigal, Saravah, and Shandar. planet for their compilation projects.

1991 to 1995: For the last decade of the twentieth century, FGL would inaugurate several ew labels, a d notably “Play-Tim ” n n e, which was consecrated to film music (above all, the biggest French composers) and successfully re-edited several original r “ d'Ane (Mu Very soon equally f music fro series. T the first t the t songs f the b French a internatio series (a signing exclusive with TVT was developing their catalogs of French songs (re-editing the most beautiful pages of our heritage at the heart of it's label Orphée), and offered several beautiful collections of salon dance music (La Collection Dansez) with their new label dedicated to this genre, “Swingmania.” Concurrently, via the signing of several British and American companies, FGL procured the rights to numerous catalogs, and became owner of a large back catalog that regrouped several important French variety artists (Lio, Robert Charlebois, Hervé Christiani, Pierre Vassiliu, Jesse Garon, Catherine Ribeiro, Eric Morena, etc.) as well as international variety (Jimmy Cliff, The

1996 to 1998: Strong, from the success of the labels (Play-Time, Mantra) our structure moved toward other musical genres that had been more or less abandoned by other companies. We relaunched “Axe Killer,” and concentrated our efforts (with - albums from Whitesnake, ryche, Gary e, etc.) as well some of the aller, but ally important e r n a t i o n a l ps (Great , The Angels, ormerly Tesla), Dog, etc). label became st important al enthusiasts nt style, FGL opened a new sector, dedicated to offering deluxe editions of French and international variety. “Anthol ' ” ffers ogy s o the most luxurious anthologies of Pétula Clark, Adamo, Marylin Monroe, etc. 1998 to today: With the label Remedy, dedic ated to rock, replacing the vide left by the label Revenge (which we decided to retire, along with the labels Eva and Lolita), we offer luxurious editions of Iggy Pop and Lords of the New Church. We also present new productions, like the now famous tribute to Prince (or The Artist

Formally Known As “Prince,” whichever you prefer), reassembling several of the biggest names in American rock and roll… Ice T, Dead or Alive, Heaven 17, etc. Of course we don't forget brand new artists, like Tito and Tarantula (discovered by Quentin Tarentino). At the beginning of 1999, we inaugurated our own internet site (www.musicentury.com) which offers to the public online sales and specialties, like listening to new titles, news, concerts, etc. At the same time, strengthened by our past experience, we developped a catalog of world music (becoming the exclusive producer worldwide, of the famous Bolchoi Orchestra and the Red Army Choir) and created a label for that genre (Kosmos). Kosmos quickly became an indispensible brand in world music. In order to manage our quickly- developing world market, we opened an office in Moscow (situated on the famous street “Arbat”) and recentely, the same in New York. All the while, our quality work has become more and more appreciated. We are developping our exchanges, and are now well installed in Japan, and the rest of Asia. FGL’s Evolving Location: Starting off in a small space which actually belonged to another company on the Rue de Vaugirard, FGL successively occupied offices on the Rue de Admiral Roussin, in the 15th arrondissement, next - 80 Avenue du Maine, followed by 10 Rue de l'Ouest (near the Montparnas se Tower). After all that we moved to a tiny space on the Rue de Glaciere, in the 13th arrondissement. Needless to say, we were happy to make the move to larger quarters on the Rue Brancion, once again in the 15th arrondissement, and finally, in oc 1994 to our present l ation (where we occupy a roomy 300 square meters), 25 Boulevard Arago, back in the 13th.

GF LPorduction’s 

Family of Labels and Catalogs: FGL is the proud parent of all the following brands: ➘
ANTHOLOGY’S ➘
AXE KILLER ➘
EVA ➘INCREDIBLE !
➘
KOSMIK KARMA ➘
KOSMOS ➘
LOLITA
MANTRA ➘ ➘
NEW MANTRA ➘
ORPHEE ➘
PLAY-TIME ➘
REMEDY ➘
REVENGE ➘
SAWASDEE ➘
SILVA FRANCE ➘
SWINGMANIA ➘
VIA CLASSIC We are the exclusive representative of the following brands: ➘
GAMMA ➘
TVT RECORDS ➘
POLY PROD ➘
FLAMOPHONE ➘
SILVA SCREEN… And we are partners with: ➘
AUSTERLITZ ➘
CULTURE PRESS ➘
KING RECORDS ➘JACQUES CANETTI PROD
➘
SIEBENPUNKT…

FGL TEAM

Thierry WOLF  Nathalie LALLEMENT Céline PASTUREL Arnaud CHATELAIN Damien LEMONNIER Catherine LAMBERT CHAIRMAN FINANCIAL MANAGER ADMINISTRATION & COPYRIGHTS NEW MEDIA PROMOTION & PRODUCT MANAGER EXPORT AND MAIL ORDER Born in Paris, July 19  Born in Amnéville, October 2 Born in Paris, January 11 Born in Ham, October 19 Born in Saint-Malo, June 6 Born in Vierzon, April 19 Astrological Sign: Cancer  Astrological Sign: Libra Astrological Sign: Capricorn Astrological Sign: Libra Astrological Sign: Gemini Astrological sign: Aries A C s hi c n e e n s d e en Z t o :  d C ia a c n : c  T e i r ger A C s hi c n e e n s d e e   n Z t o :  d S ia c c o : r   p R i a o t Ascendent: VirgoChinese Zodiac: Snake C A h s i c n e e n s d e e  Z nt o : d   i G a e c: m   i H ni orseC A h s i c n e e n s d e e   n Z t o :  d V i i a r c g :  o Cat  Chinese Zodiac: Rat Before taking charge of the fate of  After In 1990, after graduating high-    graduating high school with a  holds a master's degree Arnaud has lent his talents to Damien  started musical studies at the She our company, he was in turn, the rance specializefor mSECS,AF  inurh c ig sts ieud n s i i   s d   k n r eh a   mn i i t t i e f D i   c . n g eerlttina bngweet nerFg hcpuor A  .snumerous  dec tnreeie htla, Naophyilos in ph  dezilaiceps amopldia h it wolho id evocsderelohiphso Cy, s inél -ol sc by studying clarnite. g in Minh atdan e o s l n p o i c s am   i y c r e o p t z a i v l r ad youngest ever producer of “Radio  With her passion of harmony, she  studies (which led him to a doctor-  Damien held numerous positions  unting, which sh udied for lege, with the goal of a 4 year  P de France,” and directer of pro-  interest in other instruments took  stacco e gramming for several pioneer FM  like saxophone, guitar, bass guitar,  within the music & entertainment  in photophysics) and his musi - ate  2 years that followed. Already the degree in economy and manage- stations. Following that success,  and drums.e board he became creative editor for one  thu andecams, bi tn de naih,presn sh, eratptceace nO  .tnel raey e GL FSe. cedubyd qca e niau dethtiw tntavi eR peeres : Salesusiness  raM itekepS laicra Fe,ncVi at inrg mb vinuisre ta  ehttyhW studiedile  she yk unconttaanstact  ehtissaceb e  ema Mondeugiés dunastR féof rE“fn a denioj , g e u s a g n i e l s o a n g o n c t h i t e e   w l   a n l e i n r i n   a g i l n p a r t o   d , n h xe sa M   A d a i   c t t   e C d N t c t e r   a a h e u r m e a n   c b o y n   f fo r  eht rid otcemecahe t Hs.bee  ltsdueiac arcn,eM yncisu f gn oS ro mein Fntnt Etaer of the biggest telemarketing com-  we ) M ” i l d d   o a r Whe t e o N f a n   n t n y   e   a r o t d r   l d B i   M h b D C i e   p e a e o r g g t u o m f l e e e     t m a u   s m i a c e   t w   o d r n l e d   , e   h s t9 h . t  9 e 9 r   g 1 o o o f evo  fht   (R G     , L ) G e F     e e h h s t paj(seno he ith manyplayed w panies, and founder of companies involved in the establishment of  passion for success was such Her decided to stay. Her first responsi-  artists and bands. french  After graduation, Damien France. network ser vers for the “Minitel,”  the course of her professional  she simultaneously prepared a  His  k,  that  as a product Manager for  In  passion for new technologies  startedbility was the management of stoc (the French precursur to the inter- and planning disc manufacture.  D.U.T.  Music, label company of NRJ  meetings, and with her contribution  (the equivalent of a  led him to explore audio mastering  NRJ net) and telephone ser vices  to  Leader Radio). Then, he  different musical projects, she  as  -  (European  well as DVD authoring. He also Naturally, she gravitated toward  “Master's”) in accounting, manage (“Kiosque”). He is the author of  ment, accounting, and finally returned to  as  and administration with night  the o several works (books of ar t, popu- portunith DURO PGLanNSIOCT tni ot y F etargre  dot seitudbee or mg inttfi drive tat eh“ ocrues stoireConserva eh rroginila e e p t   i d n r m t a p r o k e   x B e M   G t g h   s o   f a c   n l   l e e F w   s a a r   r t e ne e m   t - r h a w r d d   e n r e i o l i  o j e g   u m V a o s e     t t h h- maet elaice . ps  larisation of life sciences, humor, aspirations. After that she deci  the other side of business. discover  was product manager in charge he  National des Arts & Métiers  -   and current events), and albums phers the language of numbers in  (National Conservatory of Arts and  of the compilations and the bac k  Music, new technologies and (which include several gold  Careers)”. general, and musical royalties in catalogue  In 1996 she joined the  musical  exploitation for 3 years.  creation are her main   records, for numerous concepts) - company, and took on, with zeal,  ions. among them, “Les Bidochons,” in  yenengrrayecss 1 rof gn ( sraey 0 y?adreal ehe t!)  Dhe tedchunlada pnrat idceull aors,l af oecHusi tht ehc moapyn .iW VD Department for seb s larr-e p   a y s o s cnsibespoy ofilitr eht which he is also the per former. He  She is equally our lia- spondance. on the administrative side, for the wide experience, Damien joined his alternates his functions as ar tist,  with the societies authors and son  L.continued progress of FG FGL team as head of promo- the manager, and creator at the hear t  & partnerships combined with tions producers, of which we are mem- of the company he has directed bers. a  product manager role in charge of since 1990. the supervision of artists for our var- ious labels. 3

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