School Integration Framing & Messaging
11 pages
English

School Integration Framing & Messaging

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11 pages
English
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  • cours - matière potentielle : integration
john a. powell Executive Director Andrew Grant-Thomas Deputy Director KIRWAN INSTITUTE FOR THE STUDY OF RACE AND ETHNICITY THE OHIO STATE UNIVERSITY School Integration Framing & Messaging: Toward a Transformative Conversation Becky Reno Senior Research Associate Baris Gumus-Dawes Postdoctoral Researcher
  • state university school integration
  • kirwan institute for the study of race
  • research associate baris gumus

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Nombre de lectures 15
Langue English
Poids de l'ouvrage 4 Mo

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480 BC SUMMARY
Roman art was about
Exam question:
POWER, PLEASURE & PRACTICALITY
In 480 BC, the Greeks fought a major battle
with the Persians. We consider this date to ARCHitecture
be the beginning of the _________ era.
ART: media: mosaic, fresco
a. Hellenistic b. Archaic
SCULPTURE: Realism
c. Good Times d. Classical
MUSIC: not much to say
e. Imperial
(don’t bother to copy down wrong answers!)
map
ANCIENT ROME
The Spirit of
better mapEmpire p. 72
Romulus & Remus Etruscan
Apollo from Veii
500 b.c
Life size
Baked clay
(terracotta)
Archaic Greek
influence (smile, stance)
p. 71But first some connections and
comparisons . . .
3 Roman Periods
Ancient Greek Hellenistic Age ends in
145 BC – why?• Roman Republic 509 - 27 BC
• Early empire 27 BC - 180 AD
PAX ROMANA
ends with the reign of Marcus Aurelius ROMAN• Late empire 180 - 395 AD
about 900 years CONQUEST
Other cultures 3 timelines
Ancient Egypt 3150 – 702 BC
ROME –
about 2500 years
900 years
Roman Republic Early & Late Imperial RomeChina
Shang Dynasty starts 1523 BC; more-or-less
continuous Chinese culture since then, Classical Greek Hellenistic
about 3500 years
Archaic
Greek
Qin Dynasty consolidates China,
HAN DYNASTY - CHINA Chin221-206 BC, about 16 years
Zhou Qin 3
Kingdoms
Han Dynasty 206 BC – 220 CE
classical phase of Chinese civilization, 0
about 400 years
Classical – some definitions
Roman contributions
1. [culturally inclusive] Definitive
(defining) and enduring
• Literature
2. [narrow sense] art & architecture
• Continuation of Greek models in
of Greek & Roman antiquity
art & philosophy
3. [another general sense] ‘art which
• Architectureaspires to emotional and physical
equilibrium, rationally rather than
intuitively constructed’Post & Lintel
LINTELPost & Lintel drawbacks
construction
P P
O O
LINTEL GREEK S S
P P
T T
O O
PARTHENONS S
thick thicknarrowT T
Something new
under the sun . . . Roman ARCHitecture
Pont du Gard (in France)
Arches – strength
through
compression
Inventions reached their limit a long time ago, and I see no hope
for further development. Julius Frontius, 1st century ADPantheonArchways for Aquaducts
p. 82-83
Pantheon
Pantheon plan
Interior
views
Engineering
marvel
Concrete!Missing pedimental
sculpturePantheon comments
(would have been
later used like Parthenon)Interior more
as church
spectacular than
exterior
Tuscan order of
columns (with
Corinthian capitals)
Coliseum
• Brings together the violence and the
achievements of Roman society
• Home of gladiatorial contests…man vs.man,
man vs. animal, animal vs. animal
• Seating designed for comfort with an
expandable covering over the top
• Plumbing which could wash away the blood
or create an ‘inland sea’ on which to have
mock sea battles
POWER (POLITICS) & PLEASURE
planTaxi!
Art as
propaganda
Hail, Caesar Augustus!
a.k.a. Octavian
Ruled 27 BC – 14 AD
PAX ROMANA
MEMORIZE DATE: 0
Hailing Caesar
p. 74
Ara Pacis Augustae
2:1 length:height
p. 75 Altar of Augustan PeaceColumn of Trajan
A family affair
p. 76
SCALE!
art as propaganda
p. 77
Portrait Sculpture
Livia
Augustus’
Wife
Livia
Roman Realism
Life as it is –
fidelity to natureStatue of an old market woman, 1st century A.D.; Roman
On the way to a
rite of Dionysus?
Probably
intentionally
damaged by Early
Christians
Middle Aged
FlavianYoung Flavian woman
woman
Emperor
Caracalla
Philippus the Arab,
ruled 244-249
2-D work Mosaics
• Mosaics • From Greek Hellenistic period
• Wall painting - fresco MEDIA • Tessare - colored glass
• Ceramic pieces
• Narrow color range
• Technology and artistry improves to
create what look like paintingsTrompe l’oiel
Unswept Floor Roman copy of Hellenistic original. p. 86
“fool the eye”
Roman Painting
• Fresco (buon affresco, true frecso,
compared to fresco secco, dry fresco)
• Pigment mixed with limewater and
added to wet plaster
• Wax added to surface after paint had
dried to give a sheen to surface.
Villa of the Mysteries at Pompeii 65-50 b.c.
Pompeii
Buried by volcanic eruption of Vesuvius 79 AD
Prosperous community of 25,000
p. 87
depicts initiation Rites of the Cult of Bacchus
NOT actually
religious—just
decorative
Summer house
of wine
merchant,
richest in town
Content not
currently fully
explained
Characteristic
from the Villa of Mysteries Pompeii red backgroundp. 87 p. 87From Pompeii, c. 62- 79 CE.
Sacral-idyllic (sacred and ideal) landscapes depict
allegorical scenes in Nature.
"Gardenscape"
Villa of Livia, Primaporta (Rome),
c. 30 - 20 B.C.E.
Still Life from
Herculaneum
50 a.d. SUMMARY
small town Roman art was about
near
POWER, PLEASURE & PRACTICALITYPompeii
ARCHitectureStill life – a genre
of painting
ART (2-D) – media: mosaic, frescofeaturing
inanimate objects
(usually (?) SCULPTURE: Realism
associated with
material well- MUSIC: not much to say
being)
Taxi!
KEY IMAGE
KEY IMAGE
WHAT (SUBJECT):
WHAT:
PANTHEON CAESAR AUGUSTUS
CULTURE:
WHERE:
ROMAN
ROME
IDEA:
IDEA:
ART AS PROPAGANDA
INNOVATIONS --
WHEN:ARCH, concrete
around 0
p. 74

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