The Cross-Cut

Courtney Ryley Cooper

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• Publié par: ofti
• Publié le: 08 décembre 2010
• Nombre de lectures: 15
• Langue: English

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The Project Gutenberg eBook, The Cross-Cut, by Courtney Ryley Cooper, Illustrated by George W. Gage This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Cross-Cut Author: Courtney Ryley Cooper Release Date: December 13, 2006 [eBook #20104] Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK THE CROSS-CUT*** E-text prepared by Al Haines Carbide pointing the way, he turned back, pushing the tram before him. THE CROSS-CUT BY COURTNEY RYLEY COOPER WITH FRONTISPIECE BY GEORGE W. GAGE BOSTON LITTLE, BROWN, AND COMPANY 1921 Copyright, 1921, BY LITTLE, BROWN, AND COMPANY. All rights reserved Published May, 1921 TO G. F. C. I'VE THREATENED YOU WITH A DEDICATION FOR A LONG TIME AND HERE IT IS! TABLE OF CONTENTS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV THE CROSS-CUT CHAPTER I It was over. The rambling house, with its rickety, old-fashioned furniture—and its memories—was now deserted, except for Robert Fairchild, and he was deserted within it, wandering from room to room, staring at familiar objects with the unfamiliar gaze of one whose vision suddenly has been warned by the visitation of death and the sense of loneliness that it brings. Loneliness, rather than grief, for it had been Robert Fairchild's promise that he would not suffer in heart for one who had longed to go into a peace for which he had waited, seemingly in vain. Year after year, Thornton Fairchild had sat in the big armchair by the windows, watching the days grow old and fade into night, studying sunset after sunset, voicing the vain hope that the gloaming might bring the twilight of his own existence,—a silent man except for this, rarely speaking of the past, never giving to the son who worked for him, cared for him, worshiped him, the slightest inkling of what might have happened in the dim days of the long ago to transform him into a beaten thing, longing for the final surcease. And when the end came, it found him in readiness, waiting in the big armchair by the windows. Even now, a book lay on the frayed carpeting of the old room, where it had fallen from relaxing fingers. Robert Fairchild picked it up, and with a sigh restored it to the grim, fumed oak case. His days of petty sacrifices that his father might while away the weary hours with reading were over. Memories! They were all about him, in the grate with its blackened coals, the old-fashioned pictures on the walls, the almost gloomy rooms, the big chair by the window, and yet they told him nothing except that a white-haired, patient, lovable old man was gone,—a man whom he was wont to call "father." And in that going, the slow procedure of an unnatural existence had snapped for Robert Fairchild. As he roamed about in his loneliness, he wondered what he would do now, where he could go; to whom he could talk. He had worked since sixteen, and since sixteen there had been few times when he had not come home regularly each night, to wait upon the white-haired man in the big chair, to discern his wants instinctively, and to sit with him, often in silence, until the old onyx clock on the mantel had clanged eleven; it had been the same program, day, week, month and year. And now Robert Fairchild was as a person lost. The ordinary pleasures of youth had never been his; he could not turn to them with any sort of grace. The years of servitude to a beloved master had inculcated within him the feeling of self-impelled sacrifice; he had forgotten all thought of personal pleasures for their sake alone. The big chair by the window was vacant, and it created a void which Robert Fairchild could neither combat nor overcome. What had been the past? Why the silence? Why the patient, yet impatient wait for death? The son did not know. In all his memories was only one faint picture, painted years before in babyhood: the return of his father from some place, he knew not where, a long conference with his mother behind closed doors, while he, in childlike curiosity, waited without, seeking in vain to catch some explanation. Then a sad-faced woman who cried at night when the house was still, who faded and who died. That was all. The picture carried no explanation. And now Robert Fairchild stood on the threshold of something he almost feared to learn. Once, on a black, stormy night, they had sat together, father and son before the fire, silent for hours. Then the hand of the white-haired man had reached outward and rested for a moment on the young man's knee. "I wrote something to you, Boy, a day or so ago," he had said. "That little illness I had prompted me to do it. I—I thought it was only fair to you. After I 'm gone, look in the safe. You 'll find the combination on a piece of paper hidden in a hole cut in that old European history in the bookcase. I have your promise, I know—that you 'll not do it until after I 'm gone." Now Thornton Fairchild was gone. But a message had remained behind; one which the patient lips evidently had feared to utter during life. The heart of the son began to pound, slow and hard, as, with the memory of that conversation, he turned toward the bookcase and unlatched the paneled door. A moment more and the hollowed history had given up its trust, a bit of paper scratched with numbers. Robert Fairchild turned toward the stairs and the small room on the second floor which had served as his father's bedroom. There he hesitated before the little iron safe in the corner, summoning the courage to unlock the doors of a dead man's past. At last he forced himself to his knees and to the numerals of the combination. The safe had not been opened in years; that was evident from the creaking of the plungers as they fell, the gummy resistance of the knob as Fairchild turned it in accordance with the directions on the paper. Finally, a great wrench, and the bolt was drawn grudgingly