We Three

Gouverneur Morris

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• Publié par: thyav
• Publié le: 08 décembre 2010
• Nombre de lectures: 39
• Langue: English

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The Project Gutenberg EBook of We Three, by Gouverneur Morris This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: We Three Author: Gouverneur Morris Illustrator: Henry Hutt Release Date: June 21, 2007 [EBook #21883] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK WE THREE *** Produced by Al Haines "Dark against the light illumination of the hall stood Lucy Fulton." WE THREE BY GOUVERNEUR MORRIS AUTHOR OF THE SEVEN DARLINGS, ETC ILLUSTRATED BY HENRY HUTT GROSSET & DUNLAP PUBLISHERS NEW YORK COPYRIGHT, 1916, BY D. APPLETON AND COMPANY COPYRIGHT, 1913, 1916, BY THE INTERNATIONAL MAGAZINE COMPANY CONTENTS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER XV CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XXII CHAPTER XXIX CHAPTER CHAPTER XXIII XXX CHAPTER CHAPTER XXIV XXXI CHAPTER CHAPTER XXV XXXII CHAPTER CHAPTER XXVI XXXIII CHAPTER CHAPTER XXVII XXXIV CHAPTER CHAPTER XXVIII XXXV CHAPTER XIII CHAPTER XX CHAPTER XIV CHAPTER XXI LIST OF ILLUSTRATIONS "Dark against the light illumination of the hall stood Lucy Fulton" . . . . . . . . . . . . Frontispiece "They met with an honest kiss, like lovers long parted" "It's what you and I stood up and promised before a lot of people" "'You are all that counts . . . you know that'" WE THREE I When I know that Lucy is going to Palm Beach for the winter I shall go to Aiken. When I know that she is going to Aiken, I shall go to Palm Beach. And I shall play the same game with Bar Harbor, Newport, Europe, and other summer resorts. So we shall only meet by accident, and hardly ever. We've been asked not to. But I ought to begin further back. It would do no harm to begin at the beginning. There is even a king's advice to that effect. Said the king in "Alice," "Begin at the Beginning, go on to the End, and then stop." In the beginning, then: When I was a little boy, old enough to be warned against playing with matches, I began of course to think them desirable playthings, and whenever I got a chance played with them. And I never: (1) Set myself on fire, (2) Nor anybody else, (3) Nor the house in which my parents lived with me. And yet I had been told that I should do all of these things; not often perhaps, but certainly every once in a while. Of course it is possible to do all sorts of things with a match. You may light it and blow it out, for instance. Lighted, you may put it in your mouth without burning yourself. And if you do this in the dark, the light will shine through your cheek, and if you are a fat child you will give the impression of a Hallowe'en lantern carved from a pumpkin. Or you may light the butt of your father's cigar and learn to smoke. It is one of the cheapest ways. Or you may set fire to the lower edge of the newspaper which your grandfather is reading in the big armchair by the window, and I guarantee that you will surprise him. Here is an interesting play: Light a match, blow it out, and, while the end is still red hot, touch the cook firmly on the back of the neck. If she has been reading Swinburne she will imagine that she has been kissed by a policeman. When she finds out that she hasn't she will be disappointed, and perhaps you will be disappointed, too. Oh, a match is a wonderful thing, even the wooden ones that are made on earth! You may burn a whole city to the ground. And once, I am told, there was a man who lighted a match and fired a cannon that was heard around the world. To play with matches is one thing: to play with the fire that you have lighted, or helped light, is another. And it was not until I played with fire that I did any real harm in this world (that I know about). Playing with fire I singed a moth; I singed a butterfly, and I burnt a man. If this was just the story of my own life I wouldn't be so impertinent as to hope that it would be interesting to anybody. It isn't my story, and no matter how much I may seem to figure in it, I am neither its hero, nor, I think, the god who started the machinery. Thirty-five years ago I took to live with me a middle-aged couple, who had begun to fear that they were going to die without issue. Though I say it that shouldn't, I was very good to them. I let them kiss me and maul me from morning till night. Later, when I knew that it was the very worst thing in the world for me, I let them spoil me as much as they wanted to. They even gave me the man's name, without my consent, and I didn't make a row. But I did lift my head with sufficient suddenness and violence to cause the Bishop of New York to bite his tongue, and to utter a word that is not to be found in the prayer book. I was christened Archibald Mannering Damn. But I have never used the surname with which the good Bishop so suddenly and without due authorization provided me. Certain old friends, acquainted with the story, do not always, however, show my exquisite taste and reticence in this matter. Only the other day in the Knickerbocker Club I overheard some men talking. And one of them, in a voice which I did not care for, said "Archibald Mannering—damn!" And conveyed without other word or qualification than the tone of his voice, that he had very little use for me. Well, I can thank God for putting into the world some other people who have not that man's clearsightedness and excellent powers for passing judgment upon his fellow men. So the man gave me his name and took other liberties with me, and the woman gave me her watch to break (I broke it) and took other liberties, and a second woman who called herself Nana took still other liberties with me—liberties which made me furiously angry at the time, and which even now would make me blush. Sometimes I was sorry that I had taken the man and the woman to live with me. At times they bored me. They seemed to me intelligent, and I had to choose my words carefully, and talk down to them as to a pair of children. But I got used to them gradually. And I got to like them, especially the woman. I even formed the habit of forgiving her things offhand without being asked to—Oh, my dear parents, I am only trying to poke a little fun at you! And you weren't middle-aged when you came to live with me. I only imagine that you must have seemed so to a baby whose eyes had only just come undone. Thirty-five years have rolled by —bringing, taking, and, alas! leaving behind them cares and vicissitudes, and still you seem no more than middle-aged to me. You, father, with your fine, frank weather-beaten face of a county squire with the merry smile and the wit which makes you so welcome wherever you go, even those ghosts of sorrow deep in your eyes don't make you look more than middleaged. And yet I think no hour of your life passes in which you don't recall, with a strangling at your throat, how my little sister, Pitapat, came in from the garden drooping, to you, almost always to you, when she was in trouble, and climbed and was lifted into your lap, and cuddled against you—Oh, I can't write the rest. But I tell you that I, too, sir, have recalled little Pitapat, and how she died, all on a summer's day, in her "Dada's" arms, and that the thought of what she was to you, and what such another child might be to such another man, has twisted even my tough entrails, and caused me for once, at least, to draw back from a piece of easy and enticing mischief, and play the man. And you, mother, with your face of a saint, haven't I always poked fun at you? You don't look more than middle-aged either. You look less. And yet you too have your sorrow that never dies. For you were fitted to be a mother of men, and you have brought into the world only a lovely flower that soon withered away, and a Butterfly. I don't call myself a Butterfly from choice. I only do it because I'm trying to be honest, and I think that it's just about what I am. But do we really know what a butterfly is? Have we given that ornamental (though I say it—that shouldn't) and light-minded (though I say it with shame) and light-hearted (though the very lightest of hearts must weigh something, you know) insect a square deal? I confess that only a light-hearted insect would perpetrate such a sentence as the foregoing; but wouldn't it be fun if, when the whole truth comes to be known about butterflies, we found them more or less self-respecting, more or less monogamous, occasionally ratiocinative, carelessly kind, rather than light-hearted creatures, and not insects, in the accepted sense, at all? It would surprise me no more to learn that an insect was really a man, than that a man, even so great and thinking a man as Mr. Bryan for example, was an insect. If the butterfly at lunch flits from flower to flower; and the butterfly at play flits from butterfly to butterfly; so then may the butterfly (at what he is pleased to call his work) flit from theme to theme, from subject to subject, from character to character, from plot to counterplot, and crosswise and back again. If more autobiographists realized how many difficulties may be avoided in this way, far fewer autobiographists would be heroes and many, many more would be butterflies. II Even before I was born the richer people of New York did not inhabit that city the year round, but their holiday excursions were far shorter than now, both in distance and duration. To escape the intenser heats of summer the moneyed citizen of those days sent his family to the seaside for six weeks or to the mountains. Later his family began to insist that it must also be spared the seasons of intense cold. And nowadays there are families (and the number of these increases by leaps and bounds) who if they are not allowed to escape from everything which seems to