La cinéphilie ou l'invention d'une culture - article ; n°1 ; vol.46, pg 133-142

Thierry Fremaux, Antoine Antoinedebaecque

Description

Vingtième Siècle. Revue d'histoire - Année 1995 - Volume 46 - Numéro 1 - Pages 133-142
Cinephilia or the invention of a culture, Antoine de Baecque, Thierry Frémaux.
Cinephilia is a way of watching films, of commenting them and of circulating the discourse. It is also a way of considering the cinema in its context and as an historical topic. The history of cinephilia is thus part of the cultural history touching on the relations between mass and elite culture. When studying cinephilia, one analyzes both a practice as much as social representation. Writing a history of cinephilia means holding together, in one understanding, the film and the life organized around it. It implies anchoring the vision of the film in the diversity of its sources and its context. One lises from the field of the relations between history and the cinema to a genuine history of cinema.
10 pages
Source : Persée ; Ministère de la jeunesse, de l’éducation nationale et de la recherche, Direction de l’enseignement supérieur, Sous-direction des bibliothèques et de la documentation.

Informations

• Publié par: VINGTIEME_SIECLE-_REVUE_D-HISTOIRE
• Publié le: 01 janvier 1995
• Nombre de lectures: 41
• Langue: Français
• Poids de l'ouvrage: 1 Mo

Extrait

Antoine de Baecque

Thierry Frémaux

La cinéphilie ou l'invention d'une culture

In: Vingtième Siècle. Revue d'histoire. N°46, avril-juin 1995. pp. 133-142.

Abstract

Cinephilia or the invention of a culture, Antoine de Baecque, Thierry Frémaux.

Cinephilia is a way of watching films, of commenting them and of circulating the discourse. It is also a way of considering the

cinema in its context and as an historical topic. The history of cinephilia is thus part of the cultural history touching on the relations

between mass and elite culture. When studying cinephilia, one analyzes both a practice as much as social representation. Writing

a history of cinephilia means holding together, in one understanding, the film and the life organized around it. It implies anchoring

the vision of the film in the diversity of its sources and its context. One lises from the field of the relations between history and the

cinema to a genuine history of cinema.

Citer ce document / Cite this document :

Baecque Antoine de, Frémaux Thierry. La cinéphilie ou l'invention d'une culture. In: Vingtième Siècle. Revue d'histoire. N°46,

avril-juin 1995. pp. 133-142.

doi : 10.3406/xxs.1995.3161

http://www.persee.fr/web/revues/home/prescript/article/xxs_0294-1759_1995_num_46_1_3161