Indian Why Stories  Sparks from War Eagle s Lodge-Fire
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59 pages
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pubOne.info thank you for your continued support and wish to present you this new edition. AND TO ALL OTHERS WHO HAVE KNOWN AND LOVED OLD MONTANA

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Publié par
Date de parution 27 septembre 2010
Nombre de lectures 0
EAN13 9782819928003
Langue English

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INDIAN WHY STORIES
SPARKS FROM WAR EAGLE'S LODGE-FIRE
FRANK B. LINDERMAN
[CO SKEE SEE CO COT]
I DEDICATE THIS LITTLE BOOK TO MY FRIEND
CHARLES M. RUSSELL
THE COWBOY ARTIST
GEORGE BIRD GRINNELL
THE INDIAN'S FRIEND
AND TO ALL OTHERS WHO HAVE KNOWN AND LOVED OLDMONTANA
FOR I HOLD THEM ALL AS KIN
WHO HAVE BUILDED FIRES WHERE NATURE
WEARS NO MAKE-UP ON HER SKIN
PREFACE
The great Northwest— that wonderful frontier thatcalled to itself a world's hardiest spirits— is rapidly becoming asettled country; and before the light of civilizing influences, theblanket-Indian has trailed the buffalo over the divide that timehas set between the pioneer and the crowd. With his passing we havelost much of the aboriginal folk-lore, rich in its fairy-likecharacters, and its relation to the lives of a most warlikepeople.
There is a wide difference between folk-lore of theso-called Old World and that of America. Transmitted orally throughcountless generations, the folk-stories of our ancestors show manyevidences of distortion and of change in material particulars; butthe Indian seems to have been too fond of nature and too proud oftradition to have forgotten or changed the teachings of hisforefathers. Childlike in simplicity, beginning with creationitself, and reaching to the whys and wherefores of nature's moodsand eccentricities, these tales impress me as being well worthsaving.
The Indian has always been a lover of nature and aclose observer of her many moods. The habits of the birds andanimals, the voices of the winds and waters, the flickering of theshadows, and the mystic radiance of the moonlight— all appealed tohim. Gradually, he formulated within himself fanciful reasons forthe myriad manifestations of the Mighty Mother and her manychildren; and a poet by instinct, he framed odd stories with whichto convey his explanations to others. And these stories were handeddown from father to son, with little variation, through countlessgenerations, until the white man slaughtered the buffalo, took tohimself the open country, and left the red man little better than abeggar. But the tribal story-teller has passed, and only here andthere is to be found a patriarch who loves the legends of otherdays.
Old-man, or Napa, as he is called by the tribes ofBlackfeet, is the strangest character in Indian folk-lore.Sometimes he appears as a god or creator, and again as a fool, athief, or a clown. But to the Indian, Napa is not the Deity; heoccupies a somewhat subordinate position, possessing manyattributes which have sometimes caused him to be confounded withManitou, himself. In all of this there is a curious echo of theteachings of the ancient Aryans, whose belief it was that thisearth was not the direct handiwork of the Almighty, but of a meremember of a hierarchy of subordinate gods. The Indian possesses thehighest veneration for the Great God, who has become familiar tothe readers of Indian literature as Manitou. No idle tales are toldof Him, nor would any Indian mention Him irreverently. But withNapa it is entirely different; he appears entitled to no reverence;he is a strange mixture of the fallible human and the powerfulunder-god. He made many mistakes; was seldom to be trusted; and hisworks and pranks run from the sublime to the ridiculous. In fact,there are many stories in which Napa figures that will not beartelling at all.
I propose to tell what I know of these legends,keeping as near as possible to the Indian's style of story-telling,and using only tales told me by the older men of the Blackfeet,Chippewa, and Cree tribes.
INTRODUCTION
It was the moon when leaves were falling, for Napahad finished painting them for their dance with the North wind.Just over the ragged mountain range the big moon hung in an almoststarless sky, and in shadowy outline every peak lay upon the plainlike a giant pattern. Slowly the light spread and as slowly theshadows stole away until the October moon looked down on the greatIndian camp— a hundred lodges, each as perfect in design as thetusks of a young silver-tip, and all looking ghostly white in thestill of the autumn night.
Back from the camp, keeping within the ever-movingshadows, a buffalo-wolf skulked to a hill overlooking the scene,where he stopped to look and listen, his body silhouetted againstthe sky. A dog howled occasionally, and the weird sound of atom-tom accompanying the voice of a singer in the Indian villagereached the wolf's ears, but caused him no alarm; for not until agreat herd of ponies, under the eyes of the night-herder, driftedtoo close, did he steal away.
Near the centre of the camp was the big paintedlodge of War Eagle, the medicine-man, and inside had gathered hisgrandchildren, to whom he was telling the stories of the creationand of the strange doings of Napa, the creator. Being a friend ofthe old historian, I entered unhindered, and with the childrenlistened until the hour grew late, and on the lodge-wall the dyingfire made warning shadows dance.
WHY THE CHIPMUNK'S BACK IS STRIPED
What a splendid lodge it was, and how grand WarEagle looked leaning against his back-rest in the firelight! Fromthe tripod that supported the back-rest were suspended his weaponsand his medicine-bundle, each showing the wonderful skill of themaker. The quiver that held the arrows was combined with a case forthe bow, and colored quills of the porcupine had been deftly usedto make it a thing of beauty. All about the lodge hung thestrangely painted linings, and the firelight added richness to bothcolor and design. War Eagle's hair was white, for he had known manysnows; but his eyes were keen and bright as a boy's, as he gazed inpride at his grandchildren across the lodge-fire. He was wise, andhad been in many battles, for his was a warlike tribe. He knew allabout the world and the people in it. He was deeply religious, andevery Indian child loved him for his goodness and brave deeds.
About the fire were Little Buffalo Calf, a boy ofeleven years; Eyes-in-the-Water, his sister, a girl of nine; FineBow, a cousin of these, aged ten, and Bluebird, his sister, who wasbut eight years old.
Not a sound did the children make while the oldwarrior filled his great pipe, and only the snapping of thelodge-fire broke the stillness. Solemnly War Eagle lit the tobaccothat had been mixed with the dried inner bark of the red willow,and for several minutes smoked in silence, while the children'seyes grew large with expectancy. Finally he spoke:
"Napa, OLD-man, is very old indeed. He made thisworld, and all that is on it. He came out of the south, andtravelled toward the north, making the birds and animals as hepassed. He made the perfumes for the winds to carry about, and heeven made the war-paint for the people to use. He was a busyworker, but a great liar and thief, as I shall show you after Ihave told you more about him. It was OLD-man who taught the beaverall his cunning. It was OLD-man who told the bear to go to sleepwhen the snow grew deep in winter, and it was he who made thecurlew's bill so long and crooked, although it was not that way atfirst. OLD-man used to live on this world with the animals andbirds. There was no other man or woman then, and he was chief overall the animal-people and the bird-people. He could speak thelanguage of the robin, knew the words of the bear, and understoodthe sign-talk of the beaver, too. He lived with the wolves, forthey are the great hunters. Even to-day we make the same sign for asmart man as we make for the wolf; so you see he taught them muchwhile he lived with them. OLD-man made a great many mistakes inmaking things, as I shall show you after a while; yet he workeduntil he had everything good. But he often made great mischief andtaught many wicked things. These I shall tell you about some day.Everybody was afraid of OLD-man and his tricks and lies— even theanimal-people, before he made men and women. He used to visit thelodges of our people and make trouble long ago, but he got sowicked that Manitou grew angry at him, and one day in the month ofroses, he built a lodge for OLD-man and told him that he must stayin it forever. Of course he had to do that, and nobody knows wherethe lodge was built, nor in what country, but that is why we neversee him as our grandfathers did, long, long ago.
"What I shall tell you now happened when the worldwas young. It was a fine summer day, and OLD-man was travelling inthe forest. He was going north and straight as an arrow— looking atnothing, hearing nothing. No one knows what he was after, to thisday. The birds and forest-people spoke politely to him as he passedbut he answered none of them. The Pine-squirrel, who is alwaystrying to find out other people's business, asked him where he wasgoing, but OLD-man wouldn't tell him. The woodpecker hammered on adead tree to make him look that way, but he wouldn't. TheElk-people and the Deer-people saw him pass, and all said that hemust be up to some mischief or he would stop and talk a while. Thepine-trees murmured, and the bushes whispered their greeting, buthe kept his eyes straight ahead and went on travelling.
“The sun was low when OLD-man heard a groan” (hereWar Eagle groaned to show the children how it sounded), "andturning about he saw a warrior lying bruised and bleeding near aspring of cold water. OLD-man knelt beside the man and asked: 'Isthere war in this country? '
"'Yes, ' answered the man. 'This whole day long wehave fought to kill a Person, but we have all been killed, I amafraid. '
"'That is strange, ' said OLD-man; 'how can onePerson kill so many men? Who is this Person, tell me his name! 'but the man didn't answer— he was dead. When OLD-man saw that lifehad left the wounded man, he drank from the spring, and went ontoward the north, but before long he heard a noise as of menfighting, and he stopped to look and listen. Finally he saw thebushes bend and sway near a creek that flowed through the forest.He crawled toward the spot, and peeri

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